How I Met Your Mother - Season 6

I'm a little conflicted about this season. On one hand, it was funnier and more clever than last year, when the show was still pretty good but didn't quite have the creative spark it did earlier. The gimmicks came back in a big way, and while relying on tricks to get by can seem tacky and often result in stuff that just doesn't play well, this show makes it work. It's part of its charm - the jokes aren't usually as sharp as some better comedies, but the cast is a lot of fun and they're always trying new things, messing around with time and hidden clues. I think this season did well with that stuff, and it was generally funny too.

On the other hand, the amount of progress we're making towards the show's promised end game is pretty pathetic. I know it's silly to complain about the overarching plot in a sitcom, but the show is called How I Met Your Mother, and every single episode features Bob Saget using narration to frame the story within the context of his long journey towards maturation and finally meeting the woman of his dreams. All we really learned this year is that Ted won't meet her until he's at someone else's wedding, and now we have to wait for that character to get married before he can really get anywhere. I believe the show has been renewed for two more seasons, and if that marks the show's end and he doesn't meet her until the finale - well, eight years is a heck of a lot of background to give your kids before you get to the point of the story.

Again, it's a sitcom - the point of the show is to entertain the viewer with jokes and likable personalities. But the writers of this show have always obviously put more effort into the story that you have to in these cases, and I just want it to pay off. We don't really know if the show will end when they meet or if it will keep going to show how they get together, though the former seems more likely as each season passes by without them meeting, and the hints and gotchas are starting to become a strain on the series, and a satisfying ending seems like a difficult proposition. Not that they can't do it, but I'll be impressed if they do.

The whole issue is affecting the week by week course of the show, too. It's gotten to the point where I can no longer give a crap about any of Ted's relationships anymore, because I know that these women aren't going to end up mattering. This entire season found him balancing a woman with a professional conflict she caused, and it was frustrating because I knew, and the writers knew, and everyone knew that it was a dead end. The show has had success here in the past, but it's starting to not work anymore. Luckily Marshall and Lily were really strong this year, particularly Jason Segel's Marshall, who had probably the best single season of development and growth of anyone yet in the series. Their family changed and and moved forward while Ted and to a similar extent Robin and Barney basically spun their wheels. I'm going to keep watching the show because it's still fun and I still have hope for the long term elements, but I'm definitely less confident than I was before.

Freaks and Geeks

Freaks and Geeks is a show from a decade ago that was liked by everyone who saw it. Unfortunately, the number of people who saw it was too small, and it was canceled after one season. It's still relatively well known today though, because it was produced by and starred several names that are still big today, most notably Judd Apatow and his favored actors Jason Segel, James Franco, and Seth Rogen. The trio form the "freaks", new friends of protagonist Lindsay Weir who prefer smoking pot and jamming in their garage band to focusing on school work. Lindsay's young brother Sam and his two friends played by Samm Levine and additional Apatow veteran Martin Starr are the geeks, who have less trouble with grades but have to worry about bullies and getting girls to notice them.

The cast is rounded out by Busy Philipps as Franco's girlfriend and the Weir siblings' parents, both of whom I don't recall seeing elsewhere but add a lot to the show, especially Joe Flaherty as the stern but lovable father, who might actually be my favorite character despite the good work by the more famous cast members. There's also a ton of easily recognizable actors in supporting and guest roles, such as David Krumholtz as Levine's older brother, Jason Schwartzman as a guy who can get fake IDs, Shia LaBeouf as the former school mascot, Joel from Mystery Science Theater 3000 as a guy who won't let disco go, and Biff from Back to the Future as a somewhat misguided but well-meaning gym teacher.

The show takes place in the early 80s, but it has a more timeless feel thanks to the nature of the storylines, which probably won't be going away for a while. Lindsay is tired of being an ace student and wants to have new experiences, frequently butting heads with her parents' wishes. And Sam and his friends try to deal with getting embarrassed in class and wondering if they'll ever find a way to get more friends, or at least stop getting picked on. I saw a lot of the show when it was on air, but I've been meaning to go back and watch the whole thing for a while. Once I did, it was like I had never stopped watching. Some of the moments they go for are a bit cheesy or forced, but for the most part it's one of the most realistic takes on the high school experience you'll ever see in the media, especially from the outcast's point of view. It struck a chord with me being pretty similar to the geeks especially, as they ask for video games for their birthdays and play Dungeons & Dragons instead of going to parties.

Sam and Lindsay get the most screen time, but pretty much every main character has a real chance to shine despite only 18 episodes being made, like Starr's mother dating a teacher and Levine discovering his father's secret in one of the greatest ever TV moments. Among the students, Franco and Segel give the best overall performances, and Segel's troubling emotional and domestic issues in particular are well handled. I don't know what the plan was if the show got a chance to really grow, but what there is here is just a unique experience, pretty much perfect for what it tries to be. I can't imagine many people not seeing at least one sympathetic character they can relate to. Seeing it get canceled was possibly my first experience with that kind of heartbreak, and watching it ten years later it still tugs on those strings.

How I Met Your Mother - Season 5

So can Ted meet his kids' mother now? I can't say I'm not a little tired of them dancing around the topic. Are they deathly afraid to actually introduce her or something? It's been five years. I think people like the characters enough that they'll stick around to see how things continue to develop. This year they even went so far as to have Ted be in the same classroom as her and even be standing in her apartment. Come on. Your kids don't need this much background information.

Oh well. I still enjoy the show despite the increasing feeling that they're just messing with me. The Barney/Robin throwdown turned out to be a waste of time, but otherwise it was pretty fun. Lots of good callbacks, like the continuation of the slap bet, revealing Barney's actual playbook, and another of the gang's doppelgangers showing up. They finished up the umbrella storyline, though without actually doing much with it. I realize none of this makes sense to people who don't watch the show, but HIMYM is that rare thing, a traditional sitcom that actually rewards frequent viewing and develops its characters rather than just throwing bad relationship jokes at the wall for twenty minutes before everyone learns a lesson. I can't honestly say it's as funny as it's ever been, but there's still lots of great bits like Barney's musical ode to suits and showing people's emotional problems as actual baggage. I still really like watching it, I just hope they actually go somewhere with the supposed premise soon.

I Love You, Man

You might guess this is another Apatow movie, but it's really just another of the several that have successfully modeled themselves after his revival of the R-rated comedy this past decade. It's actually not that similar stylistically in a lot of ways, although it's hard deny a bit of influence. The cast is pretty great, with all sorts of talent, both familiar and up and coming sprinkled throughout. The pedigree of the writer and director isn't fantastic, but they managed a solid hit with this. Paul Rudd is maybe a bit off-type, playing a guy who gets along with women and is a great boyfriend but never really connected deeply with another guy. After proposing to Rashida Jones, he realizes he doesn't even have a decent candidate for his best man, so he starts going on "man dates" looking for a friend. It's a cute idea, reversing the normal focus of a romantic comedy, and it sort of is the pinnacle of the bromance sub-genre. Eventually he meets Jason Segel, the two hit it off, and then there's the standard formula of growing friendship, troubles, and reconciliation right before the end (if you think that's a spoiler then you obviously have never seen a motion picture before).

So a lot of it is just Paul and Jason hanging out together, and Paul briefly seeing other guys played by a bunch of recognizable faces. Some of the better smaller parts are Andy Samberg and J.K. Simmons as his gay brother and dad respectively, and Jon Favreau as the dick husband of one of Jones' best friends, played by Jaime Pressly. A lot of the humor is fairly typical of modern comedy, although there were some unique bits that were pretty good. Throughout the movie Rudd can't help but try to come up with clever phrases in an attempt to sound cool and failing utterly, with each bomb funnier than the last. The best might have been "totes magotes" in place of totally, but it's hard to say. Certain things like Segel's "return the favor" engagement party toast were gold, and even something that could have seemed uninspired like the Lou Ferrigno part were saved by touches like the matter of fact the way others treat him with reverence. It's not a particularly groundbreaking movie and I'm not sure if I'll remember much of it a year from now, but as a simple funny movie it succeeds fairly well.

How I Met Your Mother - Season 4

So now I'm caught up. While the show has always been funny, only now does it seem to actually be getting somewhere with the actual supposed point of the whole thing, the story of the title. I'm curious how much planning has actually gone into this, because they started dropping hints about future events in the previous season, and really did it in earnest this time, but all of it seemed to culminate around the finale with very little that I can think of as far as suggestions for what's next, other that Bob Saget basically saying "No seriously, I'm getting to the point now". The whole season is basically life kicking the crap out of Ted in order to apparently get him to make a decision that will lead to him meeting his wife, though I can already see how they're going to continue pussy-footing around the issue with teases and fake outs.

One of the secretly most interesting things of watching this time was noticing all the ways they tried to hide the fact that both female leads were pregnant for at least part of the filming. Some worked, like when Lily wins an eating contest and has a resultant bulge, others not so much, like loose shirts and bags or boxes doing a fairly poor job of obscuring it. They even wrote Alyson Hannigan out for a few episodes when I guess it was especially bad. There's not a whole lot to say about the actual comedy, it's a nice mix of clever wordplay, snappy dialogue, and humorously over-elaborate rules, diagrams, and theories about dating. Just a couple days from when I'm writing about this until season five begins, and I couldn't have timed it better.

How I Met Your Mother - Season 3

Hmm, what should I talk about this time? Instead of a bittersweet finale, this season ends with a couple cliffhangers. I'm not sure I actually truly care what happens to these characters yet, but they're doing a solid job of developing them without taking the focus off the humor. With Marshall and Lily married, their conflicts are more financial in nature than human. Honestly, I'm not finding that aspect terribly compelling. And Robin just sort of seemed like she was treading water this season. They're really trying to humanize Barney, which I'm not sure isn't a mistake. Ted plays the field a bit but eventually gets into another serious relationship, this time with Sarah Chalke from Scrubs, playing basically the same character.

As always there are several good and clever bits, like the Bro Code being an actual legal text, the episode where Ted the narrator can't remember a girl's name so the characters refer to her as Blahblah and he replaces references to marijuana with sandwiches, and Marshall using Thanksgiving to completely torture Barney with the promise of an incoming slap (Oh yeah, after a bet he earned five slaps on him and to date has only used three, one of my favorite running gags ever in a show). The two minute date is also one of the cutest and nicest things I've seen in a while. I'm starting to wonder how long the show is going to end up lasting, but I'm still enjoying watching it.

How I Met Your Mother - Season 2

Are you worried I won't catch up in time for the season five premiere? Joke's on you, man. I'm writing this almost a week before it will show up. Now that I'm halfway through this show I can admit it's far better than I expected, although still outside of the top five best current comedies. This season felt a bit different than the first, since the main character Ted spends most of the time in a relationship instead of looking for the perfect one. It's a little more mature, without changing the style of humor that makes it enjoyable. I'd still prefer it if it was single camera, but I actually decided I prefer the laugh track over a live audience, at least for this show. The reason is that they do a lot of quick cutaways and playing around with the timeline that wouldn't really work if they were beholden to an audience watching them make it, and besides, most live reactions are touched up with a laugh track anyway.

A trend that I've noticed with this show is bittersweet season finales. Both times, they've ended with things going really right for some people and really wrong for others. I've gotten over my desire to see Ted get his ass kicked, although I imagine it might rear up again at some point. Barney's still the best character which isn't too surprising, and even mild attempts to sympathize his character can't prevent him from staying great. At least not yet. Marshall and Lily are still an entertaining pair, and right now I'm just rehashing because I don't have much else new to say. It's a funny show worth checking out. Whee.

How I Met Your Mother - Season 1

I haven't seriously followed a multi-camera sitcom in years, let alone one with a laugh track, so it took some convincing for me to check this one out. That convincing came in the form of everyone I know who's watched it calling it one of the funniest shows on TV, and the hard to deny the fact that it stars two Whedonverse alums and an Apatowcolyte. Those three stars are genuinely enjoyable as always, and the other two are a cute enough will-they-won't-they (which the narrator has said they ultimately don't) that it was easy enough to keep watching. The basic premise is that the show is actually in the future where the protagonist tells his kids the story of how their parents met, which takes place in the past, which happens to be our present. He takes the role of narrator (voiced by Bob Saget, which is odd because the character is 27 when the show starts and the actor already has his big boy voice), and begins the confusingly long-winded story.

Ted is an architect who is spurred to step up his attempts to find a mate for life after his friends Marshall and Lily, played by Jason Segel and Alyson Hannigan, get engaged. He meets and quickly falls for Robin, although things don't quite work out and he spends a lot of time bouncing between trying to land her again and going after other girls and generally making a big ass of himself. I'm actually surprised I liked him at all considering the amazingly moronic things he does in the name of love. Some of it isn't just idiotic, it's downright awful and hurtful to other people, and I'm still waiting for him to really get nailed at some point. I really can't dislike a show with Neil Patrick Harris in this form though, and he could probably carry it all by himself even without his other recognizable costars. He plays Barney, extreme womanizer and corporate dick, and is actually probably a worse person than Ted, but you can't not like him. Definitely the reason to stick with the show. I have three more seasons to work through before the fifth premiers on my birthday, so I'm gonna get to it.

Forgetting Sarah Marshall

I only recognize Jason Segel as the moderately creepy friend of the main character in Knocked Up, but it turns out he can write and carry a good comedy too. Nicholas Stoller is another one of Judd Apatow's cronies who have been getting their directorial debuts in movies he's produced, and again, he's fine at effectively filming scenes, if not adequately pacing things. It's a little too long, and it seems like it keeps going after the conflict should be over. Still, it's a funny movie and I enjoyed it quite a bit.

After getting left by his girlfriend, played by the cute Kristen Bell, for a rock star played by Russel Brand, Segel goes to Hawaii to try and get away, only to discover they're staying at the same hotel. Little trite of a plot for a movie, but they make it work. Mila Kunis is the girl he turns to to help get over his problems, and of course things develop from there. Surprisingly, I think my favorite character in the movie is the rock star. Normally he'd be a huge jerk that would probably get bit by a shark or something, but he's always funny and actually gets a bit sympathetic eventually. Some other recognizable faces make humorous appearances, and male genitalia is used to comedic effect multiple times. It's not as smart as some of the other Apatow stuff, but I liked it most of the way through.

Knocked Up

So our mall's opening a new Regal theater with stadium seating, and it's actually fairly nice. No more will the tops of the heads of strangers be an issue when I'm watching the latest blockbusters. Not that I get a chance to see many movies anyway. As a special promotion, they were showing slightly older movies for a dollar a ticket yesterday, and I wanted to see Knocked Up, so it worked out pretty nicely. I had to get up to pee a few times (Special $1 soda will do that) but otherwise it was a nice viewing experience.

The movie itself was good too. It's the same director as The 40 Year Old Virgin and a lot of the cast is the same as well. Even people who don't have real parts make some cameos, and you can tell they're a group that enjoys working together. The star, Seth Rogen, had his breakout role in Virgin as Carell's coworker Cal, and it's interesting to see him as the main character. He's funny, but in a much different way from famous comedy stars like Jim Carrey and Ben Stiller. He's not playing a crazy character, he's playing a normal, likable guy. He has problems doing the right thing sometimes but you can tell his heart's mostly in the right place and he just needs some help sometimes. Katherine Heigl is also very good as the female lead. She holds her own and is believable as the girl struggling to come to grips with a situation she didn't plan for and a guy she isn't sure about. The supporting cast is also great, with Leslie Mann and Paul Rudd as the slightly older couple that serves as an example of marriage's troubles, a decent group of funny guys as Seth's friends, and Craig Robinson in a small but memorable role as the reluctant doorman at a night club. Why he isn't in more movies is a mystery to me.

The movie starts off a bit iffy, with some hit-and-miss pop culture humor, but it comes into its own as it develops the plot and the different relationships that form. Like Virgin, there's lots of drug use and constant raunchy dialogue, but it still comes away feeling charming because of the human element that can be seen through all of the vulgarity. It's an adult movie, not just because of the mature humor, but because it honestly deals with real issues like unplanned pregnancy. It's not without some errors. It's probably a bit too long. It's also a little predictable with the whole plot conflict as it gets closer to the end, of course they have to have a big fight and split up for a while before realizing it's all gonna be fine in the end. Honestly, I'm a little tired of the same old romantic comedy storyline, and just once I'd like to see a film eschew it. Why couldn't it just be about two people coming to grips with having a baby, why introduce the whole say-hurtful-things-under-stress-and-feel-sorry-later thing when nobody really likes it? It also gets a little heavy-handed with the message about not blaming others and being responsible for your own actions, but it never gets too bad and it all evens out to a hysterical movie with a good heart.