The Adventures of Tintin

My only previous experience with Tintin was seeing a few episodes of the cartoon when I was a kid. They made enough of an impression though that I was interested in seeing the movie as soon as I heard about it, especially based on the amount of talent involved in its creation. Directed by Steven Spielberg, produced by Peter Jackson, written by three talented British writers, and starring a pretty solid cast. It's actually a pretty darn small cast - if you don't count the bad guy's many henchmen, the film has only a handful of characters with real roles, and there are all of maybe two women who have any lines at all. But it's not really a film focused on dialogue, or subplots, or anything that doesn't relate directly to the central quest. If there's ever a movie that earned the term "breakneck pace", it's this one. It stomps on the gas pedal in the opening minutes, and never lets up until it's all over. Even the exposition scenes are packed with action and visual trickery. That and the fact that the script crams together elements of three different Tintin stories lends the movie a sort of rushed feeling, like there was just too much adventure to get through and not enough time. But while it can be tiring by the end, the movie is so packed with charm and fun that I couldn't help but enjoy it the entire time.

Jamie Bell stars as Tintin, a young European journalist (Bell is British, though in the original books he's Belgian) who frequently gets involved in larger-than-life adventures when following a story. He finds a scale model recreation of a famous lost ship, and when he refuses to sell it to a man played by Daniel Craig named Sakharine, he gets kidnapped and brought on board a boat. There he meets its captain, Haddock, played by a drunken and bumbling Andy Serkis, and the two (along with Tintin's dog Snowy) escape, attempting to find the treasure that Sakharine is really after. The treasure ties into Haddock's family history, and he and Tintin become unlikely friends on their quest to solve the mystery of his past. Serkis gives quite a fun performance, even if he resorts to rhyming exclamations a bit too often. Bell fits well as Tintin, it's fun to see Craig play a villain, and Simon Pegg and Nick Frost are once again a likable pair as Thompson and Thomson.

Of course I haven't really mentioned the fact that the film is animated, or any of the controversy around that. I've seen numerous people complain about the realistic look the movie goes for, rather than exactly mimicking the original art style. There have also been repeated references to the uncanny valley, though I've come to accept that people will now complain about it every time something animated even attempts to resemble reality. Maybe some people really are instinctively put off by any computer animation that isn't completely cartoony, but I was able to watch this entire film without noticing anything that really bothered me. The movie walks a very fine line by obviously being animated but still having extremely detailed nuances in the texture and animation of its characters, but I thought they pulled it off for the most part. I also think they really took advantage of the animated medium, especially in the crafting of the action scenes. There's a heck of a lot of them, and almost every one manages to do things that real life action wouldn't. The highlight of the whole film is a chase scene in a single take, through a Moroccan city and with numerous different characters involved at various points in both the chasing and being chased. Obviously being animated makes such a scene feasible, but even with that caveat, it's still a complete marvel of planning, design, and coordination to pull it off. That it isn't quite the film's climax is a symptom of the fact that the creators might not have known when enough is enough, but it's still a great scene. The last moments of the film are pretty explicitly setting up a sequel, and I hope the movie is successful enough for one to get made, because they did a great job of establishing a really fun and endearing setting, and I'd like to see Peter Jackson take his turn at the wheel.

Mission: Impossible III

Obviously the fourth Mission: Impossible movie just came out, but I still haven't seen the third yet, so I decided to correct that last week. Each movie in the series has had a different director and subsequently a different tone, and the third installment was the first feature film made by J.J. Abrams. It sort of mixes and matches elements from the first two movies. The first was a paranoid spy thriller, and the second was pretty much a Hong Kong action movie. The third film has some of the same kind of bombastic action and huge scale of the second, but it's ultimately closer to the first film in terms of realism (which itself wasn't exactly totally authentic, just look at the climactic scene for proof). Some elements definitely seemed silly - there were several one-liners and over-the-top moments that probably didn't need there, and got in the way of the story a bit. But the setup was smarter and the payoff better than the mediocre second film, and the darker tone seemed to fit the series well. I don't think it was quite as good as the original, but it was close enough.

Tom Cruise is back as Ethan Hunt, though he is no longer a regular spy and instead trains recruits for the agency. He's even trying to settle down with a woman played by Michelle Monaghan, something his friends and colleagues are skeptical of. He gets pulled back into action when one of his trainees played by Keri Russell is kidnapped on a mission, a job that kicks off a plot involving someone bad inside the agency trying to stop him while a black market dealer played by Philip Seymour Hoffman tries to sell something that's potentially extremely dangerous. Backs get stabbed, explosions go off, and complicated heists get executed. The movie is completely packed with recognizable actors, and most of them do pretty well in their roles. It's fun to see Ving Rhames and Tom Cruise together again, and their team is rounded out competently by Johnathan Rhys Meyers and Maggie Q. Laurence Fishburne plays a fairly predictable but solidly slimy higher-up at the agency, and Simon Pegg only gets a couple scenes to do his wisecracking nerd routine but does it well anyway. Hoffman plays a totally creepy and intimidating villain despite his lack of physical prowess, and the mole subplot ended up being more interesting than I expected. Abrams makes a few unexpected decisions and shoots the action very well, and I thought the distinct color palette of the film worked as well. It's not a particularly special action movie in most ways, but it's done well enough to be pretty enjoyable throughout. It got me interested in hopefully seeing Brad Bird's take on the series before it leaves the theaters.

Spaced

Spaced was the breakout hit for its creators, who went on to make popular movies like Shaun of the Dead and are now recognizable successes. It's a short and brilliant little series about a couple of new friends who pretend to be a couple to get an apartment. The focus of the show thankfully isn't their wacky hijinks as they try to keep up the ruse though, it's just a funny look at life through the eyes of its interesting cast of characters. A huge part of it is pop culture references, as Simon Pegg's character spends his time playing video games and trying to break into the comic book industry. There's a lot of references to Star Wars in particular, and an episode in the second season heavily satirizes The Matrix, the events of which the characters call "slightly unbelievable".

For the most part, the show is just pure fun to watch. Even when I wasn't laughing out loud, I usually at least had a smile on my face. There's only 14 episodes across two seasons, but each one is good and packed with references and inside jokes, making the show a little too esoteric for some members of the general populace but a big treat for anyone who gets it. Even when it's not trying to be funny it succeeds. It says some genuine things about friendship, and the relationship development between co-writers Pegg and Jessica Stevenson is extremely well done. It doesn't last very long, but Spaced is pretty close to the perfect sitcom.

Star Trek

As someone who's never given the Star Trek franchise much of a chance, this movie made me want to. It was somehow a prequel, sequel, reboot, and homage all in one, and they all managed to work. It seemed like it did a lot to make both series fans and newbies happy, and I think it succeeded in most areas. Most of the science and some of the plot contrivances are a bit silly, but it captures the spirit that seems interesting to me, of an interesting jaunt through the galaxy with exciting adventures that don't get too bogged down in what would probably actually happen, tied together by a likable cast of spaceship crew. It does what the Star Wars sequels failed to do for most people - retain the classic feel while modernizing the style and not taking the risk of ruining the set rules.

Without getting too much into details, the movie manages to set itself up fresh as a new series, while still remaining within the overall continuity of the franchise without erasing anything. It's a pretty clever setup, and it's all quickly and deftly explained in one scene in particular that I quite enjoyed. I appreciate that all the characters are highly competent and intelligent, because it lets them figure it out without dumbing it down too much or losing the audience. The way that the classic crew comes together in the course of a single mission is a bit convenient, but I just have to be impressed by the way that they accomplished everything they had to with the reboot while still having time for a pretty solid actual conflict to the story.

The villain's background and evil plan are where the film is at its weakest, relying on some extremely sketchy scientific babbling and a rather poorly thought out concept of vengeance, but in the end it allows for an intimidating antagonist that's at least slightly sympathetic in a certain way. The special effects and action are pretty good, with a pretty brisk and exciting pace throughout as Kirk gets the crap kicked out of him while the good guys always just manage to scrape by without getting obliterated. The pacing dips slightly with some unnecessary CGI creatures somewhere before things really get going towards the conclusion, but overall it was a fun, light piece of cinema as I couldn't believe that two hours had passed by the end. The cast was pretty darn strong, with everyone seeming to do a good job. I liked Quinto's Spock despite being sick of his face on Heroes, Urban actually worked outside of a crazed badass role (not that Bones isn't kind of a badass), Pegg was great for the short time he was there, and Pine made me like Kirk a whole lot. The whole movie is filled with nods and references to moments and lines from the Star Trek canon, and it's well set up for further cinematic escapades. I definitely look forward to a sequel.

Hot Fuzz

Hot Fuzz is the next genre comedy from the Shaun of the Dead guys that honors its subject matter as much as it satires it. Shaun was a great take on zombie movies. Not only was it very funny, it was actually more than competent as just an example of the style. Hot Fuzz purports to do the same with Hollywood action movies, except for the fact that more than half of it is a lot closer to a slasher/mystery movie. Simon Pegg is the hotshot, ultra-serious officer who was transferred to a small town for being too good, and Nick Frost essentially reprises his role as Pegg's dumb, yet sympathetic friend. The two bond over the course of the movie, and at times their togetherness seemed almost romantic. I later learned that there was originally a female love interest for the main character who was cut, and a lot of her lines were given to Frost without any changes, which is actually pretty funny.

Anyway, Sandford is in the running for England's nicest village again, but a mysterious hooded figure has been killing townspeople and disguising his work as accidents. Pegg is sure it's murder, but no one believes him. He has to piece together what's really happening before the killer strikes again. It really is more like Scream than any action movie I've seen. Even if it wasn't what I expected, it was still plenty entertaining, with lots of great lines and jokes and hilariously over-the-top death scenes. A little closer to the end than I would have liked, they finally make the transition to the action part of the movie. There's a lot of entertainment to be had in the short time he and his allies are having gun fights with barkeepers, old men, and supermarket workers. They poke a lot of fun at the ridiculousness of modern movies while having a good go at it themselves. There's a dramatic climax with one more sickly humorous moment before a contrived ending finishes the movie a bit weakly. I think Shaun of the Dead was a bit better focused and stronger as a film, but Hot Fuzz was still good fun.