Homeland - Season 1

Showtime is quickly becoming famous for green-lighting interesting television series with tricky premises, and then allowing those shows to continue airing long after those premises become strained and hard to take seriously. I can only hope that Homeland isn't destined for the same fate, because as of right now it stands as one of the most well-formed and intriguing first seasons of a new drama series in a long time. It's coming back for at least one year, and I think they could do a couple more after that. But I really hope in five years I'm not lamenting its continued existence right alongside everything else that the network has done. It's too good for that fate.

Homeland is produced by some of the same people who worked on 24, but while it's about similar themes of terrorism and how far people will go to protect their country, it is an altogether more intelligent and less sensationalistic series that manages to hit harder despite fewer fireworks due to its strong work making you actually care about its characters and what they do. Having half the number of episodes to tell their story in, there's less time wasted on plot tangents that become irrelevant and piling twists on top of each other, and we really get to the core of who the principal figures are and what they believe in. The overarching terrorist plot isn't without a couple holes, loose ends, or convenient leaps in logic, but it holds together well enough to support the story. And since the acting is so good, the flaws in the plot become unimportant in the face of what it means to the characters. The body count isn't very high, but every big moment in the show has enormous impact. It's not the best drama on television, but it's pretty special.

Claire Danes stars as a CIA operative, who like many such people, focuses almost entirely on her work, to the detriment of anything resembling a social life. When she hears that terrorists have flipped an American soldier who's coming home, she suspects it's Damian Lewis' character, a marine finally returning to his family after eight years of captivity. Her only real support is from her mentor played by Mandy Patinkin, another man who puts his job before anything else. At first it seems like the show will be about paranoia and surveillance, as Danes installs cameras in Lewis' house and watches his every movie. But it was fun to realize that was only the first part in the story, and the show was not afraid to blow through story developments quickly and move on to new ideas before the old ones even had a chance to turn stale. The three central performances truly are special, and they allow the show to get away with the slightly sillier parts in order to reach some great high points. By the season finale I was completely invested in the central conflict, and it was a wonderfully devastating episode, full of great little touches, memorable scenes, and more than enough justification for a second season. I didn't immediately latch onto the series as much as some others, but by the end I was a believer. Let's hope they really know what they're doing for next year.

Band of Brothers

Steven Spielberg and Tom Hanks' The Pacific just started airing last night, so it seemed like a good time to revisit its counterpart in the European theater, Band of Brothers. It's a miniseries that war movies wish they could be, telling the stories of a very important company throughout their struggles without any sacrifices made in production value over its more than ten hours of running time. At times it's quite violent, though it doesn't really cross the line to gratuitous, and three of the episodes feature no combat whatsoever. A lot of the best moments just look at the friendships that formed between the troops and how they tried to cope with the constant danger they lived in, though that's not to say the battles aren't impressively done. The frantic camerawork, the well-considered but brutal situations they're fighting through, the strong visuals and amazing sound work make every fight exciting and harrowing no matter how many times you watch them. I feel like the presentation of the cast could have been a bit clearer, because names and ranks fly by at a rapid pace and even after seeing it three times I still can't match every single name with a face. For the most part you remember the main guys pretty well, and they effectively convey the "brothers" theme through the whole thing. Sometimes random troops die and that's just war, but every time someone you recognize gets killed or seriously injured it's like a dagger through the heart. I don't know how anyone can watch this and see the interviews with the surviving members and not feel immense respect for these soldiers. I hope The Pacific can successfully hit the right notes too.