X-Men: First Class

When you think about it, this was a pretty remarkable year for films based on Marvel comics. No real classics, but they effectively build up The Avengers for next year, and they managed to put out three films without any of them stinking, or even being less than pretty good for summer action blockbusters. X-Men: First Class might be my favorite of the three, not just looking at the whole X mythology in an interesting way, but being the second best X movie that's ever been released.

At this point, the whole continuity of the X movie franchise is pretty messed up. The Wolverine movie probably did the most damage, but the whole thing is fraught with issues arising from recasting and changing things that needed to be changed. As a way of pushing a big reset button, First Class mostly works while still acknowledging what's been done before for the most part. It shows the early lives of Professor X and Magneto, depicts them becoming friends during a conflict that alerts major governments to the existence of mutants, and sets the stage for their antagonistic relationship that defines the rest of the series. It doesn't do all this perfectly, but it gets the job done, and considering how little time Matthew Vaughn and his cast and crew had to put it together, I think it's fairly impressive work.

The best part of the movie is very easily the development of Erik and Charles as characters and as friends, and it's what the whole movie builds from. James McAvoy and Michael Fassbender both give very good performances, especially considering it's a comic book movie, and there's a real camaraderie that builds and a sadness when their relationship inevitably turns sour. The other stuff isn't as good, but it isn't too bad either. Kevin Bacon and January Jones play Sebastian Shaw and Emma Frost, the leaders of the Hellfire Club, are the main villains who want to start a nuclear war and create a paradise for mutants in the aftermath. Tying the main external conflict of the film into the Cuban Missile Crisis is a pretty clever move, and it works to ground the story in a period of history and play around with what we already know. There's not much else to the plot that isn't maneuvering to get characters in place for where they should be later, but there doesn't really need to be.

A good deal of time is spent with the main characters working with some members of the CIA to essentially create an early version of Xavier's school for mutants, with some familiar faces and characters new to the movies both getting introduced. One of the best single moments in the film comes from the recruitment montage, where Charles and Erik find a certain popular X-Man and get a rude response from. Otherwise, the whole training and preparing thing kind of slowed down the movie a bit, and none of the new mutants or their little subplots were particularly interesting. In general, the script definitely feels a bit thrown together, with a climax that goes on for a while but doesn't always have a clear purpose, and a few silly bits that took me out of the story. But as I said, the central story of Xavier and Magneto definitely works, and resulted in a pretty good movie. I'm definitely more interested in more of this than another Wolverine movie.

Terminator Salvation

Why isn't "Terminator: Salvation" the accepted rendering of this film's title? I don't really get that. Anyway, despite a number of factors working against it, I found this movie to be reasonably watchable rather than completely terrible. I understand that that's not exactly high praise, though for something by McG it kind of is. Despite its plot making the absolute minimum of logical sense, and the fact that it completely ignores much of what we learned from the other movies, and that the very idea of a PG-13 Terminator movie seems abhorrent, I did manage to wring some enjoyment out of its one hundred and ten minutes. Yeah, the story has holes, but they're just more obvious when you compare them to some of the impossible scenarios in the other movies. Yeah, it conveniently forgets some things we knew about the machines and the war in the future, but the series stopped following its own rules long ago. I don't want to sound like I'm praising it too much, because it's not very good at all, but I didn't hate it.

I mean, let's be real. It's weird how these Terminators seem immune to molten steel yet vulnerable to bullets, but the series is so inconsistent about what can and can't kill these machines and what they're made out of that it hardly matters at this point. The fact that all those sweet laser weapons are missing is disconcerting, but it sort of wouldn't match the aesthetic they were going for if they were there, and it is after all ten years before the flashbacks from the first two movies. Maybe they just haven't been invented yet. I found it easiest to get some fun out of the movie when I was just watching it as an apocalyptic, very loud action film, and ignoring its blasphemies against the more beloved entries in the series. I actually thought McG did some good stuff here and there. Visually, it really captures the future war thing in places, with some extended takes that really pushed the desperate nature of the fighting. Of course, the performances he got from some of the cast are another story.

There's quite a few recognizable faces in this movie, and not many do much to distinguish themselves. Christian Bale, ostensibly but not really the main character, is decent as usual, though you can make a case he wasn't really trying terribly hard here. I appreciate that Sam Worthington has the look and physique of a more old school action hero, but in two big roles he hasn't really done that much. Someone should just give him a part he can freely use his Aussie accent in. Michael Ironside gets to push himself not very hard at all in a typical hardass authority role, which is always fun, and Helena Bonham Carter is creepy enough in a multifaceted part. I liked Anton Yelchin as Chekov in Star Trek (even more than Walter Koenig, honestly), but he can't save a poorly written, teenage version of Kyle Reese from damaging the character's legacy a bit. There's a few other notable people here and there, but not much to say about them.

And there's really not much to say about the rest of the film. There's some decent action and effects for the first two thirds, and then it sort of comes off the rails in the final act as the plot gets less and less believable. Really, the most offensive part of the whole project is how it plays around with what's already been established by superior works, but for whatever reason I found that relatively easy to ignore. Certainly watchable, but just as easily avoided.

Starship Troopers

Paul Verhoeven did a few pretty enjoyable, over-the-top action movies in his day, and if all you care about is violence, there's quite a bit to like about Starship Troopers. There's a lot of alien bugs getting shot hundreds of times and peppered with explosives, and a lot of humans getting eviscerated to shreds. The visual effects hold up surprisingly well even 13 years later, and while I have to say the human's strategy for taking on their foe is amazingly stupid, I had a pretty good time watching it. The problem to me is the way the film seems to treat its source material with contempt. It only became an adaptation of Robert Heinlein's novel partway through development, and Verhoeven has said publicly he couldn't finish it because he hated it so much, and yet he's the guy who made the movie. People point to the movie's idiocy and call it satire, but what's the point of only parodying the book your film is based on, a then-38 year old novel that most of your audience isn't going to be familiar with? It's an exercise in pointlessness. From what I've heard about the book, a modern adaptation could have been really interesting, but instead they decided to misrepresent its politics and philosophy and dress the good guys up like Nazis.

So yeah, the movie is aggressively dumb throughout its running time. I shudder to think of a future where Denise Richards is smart enough to be considered an excellent candidate for a military pilot position. Casper Van Dien is the attractive main character you haven't heard a thing about in the last decade, and he's equally as irritating. Neil Patrick Harris is made unlikable on the rare occasion when he shows up, and the rest of the cast is just hard to believe as soldiers who are supposed to be trained enough to take on gigantic monsters. Michael Ironside is bad ass as always, but he's the only character I can say I liked. Oh, and Amy Smart is another pilot. God help us all. The movie drags whenever the humans aren't getting torn to pieces, and it definitely tries too hard to be funny. Paul Verhoeven thrives when he's shooting something ludicrously bloody and violent, but pretty much anything else and he's a bad choice. There were parts of this movie I definitely liked, but I really didn't enjoy its tone or a great deal of its content. I won't go so far as to call it unwatchable, but it's pretty regrettable.