Finally, the last one of these. And hey, it's the best one in the series. We go back to the beginning of Bond's career, to his very first kills which earn him his 00 status. From there it's the opening credits, which depict Bond fighting a lot of dudes instead of ladies made out of strange substances dancing, helping clue the audience in that this is a bit of a different Bond than we're used to. I've been told that Craig's take on the character is closer to the one found in the original novels by Ian Fleming; cold-hearted and ruthless instead of a playful scoundrel. In some ways he's actually a better person than the one we're used to, though. The old guy would do anything and everything to get with almost any girl he met, while this one stops romancing a married woman after getting the information he needs, and only has sex after he's fallen in love. He's pretty brutal when it comes to his job, but he still has some sort of moral compass, or so it seems. And you can't give him total credit for leaving the first encounter early, since it was necessary to stop an airport bombing. But you get my point, right?
Elsewhere, the movie still holds up for the most part. All the poker scenes in the second act could have been a big momentum killer, but they're exciting enough on their own, and when interspersed with all the stuff like angry Ugandan militants with machetes and self-applying a defibrillator, it's a pretty darn good segment. The reintroduction of Felix Leiter was welcome (Wright is the first guy to have the role in consecutive appearances), and the development of the relationship between Bond and Vesper is the best in... well, probably ever. After a torture scene that is brutal without being explicit yet still entertaining, the third act has some slightly clumsy dialogue before the final betrayal and large action scene in a collapsing building. The whole sequence is pretty effective, and completely sets up the mindset and character arc for Bond in the next movie. It's nice to see the character be used like a person instead of just a vehicle to some snappy jokes and outlandish action, and there really isn't much about the film that doesn't succeed. And with that, this stupid project finally comes to a close.
James Bond stats
Theme song: "You Know My Name" by Chris Cornell
Foreign locations: Prague, Madagascar, Bahamas, Miami, Montenegro, Italy
Bond, James Bond: 2:20:00
Martini shaken, not stirred: 1:14:15 (full recipe), 1:31:15 (unspecified), 1:33:40 (poisoned), 1:43:30 (named the Vesper)
Ladies seduced: 1
Chases: 3
Kills: 11, plus explosion victims
Non-lethal takedowns: 4
Quantum of Solace James Bond stats
Theme song: "Another Way to Die" by Jack White and Alicia Keys
Foreign locations: Italy, Haiti, Austria, Bolivia, Russia
Bond, James Bond: Not uttered
Martini shaken, not stirred: 51:15 (six)
Ladies seduced: 1
Chases: 4
Kills: 13, plus explosion victims
Non-lethal takedowns: 14
Wednesday, October 14, 2009
Casino Royale
Tuesday, October 6, 2009
GoldenEye
We're finally into the Bond movies I've definitely seen all the way through. The gap between the last film and this one was the longest in the series' history, and they even talked about rebooting it like they would end up doing 11 years later. They probably should have, because there's no reason it had to be tied to the existing continuity. Desmond Llewelyn as Q is the only returning actor, and the hiatus between films did him absolutely no good. He's always been an old guy, but he never looked like this. Pierce Brosnan is a solid Bond, but it's weird how the opening sequence supposes something that happened nine years earlier, when the character was in transition between Moore and Dalton. Judi Dench takes up the role of M, with them needing to explain she's a successor to the old one thanks to the switch in gender, and it's weird how she refers to an actor 18 years her junior as a "dinosaur of the Cold War". Despite these little things, it's a good film, the best in the series in a while.
It's in a slightly weird position, stuck right before CGI really took off in films, and it's a little strange to see so much slightly obvious work with miniatures for the first time in the series, right before the shift into computer effects. As they enter the 90s, the sex scenes become more explicit, especially a scene where Famke Janssen (the only significant female villain in Brosnan's films that he doesn't bone) kills a guy in coitus. There's also an increase in violence; Bond's kill total jumps into the twenties as he is seen firing a machine gun wildly into a crowd as several go down at once for the first time. Robbie Coltrane is a cool Russian guy, and Sean Bean's character is interesting. I mean... yeah, he's the villain. He betrays 007. Sorry, the movie's 14 years old. It's cool to see him "die" in the beginning only to come back as an adequate, fairly rape-y antagonist. If you've ever noticed, Bean gets a lot of roles where he either dies or disappears early or gets fucked over in some way, to see it subverted before it ever became a thing is neat. Anyway, Brosnan's first Bond film was his best, and still pretty good.
James Bond stats
Theme song: "GoldenEye" by Tina Turner
Foreign locations: Russia, Monte Carlo, Cuba
Bond, James Bond: 20:25
Martini shaken, not stirred: 20:05
Ladies seduced: 2
Chases: 2
Kills: 26, plus explosion victims
Non-lethal takedowns: 7
Thursday, March 29, 2007
Best Movies of 2006
I saw several decent movies in 2006, such as The Good Shepherd (Well acted, interesting subject matter, way too slow), Pirates of the Caribbean: Dead Man's Chest (Pretty much the right amount of stupid), Superman Returns (Admirably crafted but wallows in the superhero movie pit of too many special effects and not enough real action) and X-Men: The Last Stand (Entertaining but unfocused and far from the greatness of the second). I consider the five below to be the best of the year.
Best of 2006
5. A Scanner Darkly
They've made a bunch of movies based on Phillip K. Dick's writings, and they usually seem to turn out pretty good. Paycheck didn't turn out so hot, but I loved Total Recall and Minority Report, and I still haven't seen Blade Runner but from what I heard that was good too. A Scanner Darkly is a little different though, instead of just being a normal science fiction movie, it's a much more personal story, as it's based on Dick's own experience dealing with drug addiction. It has some cool futuristic ideas like the suits that distort the wearer's appearance to be unidentifiable, but instead of having big action scenes, it focuses on Keanu Reeves' character and his internal struggle.
Near the end the plot gets a little tighter and actually has a twist or two, but most of the movie is the discussion between him and his boss and doctors, and humorous interactions with his drug buddies Woody Harrelson and Robert Downey Jr., who both excellently portray uniquely hilarious and disturbed characters. They're more outwardly crazy than Reeves, but his character's addiction to the drug that's filled the streets is deeper, and he handles his role well for someone whose acting is so universally derided. You can't mention the movie without pointing out the animation that's applied over the entire picture, and I think it doesn't only look cool but also serves to illustrate the strangeness of Reeves' world. It was mostly overlooked, and I think that's a shame.
4. Little Miss Sunshine
What's interesting about this movie is how, despite the somewhat depressing state of dysfunction this family is in, it still manages to come out in the end with a good feeling. I love well-executed dark humor, and this movie is filled with sometimes painfully hilarious jabs at how crappy normal life can sometimes be. You can feel this family's frustration with each other, but they are all able to stick it out in order to bring some happiness to their youngest member. I really liked the acting, everybody seemed perfectly cast in their roles and did them well. I'm not sure Alan Arkin's work was really Oscar worthy, but he was the source of a lot of the best laughs.
3. Casino Royale
This is, in my opinion, the best James Bond movie. In my opinion, that's also not saying a lot, but it's still a good film. The James Bond series has always been about stupid fun, big action scenes, some good-looking women, cool gadgets and a few laughs. This tries to be a little more of a real movie, and it's still got a lot of the James Bond silliness, but I still think its style fits in more with the current era. I was a bit skeptical of Daniel Craig as Bond, as he didn't look the part to me, but that's kind of the point. The new Bond has a rougher edge and maybe's a little more brutal than he used to be, and is very well handled by Craig's skills. The plot is differently paced than usual as well, there are some solid action scenes, but a lot of it is focused on the characters, and the entire last act is a little unusual. Some of the characters' actions don't make much sense in retrospect, but I'd say overall the writing is pretty solid, and it's nice to look at too. Secret lairs in exotic locations will always have their place, but this is what today's James Bond should be.
2. Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan
Question: How does a movie that's based on improvisation and real people who haven't even seen a script get an Oscar nomination for Best Adapted Screenplay?
Answer: By being insanely hilarious and popular to the point that they probably felt they should recognize it somehow. I never really saw Sacha Baron Cohen's Da Ali G Show on HBO, but I feel like I probably should, since it's where the Borat character started. Cohen's a comedic genius, his ability to riff on people and get the perfect reactions out of them is amazing, in addition to just being great at creating a hilarious character. The movie has decent amounts of both planned out jokes and goofs on normal Americans that are played by ear, and it adds up to comedic gold. The theater was full and laughing its ass off the entire time. It's not the kind of movie that you talk about for its direction and contributions years later, but that's not what it wants to be.
1. The Departed
It's not the kind of movie I'd hang my hat on as a true, amazing, undisputed best picture of the year type thing, but it's still very good and deserving of this year's honor (Noting that I don't see a ton of movies every year). I'd like to see Infernal Affairs, the Hong Kong movie it's based on, and see how much of The Departed really came from that directly. The plot is a rock solid crime movie filled with double-crosses and whackings, and it's set in the gorgeously filmed city of Boston. Everyone pulls of their accents well, and manage to create one of the strongest ensemble casts I've ever seen. DiCaprio, Damon, Nicholson, Sheen, Wahlberg, Baldwin, and a good group of smaller names all bring their A game, and it's really just an exceedingly fun to watch affair. The world needs more movies featuring likable, good actors betraying and beating the crap out of each other.
Delayed Entries
Again, these are movies worth mentioning that were released before 2006 but I didn't see until then.
Citizen Kane
I wouldn't go so far as others as to call this the greatest movie ever made, although I can see where that distinction would come from. The directing and cinematography are amazing, every shot is beautifully planned and rendered. It really is a how-to video of interesting and meaningful filmwork. It's also brilliantly acted, all of the main players are good, and Orson Welles is great as both a young entrepreneur and an old curmudgeon. I think it definitely drags in the latter half, and I can't bring myself to honestly say I like it more than some less stately, but more enjoyable other movies.
Annie Hall
I've never been a huge Woody Allen fan, but this is definitely a terrific movie. The dialogue is very funny, and it creates a whole lot of things that will become staples of off-beat comedies in the future, like subtitled translations of what people are really saying, and breaking the fourth wall as the star directly confers with the audience. It's not just a comedy though, it's a well-filmed and acted story of love and how it can go wrong. It's not your typical story where everything turns out right in the end, it's a realistic examination of human relationships, and really admirable in its execution.
My guess is there's other movies that belong here that just haven't come to mind.