Observe and Report

This was an unusual film. It had the slightly unfortunate position of coming out around the same time as Paul Blart: Mall Cop, and they share a similar premise on the surface, but from what I know about that film, there's really almost nothing in common. The movie is surprisingly dark, much more of a black comedy than they really advertised. It's less about Seth Rogen hitting on Anna Faris and pursuing a flasher, and more a story of a bipolar man with serious delusions of grandeur trying to make himself into something. I don't want to overplay this side of it, because first things first it is a comedy, but I was fairly impressed with Rogen's performance, and there were some fairly disturbing (if still funny) moments when you see more into the crazy things he actually thinks about himself and his abilities.

Both the funniest and most tragic thing about his aspirations of being a real cop if it weren't for his medical issues is that he would actually be pretty good at it. A lot of the movie is fairly mundane, but there are a few scenes that get violent and are actually pretty effective as action and show an unexpected degree of skill with weaponry in Rogen's character. I don't want to spoil what actually happens, but they're some of the most memorable scenes from last year. Jody Hill seems as much concerned with shocking the audience as making them laugh, but not in a gross-out way, and it's an approach that mostly works for me.

There's some pretty funny stuff with Rogen and his fellow mall security guys, and his antagonistic relationship with Aziz Ansari is terrific. Not every scene really meets its potential, though. His confrontation with Patton Oswalt's asshole food court restaurant manager could have gone farther, and the sidekick character is definitely a situation where he was probably funnier on paper. It's not an outstanding movie, but it does a lot to stick out from the crowd, especially the climax, which I'd rather not spoil but is one of the best scenes I've seen in ages. It really has to be seen to be believed. I actually thought the ending was a bit too upbeat for the story, but a lot about the film is going to stick with me for a while.

Grand Theft Auto: Vice City

The second game in the vaunted trilogy. It didn't make the same leap from 3 as 3 did from 2 or San Andreas did from it, but it was still an important addition.

After 3, some wondered where the series would go from there. Not many expected it to go back in time. 3 was basically contemporary, but you didn't get that much of a feel for the setting or main character. That was probably Vice City's biggest contribution to the series. Instead of a nameless, voiceless criminal, you played Tommy Vercetti, a person with goals and opinions. It was refreshing to play someone who could think for himself and often took matters into his own hands instead of just taking orders. Sometimes he was still doing grunt work, but he was in charge of his own fate. Along with the character, the game's radio played a huge part in placing you in the world. Instead of some generic house and pop music, there was a variety of stations playing a bunch of real music from the 80's. It set the mood about as well as it's been done in a video game. The music, along with the general aesthetic of the city and people in it went a long way. I don't have that much nostalgic attachment to that decade, being three years old when it ended, but it still made the experience more entertaining. The talk radio wasn't quite as good as 3's Chatterbox, but there were two stations and they were both good.

There were a lot of small gameplay tweaks and improvements that made the experience better. The addition of motorcycles might not sound that significant, but they were quite useful, and I still usually pick them over cars unless I know I'm going to be taking heavy damage. They're more maneuverable, allow you to fire straight ahead, and can be bailed from without injury. The only problem is that crashes can be pretty hazardous to your health, especially when you go flying over a railing and into the river, which Tommy still couldn't swim through. There were much better boats though, and helicopters and planes were a fun way to get around quickly. The variety of melee weapons instead of just the bat was cool, although it stifled the more dangerous part of your inventory quite a bit. There was more freedom progressing the story, too. You had to build up a criminal empire by taking over and improving various businesses like a club or marina, And it was cool buying up safehouses all over town. The story was more interesting than 3's, easy when your protagonist is so much deeper, and the missions featured more variety and complexity. My only problem with the gameplay was the design of the city itself. Part of the fun is always the car chases, either pursuing traitors or evading the cops, banking around tight turns and barreling down hills. There just weren't that many hills to be found. There were nice jumps sprinkled around, but it was all just a little flat in places. Still, it was a fine game that improved over 3 in almost every way.

Smokin' Aces

I checked this out for roughly the same reasons as the last two movies, but it's not really that similar to them. Carnahan's script tries very desperately to be smart and stylish, although it only partially succeeds at times. There are a lot of different characters with similar amounts of screen time, and it was a little difficult to even say who the stars were, so I just went with the two "good" guy feds. I think Ryan Reynolds should probably stick with comedy. Part of me wants to say he's fine in a serous role, but I think that's really just thinking he can grow a pretty nice beard. Ray Liotta never did that much with his career after Goodfellas, although he always seems to do a good job when he appears. Plenty of other large and small names make appearances, from Ben Affleck to Jason Bateman to Jeremy Piven to Andy Garcia and a bunch of people you probably don't know by name but recognize when you see them. Common and Alicia Keys also make their acting debuts, and they're not bad enough that I'd want to make a lame comment about sticking to their music careers.

All of these characters lead to a lot of craziness that could turn into a jumbled mess, although it never does. Basically, Smokin' Aces is a movie about a couple of FBI guys going to pick up Piven's character (nicknamed "Aces"), a mob witness, before a plethora of hitmen descend on him to pick up the seven figure reward on his head. They all want to smoke Aces. Get it? Chaos ensues, with lots of shooting and stabbing happening everywhere all over a casino. It's over the top most of the time, with hookers running around, sniper rifles so powerful they can knock you over, and a trio called the Tremors adding plate armor and chainsaws to the mix. A bunch of fairly entertaining stuff happens with the requisite subterfuge and betrayal before the rug is pulled out with a plot twist after all the action's died down. A few plot points seem a little vague, but it's a decent enough story in the end. The movie's never as thoroughly entertaining as it obviously wants to be, but it wasn't too bad. If anything, it does well balancing all the pieces it throws in the air.

Goodfellas

As far as "true stories" go, Goodfellas' is a pretty entertaining one. A little too much of it is narrated, although I'm sure that was less of a complete cliché at the time. It's a winding tale of growing up as part of the mafia, and how instantly things can change or go wrong. Henry Hill grew up envying and eventually joining a family, although he was always on the outside because of his non-Italian blood. The biggest obstacle to his success is Tommy, a guy he came up with who's friendly with him but a little too insanely violent for his own good. Tommy's played expertly by Joe Pesci, who won an Oscar for his efforts. I've seen better acting, but his embodiment of the roll is complete and there are tons of legendary scenes showcasing the real-life personality. Ray Liotta and Bob De Niro are also very good with their parts, more level-headed counterparts to Pesci and apparently very true to the people they mimicked.

I recognized several actors from the little I've seen of The Sopranos, including the therapist, played by Lorraine Bracco, who is also very good as Hill's wife, innocent at first but drawn into the world of crime. The movie as as much about Hill's home life as his work, and the development of their relationship along with his advancement in the ranks make an interesting story. This is one of the multiple occasions where many believe Martin Scorsese was robbed of the Best Director Oscar, which he eventually won with my 2006 movie of the year The Departed, and I can definitely see their argument. The construction of each scene is excellent, with some really great extended shots fleshing out the realistic vibe. There's also artistic handling of key moments, like the subtle perspective shift in an important diner scene late in the film I might not have noticed were it not point out to me, and the whole cast does great work for him. I really should have seen it sooner, but it's never too late to watch a good film.