Monday, December 10, 2007

Psycho



Everyone knows Psycho for the shower scene, and I think it's a bit of a shame that nowadays it's mentioned more for its screeching violins than its quality as an actual film. Hitchcock knew how to spin a yarn, and he was in fine form here, crafting a horror masterpiece. Back when it was made, filmmakers couldn't (or wouldn't) show anything too graphic, so the more violent things always occurred off-screen or were obscured in some way. It's interesting to note that in that famous scene, the knife is never shown entering or leaving her body, it's all implied. The genre was about suspense, not shock value, and audiences were kept entertained by good acting and writing instead of buckets of fake gore. I've never been a fan of that kind of movie (although I do find myself very entertained by a good zombie flick), but Psycho was good.

It takes a while for Psycho to get going, and it's quite some time before anyone actually gets attacked. Hitchcock takes great time to define the first victim, and there's much more emotional impact to a character's death when you've been following them for over half an hour. It's pretty impossible to not know now who the villain is, so I was watching without the added enjoyment of the story twists that were probably pretty crazy back in the day. But I could still appreciate it for the skill with which it was put together. Everything in the movie's a little less scary and more awkward now, but it was still interesting throughout. Like Rear Window, voyeurism is a theme, and it always kind of seems like you're watching something you shouldn't be. If you can stomach old movies and haven't seen it for some reason, take a look.

No comments: