Wednesday, December 9, 2009

Taxi Driver



It's sort of hard to articulate my thoughts on Taxi Driver. It's a character study of a man who at first appears relatively normal except for perhaps too strong of a negative opinion regarding the other people in his environment, yet as it goes on he quickly becomes more and more psychotic. He talks about how the streets should be cleaned up, eventually deciding he should be the one to do it. I'm a little unclear on the amount of time the film covers. It doesn't feel too long, but the character undergoes a lot of change and some telling details are sort of skipped over. A lot of the film is just him watching the world around him, though it never gets boring and it's punctuated by moments of grave intensity, including the totally alarming climax which is only hampered slightly by the dated special effects. It's really a movie propelled by Robert De Niro's performance, at different times charming, pathetic, and harrowing, and without which I'm not sure the film succeeds.

His is not the only good performance, with Harvey Keitel making the despicable pimp of an underage girl somehow a bit likable, and Jodie Foster holding her own in an early role as said prostitute. There's some early stuff at a campaign center with Albert Brooks and Cybill Shepherd that doesn't really seem to fit with the rest of the movie but provides a bit of relief from De Niro's ever-deepening dementia, and also provides a glimpse at where his mind is truly headed. It's a good collaboration between director Martin Scorsese and writer Paul Schrader, just one of many, as they somehow make the unusual story work. I'm not sure I agree with every decision Scorsese makes, but most of it succeeds and it seems pretty groundbreaking for 1976. The ending is definitely odd and can work with a couple different interpretations. At first it seemed to come out of nowhere and mesh poorly with what I had seen just before, but in hindsight I think it works better than something closer to what I was expecting. I still feel like there's something just a bit off with the whole thing, but it's certainly a staple of the decade and has me wanting to watch more by both the director and the lead.

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