Scott Pilgrim Vs. the World

By the time I saw this movie my Scott Pilgrim fandom had waned slightly, not because of anything in particular, but just because the novelty had worn off a bit. Still, it's a very entertaining property, and Edgar Wright managed to strike a perfect balance between faithfully bringing Bryan Lee O'Malley's unique vision to the screen while changing enough to keep it fresh. I think the books and the movie both have their own strengths, the comics obviously have more time to spend developing secondary characters and the setting whereas the movie rushes through that a bit, but it also helps towards the end where it builds to a natural climax and exciting conclusion instead of the weird vibe I got from the final volume. It's a good companion to the books, and also stands well enough on its own for someone who's never read them to still enjoy the heck out of it, even if some of the background comes off as shallow.

Visually, it's one of the most kinetic and unique things I've ever seen. Wright is constantly playing with reality, having scenes warp and distort to fit the mood, and the editing is intensely in tune with whatever is being seen or heard. It calls a lot of attention to itself, but it works for the type of story it is, frantically racing from scene to scene, musical performance to martial arts fight, and it creates an atmosphere of giddy energy. All of the bands sound pretty much how they should, and the use of music to accentuate the mood or a fight (or even be a fight itself in one instance) is effective. There's also a ton of video game crap all over the place, tons of borrowed sound effects and musical cues and a few visual elements that pull you into the strange version of Toronto the film is creating and are also a nice bonus activity for nerds to spend their time identifying. The movie is primarily a comedy, and it's very funny, but what's impressive is how well the action works. The movie combines the weird gaming sensibility with some genuinely entertaining fight choreography, and while the stunt doubling is occasionally obvious, they're still very well produced scenes and I'm confident in saying they're actually the best action scenes I've seen this year. Fast, exciting, and you can actually see what's going on the entire time. It's an impressive feat.

The movie also works because almost everyone is right for their parts. Michael Cera actually doesn't fit how I pictured Scott Pilgrim acting in real life, as he's usually much closer to his completely awkward and shy persona. But that version of Scott manages to work in Wright's film, and he's surrounded by a pretty great supporting cast. A lot of the faces are recognizable elsewhere, as they pretty much got as many hot young people with talent that they could find. The evil exes in particular stand out, the twins are pretty much gone before they can do anything, but Matthew Patel is extremely weird, and the other actors who I actually know all do good jobs. Thomas Jane as a member of the vegan police was a bizarre but welcome cameo, and Bill Hader has a great narrator's voice. Kieran Culkin is a standout among Scott's friends as his awesome gay roommate Wallace. It might have been a good idea to tidy up the parade of Scott's acquaintances and merge a few parts just to make it easier to keep so many minor characters straight, because I'm not sure how manageable that is without prior knowledge. Still, it was fun seeing everyone so well realized in live action form. Not my favorite movie this year but certainly one of the most fun, and it continues to show how much skill Edgar Wright has with putting pure joy on film.

Juno

Part clever indie teen comedy, part real drama about pregancy and love, Juno is a great movie. The script is really pretty terrific, and almost the whole cast carries it well. Some of the lines can seem a little strange or out of place, but it's not another Napoleon Dynamite, it's a smart, funny movie with a good heart. Ellen Page is very good as the titular Juno, a not-quite-so normal teenager who finds out she's been impregnated by awkward classmate Paulie Bleeker, played well by Michael Cera. I'm not sure if his character was actually supposed to be strange or not, but it seemed to work with the movie. Juno eventually decides to give the kid up for adoption and finds a nice couple, but things might not be quite what she thought.

Some people would get turned off by the whole quirky vibe, but it didn't bother me. The only aspect I didn't like was the soundtrack, full of poorly played music that wasn't that bad, it just didn't seem to add anything at all. It's very funny throughout, with good dialogue that never gets uncreative or resorts to childish jokes. As the plot actually develops, it gets pretty interesting, as you actually feel for the characters and when they mess up, you actually have feelings about it. The entire cast does a great job with it, and the conclusion comes a little fast but worked for me. I expected to probably like this movie, maybe not that much, but I came out really loving it.

Superbad

The Judd Apatow Sex Comedy Train keeps rolling in good form with Superbad. Apatow didn't actually direct this one, he produced it. Frequent collaborator Seth Rogen wrote the script with his friend and is a featured cast member. The stars of the movie are Jonah Hill, another common fixture of Apatow's movies, and Michael Cera, most easily recognizable for his brutally awkward character of George Michael on Arrested Development. Christopher Mintz-Plasse is new to acting, and his character will probably outlive the rest of the movie. Everybody already knows about "McLovin". I didn't think he stole the movie as much as some other people did, but he was certainly likable. Greg Mottola is the director, and he does a good job of what he has to do with this kind of movie. Nothing fancy, just pointing the camera where it needs to be and keeping the movie focused. The whole cast and crew seems to work well together, and for some reason I just find Apatow and friends' movies better than the average comedy. It's a combination of good chemistry, sharp dialogue over pure gross-out humor (although there are plenty of dick and menstruation jokes), and some scenes that actually convey human emotion.

The two main characters hold the movie down well. Their banter and rapport is very entertaining, and they just seem like funny, likable guys. Hill can be kind of a jerk, but there are plenty of scenes that sympathize him. Cera's character is fairly close to George Michael. He's less completely sheltered and a bit more normal, but still the same kind of worried, reserved guy. Almost the entire movie takes place over the course of one eventful day, which gives it a different feel from a lot of other comedies. At times it can be a little straining, as there's pretty much something happening constantly, and it probably could have used a bit of dowtime. The pacing also seems a bit odd, with a large part of the movie taking place after school and before getting to the big party, wherein the main characters don't do a whole lot. There's a big subplot with McLovin driving around with a couple of seemingly dimwitted cops (one played by Rogen, the other by SNL star Bill Hader), attempting to get ahold of the booze for the party. The scenes are funny, but stretch the suspension of disbelief a lot and are maybe a bit distant from the real focus of the movie.

A few misgivings aside, Superbad is a very funny movie, with plenty of memorable lines and scenes. I'm not sure how much of the great dialogue was scripted and how much was improvised on set, but either way it's pretty smart. The goal of the two leads is to get to a party and hook-up with a certain girl, but the movie is really about the friendship between them. Over the course of the movie, they get angry at each other and have to deal with separation issues between them, and it's a movie that can really hit close to home for anyone who left or is going to leave close friends behind. It might not be as sentimental as some other stuff these guys have done, but it still rings very true. Superbad is one of the funniest movies this year, and definitely worth seeing.