Up in the Air

Jason Reitman is now three for three with me when it comes to make films that are both very funny, and touching or moving on at least some level. He's back to directing his own screenplay here, although it's again based on a book, though one that doesn't seem easy to translate to the screen. It's about a man played by George Clooney who travels all over the country all year long firing people for companies who don't want to get their hands dirty doing it themselves. He spends most of his days getting yelled at and pleaded with by all of the people he breaks the bad news to, and has developed a highly optimized system and unusually disconnected philosophy of living, where he feels no real attachment to anything where he lives when not traveling or even his family, and merely goes about his job, sleeping with the occasional fellow traveler and racking up millions of frequent flier miles.

The scenes showing him go about his routine are slickly filmed and edited, and the role fits Clooney like a glove, a little smarmy and arrogant but not unlikable. But of course that's not the whole movie, as things start to change when two women entire his lives. The first is a talented new colleague played by Anna Kendrick who has come up with a way to use the internet instead of flying everywhere to do their jobs, which could eventually phase out the travel aspect of his job completely. The second is an attractive fellow frequent flier played by Vera Farmiga, who's interesting enough that he eventually develops deeper feelings toward than just wanting to get her in bed. The three all got nominated for Oscars, and they're all fairly outstanding in the film. Clooney gets closer to both women over the course of the story, and they both help him grow as a person, and at least attempt to get something more out of his life. Jason Bateman is also good as Clooney's boss, and there's plenty of small appearances by recognizable, solid comic actors like Danny McBride and J.K. Simmons that add flavor to the scenes they're in.

I can see an argument that Up in the Air is style over substance, and that it's capitalizing on the bad economy and job market to appeal to people emotionally. But I thought that stuff made all the scenes of the characters working have more weight and importance, and I can't help but wonder why people wouldn't want to see such a well crafted and produced film. Right from the stylish and classy opening credits, the film is just impeccably put together, and immensely satisfying and enjoyable from start to finish. I guess I can see how one would think Jason Reitman's style is just a touch too polished, too spot on, not experimental enough. But I think people might not give him enough credit for just being good at getting the little things right. The cast and their performances are great, the script is tight as a drum, and the film has a lot of powerful moments without hitting you over the head with them. Little stuff here and there that adds up over time to a film that is at no time annoying or boring or nonsensical. It all fits together into a movie that I have a hard time seeing anybody call their favorite, but that very few should have difficulty liking. And I liked it a lot.

Forgetting Sarah Marshall

I only recognize Jason Segel as the moderately creepy friend of the main character in Knocked Up, but it turns out he can write and carry a good comedy too. Nicholas Stoller is another one of Judd Apatow's cronies who have been getting their directorial debuts in movies he's produced, and again, he's fine at effectively filming scenes, if not adequately pacing things. It's a little too long, and it seems like it keeps going after the conflict should be over. Still, it's a funny movie and I enjoyed it quite a bit.

After getting left by his girlfriend, played by the cute Kristen Bell, for a rock star played by Russel Brand, Segel goes to Hawaii to try and get away, only to discover they're staying at the same hotel. Little trite of a plot for a movie, but they make it work. Mila Kunis is the girl he turns to to help get over his problems, and of course things develop from there. Surprisingly, I think my favorite character in the movie is the rock star. Normally he'd be a huge jerk that would probably get bit by a shark or something, but he's always funny and actually gets a bit sympathetic eventually. Some other recognizable faces make humorous appearances, and male genitalia is used to comedic effect multiple times. It's not as smart as some of the other Apatow stuff, but I liked it most of the way through.

Smokin' Aces

I checked this out for roughly the same reasons as the last two movies, but it's not really that similar to them. Carnahan's script tries very desperately to be smart and stylish, although it only partially succeeds at times. There are a lot of different characters with similar amounts of screen time, and it was a little difficult to even say who the stars were, so I just went with the two "good" guy feds. I think Ryan Reynolds should probably stick with comedy. Part of me wants to say he's fine in a serous role, but I think that's really just thinking he can grow a pretty nice beard. Ray Liotta never did that much with his career after Goodfellas, although he always seems to do a good job when he appears. Plenty of other large and small names make appearances, from Ben Affleck to Jason Bateman to Jeremy Piven to Andy Garcia and a bunch of people you probably don't know by name but recognize when you see them. Common and Alicia Keys also make their acting debuts, and they're not bad enough that I'd want to make a lame comment about sticking to their music careers.

All of these characters lead to a lot of craziness that could turn into a jumbled mess, although it never does. Basically, Smokin' Aces is a movie about a couple of FBI guys going to pick up Piven's character (nicknamed "Aces"), a mob witness, before a plethora of hitmen descend on him to pick up the seven figure reward on his head. They all want to smoke Aces. Get it? Chaos ensues, with lots of shooting and stabbing happening everywhere all over a casino. It's over the top most of the time, with hookers running around, sniper rifles so powerful they can knock you over, and a trio called the Tremors adding plate armor and chainsaws to the mix. A bunch of fairly entertaining stuff happens with the requisite subterfuge and betrayal before the rug is pulled out with a plot twist after all the action's died down. A few plot points seem a little vague, but it's a decent enough story in the end. The movie's never as thoroughly entertaining as it obviously wants to be, but it wasn't too bad. If anything, it does well balancing all the pieces it throws in the air.

Juno

Part clever indie teen comedy, part real drama about pregancy and love, Juno is a great movie. The script is really pretty terrific, and almost the whole cast carries it well. Some of the lines can seem a little strange or out of place, but it's not another Napoleon Dynamite, it's a smart, funny movie with a good heart. Ellen Page is very good as the titular Juno, a not-quite-so normal teenager who finds out she's been impregnated by awkward classmate Paulie Bleeker, played well by Michael Cera. I'm not sure if his character was actually supposed to be strange or not, but it seemed to work with the movie. Juno eventually decides to give the kid up for adoption and finds a nice couple, but things might not be quite what she thought.

Some people would get turned off by the whole quirky vibe, but it didn't bother me. The only aspect I didn't like was the soundtrack, full of poorly played music that wasn't that bad, it just didn't seem to add anything at all. It's very funny throughout, with good dialogue that never gets uncreative or resorts to childish jokes. As the plot actually develops, it gets pretty interesting, as you actually feel for the characters and when they mess up, you actually have feelings about it. The entire cast does a great job with it, and the conclusion comes a little fast but worked for me. I expected to probably like this movie, maybe not that much, but I came out really loving it.