Movie Update 35

Here are a few movies I saw before the end of the year. I won't keep you in suspense: I liked them all.

Dreams


One of Akira Kurosawa's last films, Dreams is more like a collection of shorts, all based on various dreams he had and presented in very different ways. You can detect some progression as it goes on, as the early segments feature children as the central characters, while later ones are generally darker, and the last few all star the same person. But mostly it's just disjointed ideas brought to life in usually interesting ways. I liked the movie more than I thought it would, from its bizarre fantasy imagery to its more unsettling moments. I've never felt more cold watching a movie than I did watching the blizzard segment. It also features Martin Scorsese in a cameo as Vincent van Gogh, which is weird.

The Limey


I kind of like the idea of Steven Soderbergh, but I haven't actually really, really enjoyed a movie he's made until now. The Limey is an extremely sharp and tight revenge thriller starring Terence Stamp as an older British career criminal who takes a trip to America after getting out of jail to get even with the man responsible for his daughter's death. There's really no nonsense about the movie, it's pretty short and has very few characters who aren't directly related to the single central story thread. It's not the most exciting movie ever, but it's occasionally quite tense and sometimes even pretty funny. It also has a lot of nice little touches, like Soderbergh inserting snippets of a much younger Stamp from another movie to establish his backstory. The whole thing is very minimal and hazy, with its frequently jumping around in time in moments of reflection. Not quite great, but a very good take on some pretty basic material.

Miracle on 34th Street


I've seen pieces of this movie before, but the part that I didn't know, and what I think is totally brilliant about it, is that it never answers the question of whether the "Santa Claus" in this movie is actually Santa Claus. It doesn't answer the question because the answer doesn't matter, what matters is the message he's trying to give to the people around him. Well, I thought it was clever, anyway. Otherwise, it's a charming old Hollywood movie with charming old Hollywood acting, and it's sort of interesting seeing Natalie Wood this young even if her character is pretty annoying. A really nice family holiday movie, that nicely skirts a lot of issues with that subgenre.

Running on Empty


Sidney Lumet's Running on Empty is an odd little movie, combining elements of crime and soap opera. The story begins years before the film itself starts, when a couple decides to bomb a laboratory owned by a company that made napalm, and accidentally severely injures a janitor that wasn't supposed to be there and goes on the run. Years later, they're still on the run, changing identities and moving every time they suspect the law might be on their trail, with two kids in tow. They're pretty used to it, but the older son, played by River Phoenix, is getting a bit old to be staying with them, almost ready to graduate high school. Things really change when he both meets a music teacher who's impressed by his piano skills and wants him to go to college for it, and falls in love with the teacher's daughter. Family drama ensues. It's the kind of thing that probably shouldn't have worked, but Lumet is a director who seems to be able to do a lot with some slim material. It's far from his best movie, but it's a pretty good one with some strong emotional moments.

Stand By Me

Stand By Me is another one of those movies I've seen chunks of but never sat down and watched until now. And it's good! Rob Reiner knew how to direct mature movies that would be interesting to people of many different ages. It takes place mostly at the end of the 50s, but it still has a timeless quality that should remind anyone of summer vacations spending time with friends, especially if they lived in a rural area. The main character is Gordie, played by Wil Wheaton as a kid a couple years before Star Trek: The Next Generation and Richard Dreyfuss as an adult and the narrator. After learning that his childhood friend was killed in a restaurant, he decides to write down the story of a watershed moment from his youth, where he and his buddies walked through miles and miles of countryside to find the body of a local boy who's been missing.

The other three friends are played by River Phoenix, Corey Feldman, and Jerry O'Connell, and while they tend to be more famous for why they don't have careers than the careers themselves, it's remarkable how they're all still recognizable names 24 years later. I don't think that usually happens with kid actors. The older teenager characters are occasionally recognizable too, with Kiefer Sutherland playing the biggest jerk in town and antagonist and John Cusack in flashbacks as Gordie's deceased older brother, and the only one in his family who seems to care about him. Everybody does a pretty good job, and it's noteworthy how the kids all manage to act like real twelve-year-olds without getting annoying.

So it's sort of like a small-scale road movie as they wander along train tracks, over bridges, and through forests looking for where one of them heard his older brother describe the body's location. Their relationships are as realistic as you'll see when it comes to adolescent American males, always poking fun at each other and sometimes getting violent, but obviously still affectionate and understanding. O'Connell doesn't really get an opportunity to be dramatic, but the other three all have moments of vulnerability that bring them closer together as they use the body as a goal to get through their troubles. The movie is often funny and touching when it wants to be, and while the story sort of sweeps some of the difficulties under the rug by the end, it's still a good story and a definite piece of Americana. Apparently the Stephen King story that this was based on was quite a bit harsher, but the movie didn't need to be to work.

Indiana Jones and the Last Crusade

Last Crusade returns to the formula from the first movie, with lots of high adventure and killing of Nazis. Instead of a Chinese child, his sidekick is his dad, played by Sean Connery. They have an entertaining chemistry, Indiana being pretty rough-and-tumble and his dad getting things done without ruffling his clothes. A lot of the things they do end up being pretty corny, but that's the way of the series. This film is probably the most family friendly of the three, though it still contains some scenes with an obscene amount of vermin and surprisingly grotesque deaths. John Rhys-Davies and Indy's older college friend both reprise their roles from the first movie and make likable companions. This time, the female lead is physically attractive and actually an interesting character, so she's an improvement over her equivalent in the first two movies.

Whereas the second movie was a departure, Last Crusade really follows in the first's footsteps. The opening scene is a flashback to Indiana's youth, an improbable day in which he managed to pick up four of his notable character details. It connects with the modern day (1938) by showing him after the same artifact, and then leads to the real story, which like the first movie, happens to feature the same treasure-hunting villain who has the support of Hitler's regime. There's lots of action and humor as Indiana searches for his kidnapped dad and then the ultimate goal. There are some more great parts, like the "no ticket" scene on a gigantic zeppelin. Too much of the action is slapstick in nature, but it's still an enjoyable movie. I'm not sure what it is, but something about the whole trilogy just felt like it was missing something, though I can't say what. Still, entertaining films.