True Blood - Season 4

True Blood is remarkably consistent in its inconsistency. The show has a wide, constantly changing cast of characters. Some are bad, some are pretty good. Each season has twelve episodes. Some are bad, some are pretty good. There's always a new batch of subplots each year. Some are bad, some are pretty good. It always seems to border right on the edge between enjoyably campy and too stupid to be worth my time, but never quite tips over on to the wrong side. If it maintains this level, I could easily stick with it until whenever it ends. I've long made peace with the fact that it will never actually be good show. Its sense of humor and let's-try-everything fantasy horror setting are enough. And at least this year they seemed to make an attempt to kill a couple terrible lingering storylines and trim down the cast just a bit, even if it took too long in some places.

So, let's see what happened this season. Vampires are still vampires, and they apparently fear necromancers because they have the ability to control the living dead, which is the basis for the main conflict. We learn a bit more about shifters and werewolves, and the relationship between the two groups. The werepanthers are still around, and luckily disappear after a little while, though unfortunately I'm not sure they're really gone. We also learn were-creatures are created by genetics, like shifters, and it's not something that can be passed like vampirism. We learn more about human magic, principally through the witch that becomes the season's villain, but also through a couple characters we already knew, and we also see the real nature of Lafayette's abilities (I still liked him more when he was normal). We also get some more of that fairy stuff, which is still weird and kind of disjointed from the rest of the show.

The feeling I got, based on the moments after the season's climax partway through the finale, was that season five will revolve around an internal conflict within the vampire power structure, and probably some stuff with the fairies so that whole thing doesn't feel like a waste of time. Which, okay. The show is actually really interesting when it explores the history and larger society of vampires, which makes it disappointing that that stuff is actually explored so rarely. I'm much more interested in the change in the interactions between Bill and Eric after the former becomes the king of Louisiana than I am in which one is currently banging Sookie, but the show's priorities and mine are different. The supernatural stuff in general is just more fun to watch, and it only seems to get crapped up when people are having sex or falling in love. I ended up liking Andy's storyline about his V addiction quite a bit, but it's one of the only cases where the show has been able to make a story that could happen on a show about real life (with a drug besides vampire blood, obviously) interesting. I dont' want to spend time complaining though. True Blood is what True Blood always has been. Very stupid, occasionally frustrating, usually an entertaining way to spend an hour on Sunday.

True Blood - Season 3

Another year, and True Blood continues to be the most up and down show on television. I really can't think of one that's more inconsistent in quality from moment to moment. It can be hilarious, enjoyably cheesy, effectively creepy, and horribly violent all in one scene. And then it can waste your time for five minutes with another bunch of half-baked southern stereotypes or some moping from one of the more annoying characters. There's just no telling at any moment if the next subplot is gonna be a fun time or another complete chore to sit through. I like the show a lot, because when it's good it's really a ton of fun, but it will never be great with its current success rate when it comes to characters and story ideas. I'd say something about the success of the main storyline in relation to the other seasons, but it's again so anticlimactic that it hardly even registers as rising action within the context of the ton of other things going on.

The scope of the show grows again this year. After dealing with a Maenad last year, we're back to vampires for this season's big villain. But it doesn't feel limited because this one employs werewolves to do his dirty work, adding another dimension to the series (even if it isn't one I was dying to see), and he and his husband also happen to be two of the best characters on the show. We learn more about the actual power structure of vampire society, which is sort of interesting, but the focus is still mostly on the ones we already know. Sookie's again caught up in the troubles of the undead. Jason wants to be a cop but is torn from his duty by a wretched storyline involving advanced super-hicks who also happen to be supernaturally inclined. And who isn't? Lafayette finds himself caught up in that too. By the end of the series, there won't be a single normal human left. Tara can't get over Eggs even though she knew him for like two weeks (this show takes place over an absurdly short period of time), and Sam finds his real family, who happen to be trash incarnate. And supernatural. If you can't tell, there's a ton of crap going on all the time, and I haven't even mentioned some of the more obscure characters. I'm looking forward to seeing more next summer, and hoping against hope they finally learn how to write an entire episode that doesn't make me roll my eyes.

True Blood - Season 2

True Blood's second season in just over a year was a definite improvement over the first, although the show is still more enjoyable schlock than actual quality entertainment. The main reason for the improvement is the feeling that stuff actually happened this time. Sure, the first season had the thread of a serial killer lurking around town and killing people who got too close to vampires, but it was a subplot in the background until the very end while everyone else just went around screwing each other. Season two has an actual main plot, maybe not the most rapidly paced one ever, but it's there. It's actually funny when I see comments about the show not treading water, because I feel like it does as much as a drama with an actual serialized story can. I liked this batch of episodes a fair amount, but it would have been better if it was more like eight episodes instead of twelve.

The main points covered this time are Jason joining a cultish anti-vampire church, a supernatural being introduced last season turning Bon Temps into a haven of debauchery for evil purposes, and a brewing war between said church and the vampire leadership in the region that just sort of gets abandoned in the last few episodes so there can be a proper, unencumbered climax. The show is still pretty sensationalist and ham-fisted, but its main problem is that a lot of the cast kinda sucks. I mean, let's be honest. Sookie and Bill suck. Tara sucks. Sam kinda sucks. Gran sucked when she was alive. Tara's mom sucks. Eggs sucks big time. By sucks, I both mean the person can't act and the character is irritating. On the other hand, the show has enough enjoyable cast members that I don't regret watching it. Jessica and Hoyt are okay. Jason and Lafayette rule. Andy and Eric are good. We already know season three's coming, and I look forward to whatever wacky crap comes next.

Generation Kill

Generation Kill is, like Band of Brothers before it, an HBO miniseries about a war based on a book. It was produced and written by Ed Burns and David Simon, who created The Wire. So it has a strong pedigree. It doesn't quite live up to either aspect of its background, but it is still an interesting look at a war we're still fighting, sorta. Kill is about the first two months of our invasion of Iraq, as a Rolling Stone writer (based on the book's author) joins a recon division of the Marines and documents what he sees and hears. Like Brothers, it's more about the men doing the fighting than the act of fighting itself, although the tone is quite different, as can be expected. Brothers looks up at the heroes of the 101st Airborne with great reverence, fawning over their dignity, bravery, and youthful camaraderie. Kill makes a point of showing what horrifying freaks all of our boys overseas are. There are good men to be found, but most are either goof-offs, incompetent morons, or violent psychopaths. What's interesting to me is that they're all based on real people, although the ones portrayed negatively often claim that what they're shown doing wrong is fictional.

There's a large cast of characters, but the focus is on the guys in the same jeep as the reporter. The two guys in the front seat probably get the most screen time of anyone, one being the cool and experienced career soldier, the other the comic relief driver played by Ziggy from The Wire. I didn't buy the latter as a marine at first, but in time I accepted them as an entertaining duo that the rest of the series balanced on. The platoon spends a lot of time driving to the next location and generally just killing time, waiting for their gravel-voiced commander to get them a mission somewhere. They do a lot of singing of popular songs and spreading rumors about things back home. You get a feel for their frustration as circumstances cause them to become secondary to the invasion effort, and they get antsy for any action at all. There's also strife as several of the squad leaders prove to be bad at their job, and some soldiers become too trigger-happy with the innocent locals. It's a show about a war, but like many war stories, the battles aren't their biggest worry. Not that the battles aren't well done, when they happen. Their suitably visceral, although they're not as exciting when there are so few casualties suffered by the good guys. It's only seven episodes long, and is very narrow in its focus. But what it does decide to say, it says fairly well.