Tuesday, December 11, 2007

No Country for Old Men



The Coen brothers are probably my favorite directors, although Ethan had only been getting producer credit until a couple years ago. He and Joel seem to be able to work successfully in any style. They traditionally write everything they do, although their last few screenplays have been based on other peoples' stories. The last couple weren't that great, but they were able to buck that trend with this adaptation of a novel of the same title by Cormac McCarthy. As a piece of normal entertainment, No Country doesn't work that well. It's not designed to be simple fun like a lot of their work. It's a return to a dark mood they last dabbled in with Fargo (unless The Man Who Wasn't There is like that) and only really explored in their very first film, Blood Simple. There is some black humor, and some of it's pretty funny. But at its core, No Country is a mean-spirited, depressing film, and a slow paced one at that, so it's definitely not for everyone.

A large part of my appreciation for the movie comes from the brilliance with which it's filmed, edited, and acted, and not from enjoying some parts of it. It's the kind of movie that puts off a lot of normal people while it gets nominated for critic awards. Not to say it's a boring or bad movie, though. Ignoring the deeper themes, as a thriller, it works quite well. Javier Bardem is one of the best movie villains in years, deeply psychotic in his calm determination to kill anyone who even gets a good look at him. There are some extremely tense scenes as he pursues Josh Brolin, who's also good as a likable, resourceful normal guy who ends up in an unlucky situation. Tommy Lee Jones plays an old sheriff getting ready to retire, and a lot of the story is really about him coming to terms with what his life's been. The movie takes a strange turn near the end, and I know some really hated the way it closed out. But it does all make sense if you view it in the context of what they're trying to say. I don't think it's the kind of movie I'd watch many more times, but real fans of cinema should see it.

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