I Love You, Man

You might guess this is another Apatow movie, but it's really just another of the several that have successfully modeled themselves after his revival of the R-rated comedy this past decade. It's actually not that similar stylistically in a lot of ways, although it's hard deny a bit of influence. The cast is pretty great, with all sorts of talent, both familiar and up and coming sprinkled throughout. The pedigree of the writer and director isn't fantastic, but they managed a solid hit with this. Paul Rudd is maybe a bit off-type, playing a guy who gets along with women and is a great boyfriend but never really connected deeply with another guy. After proposing to Rashida Jones, he realizes he doesn't even have a decent candidate for his best man, so he starts going on "man dates" looking for a friend. It's a cute idea, reversing the normal focus of a romantic comedy, and it sort of is the pinnacle of the bromance sub-genre. Eventually he meets Jason Segel, the two hit it off, and then there's the standard formula of growing friendship, troubles, and reconciliation right before the end (if you think that's a spoiler then you obviously have never seen a motion picture before).

So a lot of it is just Paul and Jason hanging out together, and Paul briefly seeing other guys played by a bunch of recognizable faces. Some of the better smaller parts are Andy Samberg and J.K. Simmons as his gay brother and dad respectively, and Jon Favreau as the dick husband of one of Jones' best friends, played by Jaime Pressly. A lot of the humor is fairly typical of modern comedy, although there were some unique bits that were pretty good. Throughout the movie Rudd can't help but try to come up with clever phrases in an attempt to sound cool and failing utterly, with each bomb funnier than the last. The best might have been "totes magotes" in place of totally, but it's hard to say. Certain things like Segel's "return the favor" engagement party toast were gold, and even something that could have seemed uninspired like the Lou Ferrigno part were saved by touches like the matter of fact the way others treat him with reverence. It's not a particularly groundbreaking movie and I'm not sure if I'll remember much of it a year from now, but as a simple funny movie it succeeds fairly well.

Freaknik: The Musical

So this was kinda weird. It was a one hour animated special produced by T-Pain, starring him as Freaknik, an auto-tuned ghost who comes back from the dead to host a music festival in Atlanta (Freaknik used to be an actual thing. The festival, not the ghost.), and featuring a bunch of rappers and comedians playing a wide array of strange characters. Lil Jon is an old man who tells the story, Lil Wayne is some version of Jesus, Young Cash and Cee-Lo are members of a ssmall town rap group trying to make it big, and so on. Not all of the jokes land, as it spends a lot of time leaning on celebrity parody and race jokes, though it was funny enough to elicit the occasional chuckle. What I enjoyed most was the animation style (hard to believe this is the same studio that does Metalocalypse) and the musical numbers, which are generally enjoyable, catchy alt rap. The plot, beyond its unusual premise, isn't that original, but it hits all the right notes in order, and wraps itself up nicely. Not the greatest, but watchable.

The Lonely Island - Incredibad

The Lonely Island is the name of the three guys responsible for Hot Rod and the Digital Shorts on Saturday Night Live, and Incredibad is their first album which compiles the songs they've often used for those along with some good brand new ones. Most of the tracks are in a hip hop style, and while I would have appreciated some more musical diversity it's hard to mind too much when the results are as funny and catchy as they tend to be here. There are some genuinely nice beats backing up the goofy lyrics and appearances by lot of celebrities, both actors and legitimate musicians. If you've ever laughed at Andy, Jorma, and Akiva's work before it's worth checking out.

While the sound does veer towards rap, there's still some variance in the specific style emulated, it's mostly pretty standard but songs like "Punch You in the Jeans" have a more old school sound. "I'm on a Boat" was their most recent to be made into a video, and is a funny jab at the over-exuberance of the genre made complete with a nice performance by T-Pain. E-40 has a nice verse in a song about Carlos Santana's sparkling wine, the singer from The Strokes croons about the power of a boombox, and Norah Jones guests on a track about the group's strange idea of a girl of their dreams. The album even goes as far back as Natalie Portman's turn as a gangster rapper, and the song's even funnier uncensored. It really is an explicit album too, with plenty of curses thrown around liberally for comedic effect. It culminates with the final title track, which details the silly, very graphic way that the group became what they are today. It's not a musical masterpiece, but Incredibad is a funny and enjoyable way to spend about 40 minutes.

Hot Rod

At first glance Hot Rod seems like a typical stupid sports comedy, and basically is. But it has enough originality and quirkiness to make it fairly enjoyable. I got a bit of a Napoleon Dynamite vibe from certain scenes that exist only for a single odd laugh, like finding firecrackers in the bathroom and setting them off, without much happening. It takes physical comedy to a new level, with the impacts as Andy Samberg crashes his bike and gets hit by cars and rolls down hills taken to an extreme, which sort of makes them funny again after we've gotten tired of it. It's not the greatest of comedies, but it kept my attention well enough with some atypical jokes and fun cameos that I didn't get bored. Danny McBride has come out of nowhere to make solid contributions to some recent comedies like Tropic Thunder, Bill Hader's a consistent handler of whatever minor roles he gets, and Will Arnett is in classic asshole form. Isla Fisher is the nice, pretty girl inexplicably attracted to the protagonist, best known for playing the crazy sister in Wedding Crashers and having Borat's baby. Ian McShane brings some actual skill to the role of Samberg's stepdad, and the reason for the movie's plot. Andy makes some silly videos and impressions on Saturday Night Live, but he shows here that he can carry a decent little movie, too. Most of what happens is pretty predictable, but it's cute enough to watch once.