Showtime is quickly becoming famous for green-lighting interesting television series with tricky premises, and then allowing those shows to continue airing long after those premises become strained and hard to take seriously. I can only hope that Homeland isn't destined for the same fate, because as of right now it stands as one of the most well-formed and intriguing first seasons of a new drama series in a long time. It's coming back for at least one year, and I think they could do a couple more after that. But I really hope in five years I'm not lamenting its continued existence right alongside everything else that the network has done. It's too good for that fate.
Homeland is produced by some of the same people who worked on 24, but while it's about similar themes of terrorism and how far people will go to protect their country, it is an altogether more intelligent and less sensationalistic series that manages to hit harder despite fewer fireworks due to its strong work making you actually care about its characters and what they do. Having half the number of episodes to tell their story in, there's less time wasted on plot tangents that become irrelevant and piling twists on top of each other, and we really get to the core of who the principal figures are and what they believe in. The overarching terrorist plot isn't without a couple holes, loose ends, or convenient leaps in logic, but it holds together well enough to support the story. And since the acting is so good, the flaws in the plot become unimportant in the face of what it means to the characters. The body count isn't very high, but every big moment in the show has enormous impact. It's not the best drama on television, but it's pretty special.
Claire Danes stars as a CIA operative, who like many such people, focuses almost entirely on her work, to the detriment of anything resembling a social life. When she hears that terrorists have flipped an American soldier who's coming home, she suspects it's Damian Lewis' character, a marine finally returning to his family after eight years of captivity. Her only real support is from her mentor played by Mandy Patinkin, another man who puts his job before anything else. At first it seems like the show will be about paranoia and surveillance, as Danes installs cameras in Lewis' house and watches his every movie. But it was fun to realize that was only the first part in the story, and the show was not afraid to blow through story developments quickly and move on to new ideas before the old ones even had a chance to turn stale. The three central performances truly are special, and they allow the show to get away with the slightly sillier parts in order to reach some great high points. By the season finale I was completely invested in the central conflict, and it was a wonderfully devastating episode, full of great little touches, memorable scenes, and more than enough justification for a second season. I didn't immediately latch onto the series as much as some others, but by the end I was a believer. Let's hope they really know what they're doing for next year.
Wednesday, December 21, 2011
Homeland - Season 1
Saturday, May 22, 2010
V - Season 1
So ABC tried two new shows this season to fill the sci-fi drama gap in the schedule that Lost is going to leave tomorrow (holy shit), and unfortunately, they were both pretty bad. FlashForward stank itself into an early grave, but V managed to survive for another year despite actually being worse, in my opinion. I have a lot to say about why it's bad, so let's get the good stuff out of the way. Um... I think it's cool that there's a show about aliens on network television. And Elizabeth Mitchell as Erica is likable when she isn't making that smug smile of hers. That's about it.
So yeah, this show sucks. There's lots of things wrong with it, but it starts at the very top with the basic premise. In the first episode, a bunch of space ships settle over major human cities and Vs come out; human-looking, friendly aliens who only want to exchange their services for a few supplies. But it's not long before our heroes learn the truth - they've actually been infiltrating the planet for years, they're actually lizards under their human skin, and they want to take over the planet. Scary, right? Except... the show doesn't bother to justify any of its characters motivations. What do the Vs really want with Earth? You can make guesses based on the old standbys, but it's a question that's never actually answered. Neither is why they feel the need to play nice at first, when they clearly have the technological prowess to do whatever they want.
Neither does it make a lot of sense for the good guys to be trying to put out a fire with a hammer. That being, they're only concerned with fighting the Vs' war capability and not with the fact that they're winning the hearts and minds of many of Earth's people. All season long they make a single attempt to get a word out, and it's a word that only turncoat Vs that are already on their side would understand. When asked why they're fighting against the Vs, they don't even bother to come up with an answer. The rest of the time it's clumsy guerrilla tactics and a lot of getting labeled as terrorists. The show tries to do this whole morally-gray thing by having the heroes do things like torture a guy for information, but it's hard to be too concerned about it when they're fighting against alien invaders.
The show's plotting and characters are just inept, as things rarely seem to actually happen. People are easily fooled and ignore things right in their face. Something will occur that could easily lead to an interesting if unoriginal sidebar, but then just gets completely forgotten. It's honestly hard to like any of the characters. They're all idiots and hardly developed beyond generic archetypes. Erica's son is possibly the most annoying person I've ever seen on film. Both Erica and Ryan feel that the best way to protect their loved ones from the Vs is to just constantly hide them from the truth. Ryan is a V who got a human pregnant (preposterous), and he still doesn't tell her about him until she already knows something's up. Even the human media and governments can't avoid the stupidity. They take everything the Vs say at face value, this being the same Earth where we don't trust some of the other countries for anything. But the aliens seem so nice!
In one particularly insane example, the Vs go the the FBI after a warehouse bombing and tell them that their technology can recreate the explosive, right down to a fingerprint left on the bomb by an unwitting terrorist. And they just believe them like it's nothing! The writing is just constantly plagued by people doing things that make no sense and only continue the plot because they can't think of a way to actually justify it. And I haven't even gotten into the fact that the computer effects are completely awful. When a good third or so of your show takes place on board an alien ship, it would help if the green screen compositing wasn't blatantly obvious in every single scene. And when an alien chances to show off it's true screaming, toothy mouth, it's hilarious rather than scary. And with all of this, the worst part of the show might be that they managed to make Firefly's Morena Baccarin look ugly. How do you even do that? The season finale ends with what could be a shift in the show's focus, one that could potentially turn out to be fairly interesting. But honestly? With this writing team and cast, I highly fucking doubt it.