You've probably seen a movie like Hot Tub Time Machine before. A comedy that you like the actors in, and has a funny concept, and is actually pretty humorous, but you still feel a little let down by. It's not a bad movie at all - I'd call it pretty good. But I kind of wish it was more. This is a movie about a group of guys who find a hot tub that can travel back in time... and they spend the whole thing stuck in the 80s. A common complaint with comedies is that all the funny parts are in the trailer, and while that's not really true here, I'd like to make a variation on the idea. There are plenty of laughs that are not in the trailer, but all the laughs that are in the trailer are represented in full. What might have been teases for great scenes, like the one with Craig Robinson reluctantly having sex in the bath, are pretty much exactly as they appeared, with nothing extra you didn't know about. It leads to a movie that's funny but not really ever unexpected.
It's obvious after a point that it's really a send up of 80s movies rather than time travel. A few stars of those films appear, like Chevy Chase as the mysterious hot tub repairman and Crispin Glover as a bellhop who's always close to losing an arm. And it's really a typical 80s comedy in a lot of ways, with characters like Lizzy Caplan's Deschanel-esque quirky perfect girl and Sebastian Stan's douche bag alpha male. There's a lot of gross-out bodily function stuff that doesn't really play anymore and of course a Communist paranoia thread that helps lead to the main conflict keeping the good guys from getting back to the present. All of the main guys are pretty good, and the supporting cast is mostly decent even if some of them didn't really sell the 80s so much as someone's vague memories of the 80s. Rob Corddry is the main comedic catalyst, though honestly it seems like he's trying too hard in an attempt at a broader audience. I liked the movie, I just wish it was better. And after hearing about the whole color correction issue, it was impossible not to notice. If you don't know what I'm talking about, google "teal and orange". Lots of movies are limiting themselves to this palette, and it really doesn't work in a movie that's supposed to represent the 80s. It just looks really weird in spots. Even the DVD box art can't escape the madness.
Tuesday, August 3, 2010
Hot Tub Time Machine
Monday, April 12, 2010
I Love You, Man
You might guess this is another Apatow movie, but it's really just another of the several that have successfully modeled themselves after his revival of the R-rated comedy this past decade. It's actually not that similar stylistically in a lot of ways, although it's hard deny a bit of influence. The cast is pretty great, with all sorts of talent, both familiar and up and coming sprinkled throughout. The pedigree of the writer and director isn't fantastic, but they managed a solid hit with this. Paul Rudd is maybe a bit off-type, playing a guy who gets along with women and is a great boyfriend but never really connected deeply with another guy. After proposing to Rashida Jones, he realizes he doesn't even have a decent candidate for his best man, so he starts going on "man dates" looking for a friend. It's a cute idea, reversing the normal focus of a romantic comedy, and it sort of is the pinnacle of the bromance sub-genre. Eventually he meets Jason Segel, the two hit it off, and then there's the standard formula of growing friendship, troubles, and reconciliation right before the end (if you think that's a spoiler then you obviously have never seen a motion picture before).
So a lot of it is just Paul and Jason hanging out together, and Paul briefly seeing other guys played by a bunch of recognizable faces. Some of the better smaller parts are Andy Samberg and J.K. Simmons as his gay brother and dad respectively, and Jon Favreau as the dick husband of one of Jones' best friends, played by Jaime Pressly. A lot of the humor is fairly typical of modern comedy, although there were some unique bits that were pretty good. Throughout the movie Rudd can't help but try to come up with clever phrases in an attempt to sound cool and failing utterly, with each bomb funnier than the last. The best might have been "totes magotes" in place of totally, but it's hard to say. Certain things like Segel's "return the favor" engagement party toast were gold, and even something that could have seemed uninspired like the Lou Ferrigno part were saved by touches like the matter of fact the way others treat him with reverence. It's not a particularly groundbreaking movie and I'm not sure if I'll remember much of it a year from now, but as a simple funny movie it succeeds fairly well.
Thursday, July 19, 2007
Reno 911!: Miami
I like Reno 911! well enough, though I never go out of my way to watch it. It's funny, but never that important to really follow it closely, so it's the kind of show you enjoy when it's on but maybe you don't care about it that much. I remember seeing a trailer for the movie, but it came and went without me even being aware it did. When I had the opportunity to check it out, I did.
The movie is chock full of entertaining cameos and funny guest stars. The Rock's one minute of screen time is classic, and Paul Rudd and Patton Oswalt are great in their roles. Reno 911! is one of the better current examples of retroscripting, where the plot is known but almost all the dialogue is improvised by the actors. It makes for a slightly different style of humor that comes off as a bit more natural, while still being funny most of the time. They make good use of the movie format. There are a lot of over-the-top deaths in the movie with blood spraying everywhere, and it adds to the absurdity immensely. There's also liberal cursing and sexual humor, especially a great scene where Deputy Jones is running in horror from the sight of his coworkers doing some inappropriate things.
They do actually attempt to do a story with twists and a climax, and for the most part it works out all right. It's all done with a bit of a smirk, and it works out to a very funny movie that anyone who likes the show or characters, or even just the form of comedy, should probably enjoy.