Movie Update 6

I saw some more movies. They were all pretty good. Some won awards!

Amadeus


Much like Milos Forman's earlier One Flew Over the Cuckoo's Nest, this won a ton of Oscars including Best Picture, Best Director, and Best Actor, this time for F. Murray Abraham as a Vienna court composer who had an equal amount of hate and admiration for Wolfgang Mozart. This was kind of an odd movie, with Mozart being shown as both a master of music and kind of a clownish person, and some of the performances felt a little off. It managed to stay interesting for three hours though, and I loved the way it depicted the writing and reading of music. Lots of interesting classical music throughout, even if some of the opera segments seemed to drag on a bit. Abraham really is good too, especially in the scenes when he's older.

Cinema Paradiso


I definitely feel conflicted about this one. I thought it was too long, at almost three hours, especially since the version to actually receive accolades was almost an hour shorter. On the other hand, the shorter version cuts a subplot that I felt added a lot of actual meaning to the story, which makes me wonder which version I actually would have preferred. It's a story about many things; the love of film, a romance that ended too soon, and a man's friendship with a mentor, whose death kicks off the flashback-heavy plot. The first thing came through the best, especially in the final scene of the movie, which is remarkably touching. And Ennio Morricone's scoring can make any movie better. Not great, but there's a lot of heart in it.

Downfall


For all of the terrible things that happen in this movie, about the final days of Nazi Germany's role in World War II, it didn't seem quite as sad as it maybe should have been. There's something just a bit clinical about all of the failure and suicides that add up over time, preventing it from becoming soul crushing but also from being a truly great film. Bruno Ganz is terrific as Hitler though, not really making him sympathetic (who would want that?), but making him seem like a person instead of an inscrutable monster. It overcomes the dozens of videos that put silly subtitles over one of the film's most dramatic moments, which is certainly worth noting.

Red Beard


Akira Kurosawa's final black and white film, and his final collaboration with Toshiro Mifune, is another solid creation from a director that I respect more than I enjoy. If it was just the story of a young, talented doctor coming to work for a gruff but singularly brilliant aging medical talent, I might have liked it more, but too much time was dedicated to the sob stories of many of their patients, which never seemed worth the time they tacked onto yet another three hour marathon of a film. No single scene is bad, and almost all of them are pretty remarkable from a pure film making perspective. I just wasn't interested in watching a lot of them. It makes the story seem choppy and missing some sort of focus. Mifune is again amazing though, impossibly awesome and captivating regardless of the age of whatever character he happens to be playing. That only fifteen years passed between Rashomon and this speaks to his talent. Which is what makes it mystifying that they never worked together again after this, though I'm sure there were plenty of factors.

One Flew Over the Cuckoo's Nest

This was the second movie I saw in a row to win those five major Oscars I mentioned, and the second time one of those was a bit fishy. Louise Fletcher does a very good job playing the movie's strict authority figure Nurse Ratched, but it's hardly a lead role. Jack Nicholson's a much better fit for that kind of award, and gives probably the best performance of his that I've seen as McMurphy, a criminal who gets transferred to a mental institution, even though there might not be anything really wrong with him. I still don't quite get why he's one of his generations most beloved actors, because I feel like his whole manic persona is interesting but not particularly difficult for most good actors to pull off. But it's a good performance in the center of a movie filled with them.

Really, if nothing else, the film has a king's ransom of good actors plying their craft in one of the most easily respected ways: as an insane person. There's a variety of mental issues on display, and no one out of the group, famous or not, doesn't pull it off well. Some guys do a good job in their wheelhouse, like a very recognizable Christopher Lloyd, but a couple completely disappear into their parts and I was shocked to learn that they were in the movie after the fact. Brad Dourif is practically a teenager, also getting an Oscar nomination for his portrayal of a troubled and suicidal young man, and Danny DeVito is also surprisingly invisible as Martini. Of course, Jack is the center of attention, as the movie is about how he shakes things up inside the ward after he gets admitted, and what impact if any he has on the men inside after he leaves. Another very good movie, and one that's nice to finally check off my list of shame.