Star Trek

As someone who's never given the Star Trek franchise much of a chance, this movie made me want to. It was somehow a prequel, sequel, reboot, and homage all in one, and they all managed to work. It seemed like it did a lot to make both series fans and newbies happy, and I think it succeeded in most areas. Most of the science and some of the plot contrivances are a bit silly, but it captures the spirit that seems interesting to me, of an interesting jaunt through the galaxy with exciting adventures that don't get too bogged down in what would probably actually happen, tied together by a likable cast of spaceship crew. It does what the Star Wars sequels failed to do for most people - retain the classic feel while modernizing the style and not taking the risk of ruining the set rules.

Without getting too much into details, the movie manages to set itself up fresh as a new series, while still remaining within the overall continuity of the franchise without erasing anything. It's a pretty clever setup, and it's all quickly and deftly explained in one scene in particular that I quite enjoyed. I appreciate that all the characters are highly competent and intelligent, because it lets them figure it out without dumbing it down too much or losing the audience. The way that the classic crew comes together in the course of a single mission is a bit convenient, but I just have to be impressed by the way that they accomplished everything they had to with the reboot while still having time for a pretty solid actual conflict to the story.

The villain's background and evil plan are where the film is at its weakest, relying on some extremely sketchy scientific babbling and a rather poorly thought out concept of vengeance, but in the end it allows for an intimidating antagonist that's at least slightly sympathetic in a certain way. The special effects and action are pretty good, with a pretty brisk and exciting pace throughout as Kirk gets the crap kicked out of him while the good guys always just manage to scrape by without getting obliterated. The pacing dips slightly with some unnecessary CGI creatures somewhere before things really get going towards the conclusion, but overall it was a fun, light piece of cinema as I couldn't believe that two hours had passed by the end. The cast was pretty darn strong, with everyone seeming to do a good job. I liked Quinto's Spock despite being sick of his face on Heroes, Urban actually worked outside of a crazed badass role (not that Bones isn't kind of a badass), Pegg was great for the short time he was there, and Pine made me like Kirk a whole lot. The whole movie is filled with nods and references to moments and lines from the Star Trek canon, and it's well set up for further cinematic escapades. I definitely look forward to a sequel.

The Lord of the Rings: The Return of the King

This is the one that got all the awards and the highest praise and is my personal favorite, but I'm not sure if it's really deserving of all that. It certainly wasn't head and shoulders above the other two enough to win eleven Oscars when they averaged three. All those awards were probably appreciation for the feat of the trilogy as a whole, which I'm fine with, since the Academy so often seems to pick the better story over the truly deserving winner. I still really love the movie, and it's the biggest and grandest of the trilogy. It also happens to be the only film I saw for the first time after reading the book version first. There's fewer changes than the last time, though still some notable ones. Some bits are cut, like the Riders of Rohan being escorted around a blockade by strange men of the forest and most of the real dramatic thrust of Eowen and the development of her relationship with Faramir. There's one key detail that I feel they lost a lot from by having to cut, and it's removal was sort of necessary after cutting the Barrow-Downs from the first movie. Since the Hobbits just get their swords unceremoniously handed to them by Aragon instead of finding them in a tomb, they would be less justified in explaining why Eowyn was really able to kill the Witch King. It's not because "Hur hur no man can kill you but I can because I'm a woman", it's because Merry's sword had some magical essence and was able to break the spell that made the king invulnerable when he stabbed him with it.

I'm also not a huge fan of how Denethor and Gimli are handled. Throughout the movies Gimli is more of a comic relief than he ever was in the book, and it's brought to a head here when his presence in the Paths of the Dead turns them into a joke rather than a spooky setting. Look, he's trying to blow away the ghostly hands and wincing when he steps on any of the absolutely insane number of skulls that litter the place! Seriously, where are the rest of the skeletons? And Denethor is transformed from a depressed, grieving father who has seen doom coming for a long time into a crazy old man who is able to run about half a mile while completely immolated so he can jump off something and look all cool. Wow, I'm really complaining a lot here. I really do like a movie, and moments like Pippin's song as men of Gondor ride to their deaths and the riders charging into the Battle of Pelennor Fields are some of my favorites in any film. They really went all out with the effects for the battle to make up for the main characters not really being there, and it's still an exciting spectacle to watch. The only real change in Frodo and Sam's part of the story is Sam getting sent away for a while, which is another case of adding dramatic tension so there's more of it, but it doesn't have a major effect on the story. When the two stories finally converge at the end is suitably dramatic and epic, and you really feel the love the members of the fellowship have for each other. After the final conflict ends, the movie takes its time ending, and more or less culminated with the departure at the Grey Havens. I was surprised at how much that scene moved me this time, when it hadn't as much before. I can't think of why it would affect me differently now, all I know is that it did. Peter Jackson's adaptation of J.R.R. Tolkien's greatest work is far from perfect, and I can't say that most of its departures were that well considered. Still, it was an admirable effort, a labor of love, and definitely worth watching.

The Lord of the Rings: The Two Towers

Just looking at Amazon, they're taking preorders for the Blu-ray version of the trilogy, which is cool I guess, but it also seems like they've discontinued manufacture of the DVD sets, which is... weird. Oh well. The Two Towers is a frequent pick for the worst of the three films, and mine as well, though I've seen some claim that the extended edition elevates it to the best, which I find a bit odd. It's certainly better, though that's true for all three films. In any case, it probably made the most severe alterations to the plot of any of the three, some aspects of which were justifiable, others less so. The whole structure is rejiggered to make the battle at Helm's Deep the focus, with a lot of time spent building to it when they just sort of went there and fought in the book, and the film ends shortly after, whereas the break was originally after a few other plot points that migrated to the third movie. Things like that are acceptable so the story has a normal dramatic arc to it. What's stranger is pretending to kill off Aragorn during an innocuous warm-up battle and having a legion of Elves show up in time to help instead of Éomer and the Riders of Rohan. It's not that having Elves and changing who Gandalf shows up with really hurts the story, you just wonder why they bothered when previously the only changes were trimming fat that affected the pacing. The battle itself was pretty well executed, and besides a couple dumb moments like Legolas skateboarding down a stairway on a shield, one of the best large scale clashes in recent cinema. I liked how they were able to add small things like the contest between Legolas and Gimli, even if the resolution of it was cut out of the theatrical version.

It was smart to edit that stuff together with Frodo and Sam's journey instead of keeping them separate, not only because it would have been strange that way, but it allowed them to make Helm's Deep the climax instead of the fight with Shelob, which in turn allowed them to shift that into the third movie as well, and keep the timeline straighter. Looking back, I'm not sure I support the decision to make Gollum a computer generated character. Serkis' performance is impressive and shows through the effects, and there are moments where the work they did is still extremely convincing, but for the most part whenever he's on screen I'm noticing that he's not really in the scene, and paying attention to the work that was done and not his presence as a character. It's still going to be a while before that stuff is totally convincing. I just got a feeling of déjà vu like I've written this before. Making Faramir more like his brother initially and unwilling to just let Frodo and Sam walk away with the ring is another choice that I mostly support, because after taking out Shelob there's really not a whole hell of a lot for them to do. I'm not sure they really captured his character as well as they could have, because there's more to him than just being the less favored son. Still, they did what they had to to make the story work, and sacrifices will sometimes have to be made to do that. Movies in the middle are usually a tough situation, and I thought they did well enough here when they were mostly putting things in place for part three.