Best Movies of 2023

10. Spider-Man: Across the Spider-Verse

9. Saltburn

8. Guardians of the Galaxy Vol. 3

7. Teenage Mutant Ninja Turtles: Mutant Mayhem

6. Killers of the Flower Moon

5. The Holdovers

4. May December

3. Asteroid City

2. Godzilla Minus One

1. Oppenheimer

Best Games of 2023

10. The Talos Principle II (PC)

9. Hi-Fi Rush (XSX)

8. Super Mario Bros. Wonder (Switch)

7. Armored Core VI: Fires of Rubicon (PS5)

6. Star Wars Jedi: Survivor (PS5)

5. Alan Wake II (XSX)

4. Spider-Man 2 (PS5)

3. Resident Evil 4 (PS5)

2. Baldur's Gate III (PC)

1. The Legend of Zelda: Tears of the Kingdom (Switch)

Best Movies of 2021

10. Those Who Wish Me Dead

9. The Matrix Resurrections

8. Shang-Chi and the Legend of the Ten Rings

7. The Suicide Squad

6. Spider-Man: No Way Home

5. Luca

4. Dune

3. Evangelion: 3.0+1.0 Thrice Upon a Time

2. Judas and the Black Messiah

1. No Sudden Move

Best Movies of 2018

There are almost too many interesting movies I still haven't seen from 2018 to count. And yet, I think this is one of the most solid lists of movies I've ever had in a post. A great year for movies.

Best of 2018

10. First Reformed


My familiarity with Paul Schrader prior to this is kind of weird. He wrote several great Martin Scorsese-directed movies from the 70's to 90's, and more recently he's made a couple of smaller movies I didn't really like at all. But First Reformed feels like the work of someone who's been at the top of their game their whole career. Ethan Hawke is quasi-secretly one of the best actors of his generation, and he is great once again as a reverend of a small but extremely old church who deals with a drinking problem, declining health, and a spiritual crisis in the face of climate change as he's expected to handle his duties at an important moment. For the most part it's very straightforward, which makes the few moments that depart in an unreal way hit a lot harder. One of the most interesting movies about religion that I have seen.

9. Roma


Alfonso Cuaron is one of my favorite directors, and in Roma he revisits his own childhood as he tells the story of a maid and nanny to a fairly well off family living in Mexico City in the 70's. I believe this is Cuaron's first movie that he actually shot himself (it's also the first he wrote by himself), and he's clearly learned a lot from cinematographers he's worked with in the past, because Roma looks absolutely stunning. The black and white photography is beautiful and he continues to be the modern master of the long take. In the past it sometimes seems like showing off, but in Roma it's more understated and always for a clear purpose. I wish I had connected with the characters a bit more, but Roma is still an impressive movie.

8. Black Panther


I hope that the huge success of Black Panther means we can see more movies with huge budgets that can have unique perspectives and settings that aren't just the same old thing as always. Black Panther is part of the Marvel Cinematic Universe, but it's also an afrofuturist science fiction movie, and that departure and focus was maybe my favorite part of it. The cast was also very good, especially Michael B. Jordan as perhaps the MCU's best, and certainly its most sympathetic villain. The action was a bit underwhelming at times, but I'd still love to see Ryan Coogler make a sequel with these characters and this world.

7. The Ballad of Buster Scruggs

The reliable Coen brothers gave Netflix what is essentially a collection of six short Western films, and all of them have something to recommend. They range in tone from delightful to depressing, but each explores the theme of death and its sometimes arbitrary nature. I could say something about each of them, but I think it suffices to say that Buster Scruggs gives you a little bit of all the different things the brothers like to do, and the parts you like or don't like probably won't surprise you if you have any history with them.

6. Hereditary


First-time director Ari Aster is surprisingly assured in this film that is part family drama, part satanic horror. By the end the former fully gives way to the latter, but both elements work, and work together very well. Tony Collette plays a woman grieving the loss of her mother along with her family, and the things that happen from there are unexpected and develop into an intriguing mystery before they start spiraling completely out of control. Her performance could be over the top, but I think it works for where things eventually go. And I love where they go, because it's pretty damn wild.

5. Eighth Grade


First-time director Bo Burnham is surprisingly assured in this coming of age film. Most movies of this type focus on high schoolers, but Eighth Grade (obviously) goes a bit younger, telling the story of Kayla, a girl who struggles to make friends in a world of ubiquitous internet use and self promotion, but constantly strives to improve her situation. I could easily see this moving being sadder and harder to watch, but I found myself rooting for Kayla rather than feeling sorry for her, feeling bad about her setbacks but elated for her moments of progress and clarity. Elsie Fisher gives a remarkable performance, and Burnham's depiction of young adulthood is spot on.

4. Sorry to Bother You

First-time director Boots Riley is surprisingly assured in this bizarre satire of modern labor politics. There are basically two parts to this movie. There's the part where the main character, Cash Green, starts working for a telemarketing company at the same that some of its employees decide to start organizing and eventually strike, clashing with the police at the picket line. There's also the part where Cash learns to use a "white voice" to get ahead in the company and eventually becomes involved with the corporation that essentially found a loophole in modern anti-slavery laws and is dominating the global market. One of these aspects is very serious, the other is very silly, but they work together to the film's overall message, that companies and government will do anything they can in the name of profit and workers have to stick together and protect each other. It's a very funny and surreal movie with a real point.

3. Annihilation


People need to keep giving Alex Garland money to make science fiction and horror movies. Annihilation, based on a popular novel I have not read, does a great job mixing both. Natalie Portman plays a scientist who joins an expedition into a strange alien phenomenon that is constantly growing, and into which several previous expeditions have gone and not returned. Inside they find strange plant and animal mutations, some of which are beautiful, and some of which are terrifying. They begin to lose their grip on reality, and it's hard to say what exactly is real and what is not. There's enough ambiguity to keep an otherwise straightforward story mysterious, and the climax is exactly what it needs to be. Even if you don't get it, the movie is a lot of fun to look at.

2. Avengers: Infinity War


Yes, I am a Marvel fan. This is a damn good Marvel movie. Despite having dozens of characters the central story has room to breathe and develop, and pretty much everyone gets a moment to shine. The visuals are great and the action scenes are inventive and exciting. Thanos is a genuinely menacing villain, and while reports of his plan's viability have been exaggerated, I felt like I still understood his motivation in a way that his goals were clear and helped drive the story. And I appreciate any movie with this much money behind it going with that ending. We all know that what happens in comic books might not matter in the long term, but what does matter is what it means to the characters in the moment. And based on the showing I went to, this movie worked on people.

1. Spider-Man: Into the Spider-Verse


On the one hand, Into the Spider-Verse is a stunningly gorgeous animated film that combines the strengths of computer generated and traditional cel animation along with the history of comic book art to create something unlike anything I've seen before. On the other hand, it tells a beautiful, heart felt story about how anyone given the opportunity can be a hero. And on the third hand, it's a comic book movie filled with so much love for these characters and their histories that as a Spider-Man fan it was just absolute delight to watch from start to finish. So you can see how difficult it is for me to find a single way to recommend this movie. I loved it. Oh, also it's laugh out loud hilarious the entire time. And the villains were all interesting and great! And the cast!

Delayed Entry

This is the best movie that wasn't released in 2018 but I didn't see until then.

Spotlight

Is it cool to like any movie that wins Best Picture? There are definitely things you can criticize about the Oscars, but their last few big winners haven't been bad choices. Spotlight tells the story of the newspaper that helped break the story of the Catholic Church molestation scandal, and while you can see how a movie about Serious Journalists Reporting Important Stories is easy award bait, it's really just an extremely well made film, with an exceptional screenplay and a cast that delivers from top to bottom. It balances the tension of a political thriller with the heartbreaking trauma of the subject matter. It's kind of amazing that Tom McCarthy made this and The Cobbler back to back.

Best Games of 2018

I'm back. I didn't play a ton of new games in 2018, partly because some of the ones I did play were pretty long. These are the ones I liked the most.

Best of 2018

8. Donut County (Multi)


In Donut County, you control a hole in the ground that can move around and grows whenever an object falls into it. Your goal is to get every object, plant, animal, and even building in the level to fall into the hole. Then you go to the next location and do it again. Sometimes there are some simple puzzles involving using something that falls into the hole to cause something else to happen in the level. It's simple stuff, but it works because its story that moves from a raccoon dropping stuff down a hole because he feels like it to an anti-capitalist mission statement is a lot of fun, and there's a simple pleasure to be gained from watching a bunch of stuff fall down an ever expanding hole.

7. Red Dead Redemption II (Multi)


Rockstar started the trend of open world games many years ago, and it's interesting to see how they ignore the conventions that have grown into place since then as they continue to pursue their own vision of what games can be. Red Dead II is both incredibly vast in it scale and amazing impressive in its minute details. Its story rarely draws outside the lines of what you've seen in Westerns before, but it also is an effective tale about the decline of the natural world and the futility of vengeance. I just wish I had a bit more fun playing it. The gunplay in functional but rarely exciting, and there are tons of complex systems and minigames to engage in but little apparent reason to do so. If the game was shorter I would be more favorable toward it, but after dozens of missions entailing little more than riding a horse somewhere to shoot some guys, it was over long after I was ready for it to be. It's easier to admire Red Dead II than to enjoy it.

6. Super Smash Bros. Ultimate (Switch)


Ultimate is the most I've played a Smash Bros. game since the Gamecube iteration, due to both the smart decision to bring back every playable character the series has ever seen along with a fun collection of newcomers, and the entertaining (and quite long) story mode. It involves hundreds of little battles against characters from all across Nintendo's history, with each one having its rules tweaked to invoke what those characters are known for. Winning a battle unlocks a "spirit" of that character, which you can equip to boost your stats or give you an extra ability or item in the next battle. The multiplayer also has a lot of fun options to keep it fresh, and the core fighting gameplay is rock solid. This really is the ultimate Smash game, at least until the next one.

5. Hitman 2 (Multi)


Hitman 2 keeps what worked about 2016's series refresh and expands on it. It wasn't episodic, but they kept the same structure, with each map being playable in any order and accessible for multiple different missions. You can even play the last game's levels if you have them as long as you are on the same platform. The main draws of course are the five new maps (really six, but the first is an underdeveloped tutorial), which are as huge, complex, and multi-faceted as anything they've ever done before. Each one is a small sandbox packed with entertaining, challenging, and occasionally surprising stealth gameplay. I hope the intended additional maps are just as good.

4. Into the Breach (Multi)


Into the Breach is a unique strategy game, one where you can't save and reload to test ideas, one where you can't lean on building up your units so they can always survive a dangerous situation. You control three mechs which are trying to protect buildings from gigantic invading insects. If buildings are damaged, the power grid weakens, and if it goes down you fail. Your mechs can't take a lot of punishment either, and if all three are destroyed, you fail. Failure means sending a single pilot (if one is alive) back in time to start the fight again from the beginning (though the missions and maps change each time). Your one advantage is that you know each enemy's move before they make it, giving you a chance to figure out the best way to counter it. Sometimes that means pushing an enemy so its attack does nothing instead of trying to kill it, or intentionally taking a hit on a mech to protect a more sensitive target. The better you play, the more you are rewarded, but starting over all the time means your best tools are your own knowledge of how the game works and how to respond to a given situation. I've only played enough to see the ending once, but I hope to play more and see more of what it has to offer.

3. Celeste (Multi)


Celeste is a very hard platformer about a young woman trying to climb a mountain that is both imposing in size and littered with interesting features, from an abandoned city to mysterious caves. Each level increases the challenge as it introduces its own unique features. You have to jump, dash, climb walls, avoid pits, spikes, and other hazards, and stretch your ability to juggle multiple concepts at once. The game is very fair with saving your progress, but demands high skill to finish. If you find it easy, there are unlockable levels that are even more challenging, and if you find it too hard, there are options to make it more manageable. It has slick pixel graphics, a great synth-heavy soundtrack, and a story that uses supernatural elements to explore depression, anxiety, and mental health in general. Opinions vary on how effective that part is, but I thought it mostly worked. Celeste can be tough, but getting to the end of a challenge is always satisfying.

2. Spider-Man (PS4)


Almost any superhero who's known for patrolling a neighborhood would work as a video game that copies the Batman: Arkham series' general structure, but Spider-Man is a particularly good fit, and also my favorite superhero, so it's not a surprise that I really liked this. Like the Arkham games, it depicts a Spider-Man several years into his career, who has already established his place in the city's culture, and has several friends willing to help him as well as several adversaries locked up in prison. I really liked the story, which does a good job of developing familiar characters in new but believable ways and balances multiple subplots and villainous encounters in the way a good long term arc in a comic book would. Swinging around Manhattan never gets old, and the combat is mostly exciting though a bit cluttered at times. The DLC chapters weren't great, but I'm looking forward to a full sequel as much as any game that's likely to come out in the future.

1. God of War (PS4)


I enjoyed the last couple God of War games more than a lot of people, but I definitely agreed that the series could use a shakeup. We got that and more with this quasi-reboot, which keeps Kratos' history but changes the setting and style of the gameplay dramatically. He has left mythological Greece for mythological Norse lands, raising a son named Atreus on his own after the boy's mother dies, as they go on a journey to scatter her ashes from a mountaintop. What seems simple quickly becomes complicated as they are attacked by strange monsters and pursued by gods native to the area. The early God of War games used a dead wife and daughter as easy character development, but the new game does more to earn the connection, with the story being about Kratos' difficult relationship with Atreus as much as anything. Bad parents are definitely a big theme in the game. The visuals are stunning, the music sets the mood well, and the game itself is as rock solid as anything released in years. Kratos' axe is both a well developed combat tool and puzzle solver, and the way the world slowly expands as you progress through the story and and pursue optional objectives is brilliantly done. On a fundamental level, this is the ideal of what a game studio can do with a huge budget.

Delayed Entry

This is the best game that wasn't released in 2018 but I didn't play until then.

Quadrilateral Cowboy (PC)

I really like Blendo's experimental first-person games, so seeing that style expanded into a full, satisfying experience is a treat. You go on heists with your trusty laptop, using it to control objects in the environment or your own gadgets to pull off scores without getting caught. You have to learn some simple coding to do it, but the experience is all the more satisfying because you have to do a little work. You often can't bring the laptop into certain areas, so you will have to think several steps ahead and time out commands to pull off some really clever tricks. For example, you have a sniper rifle that can push buttons from afar, and you can program it to shoot a button to let you through a door, wait until you reach the next one, then adjust its aim and shoot another button. I have rarely felt as cool playing a game as I did coming up with a plan and executing it in Quadrilateral Cowboy.

Best Movies of 2017

Once again, I did a bad job last year of watching new movies that weren't about super heroes punching each other. I don't go to the theater very often because it's so easy to watch movies at home, and most of the movies I watch at home tend to be a little older. I stand behind everything on this list, though. They're all really good movies I'd like to watch again.

Best of 2017

10. Guardians of the Galaxy Vol. 2


Super hero movie as bonkers space opera. Volume 2 is not as fresh and exciting as the original was a few years ago, but James Gunn recognized that he had a good thing going and didn't mess with it too much. He just made another solid, hilarious, original space adventure movie with decent dramatic chops. Family is a pretty common theme in modern action movies that try to have a heart, and this one tackles the idea head-on. It has what you would want from a sequel. More of what was cool about the original, without feeling like a retread and adding new characters and twists. Add another good soundtrack and you're all set.

9. Blade Runner 2049

There's lots of doom and gloom going around about the state of the movie industry, but I love that things like this can still get made. 2049 is a very long, slowly paced, big budget, R-rated science fiction movie. Worldwide, it probably lost the studio money. But it exists, and nobody can stop it from existing. The original Blade Runner is still revered, and its best assets were its sense of style and mood. I think 2049 captures those aspects well, with gorgeous cinematography, a soundtrack that feels both familiar and new, and an extension of the concepts of life and identity that are pretty familiar at this point. I think the movie works best as an exploration of tone and texture more than story. It tells a decent sci-fi noir mystery, but the best moments are just taking in the lavish sights and sounds. Plus it's the most tolerable Jared Leto has been in years.

8. Spider-Man: Homecoming


Super hero movie as teen comedy. Spider-Man is my favorite comic character, and it's great to see him in a movie that actually explores the original idea of a high school student juggling his powers and hunger for action with his everyday worries. Tom Holland is already my favorite actor to take the role, and he and his supporting cast create a great, fun atmosphere that backdrops the action. It really is a comedy more than anything else, though Michael Keaton's Vulture is a surprisingly good villain, with a few scary moments and exciting action beats. The movie doesn't totally follow through on the idea of responsibility that are the character's core, which is why it's not higher on this list. Still, I had a great time watching it.

7. Logan


Super hero movie as violent neo-western. I liked The Wolverine more than I think a lot of people did, and Logan goes even further in exploring the character of James Howlett and giving a different perspective on the cinematic X-Men universe. The movie takes place in a dour future where most of the famous mutants are gone, and the ones we recognize are really getting old. Hugh Jackman and Patrick Stewart both give standout final performances as their iconic characters. It's very R-rated, with lots of curse words and graphic violence in the action scenes, which are infrequent but always land with an impact. It's sort of the end of an era, but it also opens the door for other possibilities with the franchise. The question is whether any of that gets explored or if it all gets absorbed into Disney after recent corporate dealings.

6. Thor: Ragnarok


Super hero movie as broad cosmic farce. I enjoyed the first two Thor movies, but this is the first time the character has felt truly vital and relevant. Chris Hemsworth drips charisma and has great comic ability, and the whole cast and crew lean into that as they produce a movie that is not only grander than previous entries in the series, but also far sillier and more entertaining. It's a wonderful ensemble, with Bruce Banner, Valkyrie, Korg, and Jeff Goldblum's very Goldblum-y Grandmaster all making strong attempts to steal the movie. And while once again the villain doesn't get as much time to develop into a full character as we might like, Cate Blanchett is clearly enjoying the hell out of the role. It's a solid movie from start to finish, the best in a very strong year for the Marvel Cinematic Universe.

5. Get Out


Not all racism is overt. It's not all slurs and hostility. Sometimes it's just a clear change in attitude in response to a person of another race being around, or saying what you think is a compliment but comes off as another stereotype. Or sometimes it's being victim to a system of violence because people simply care less when racial minorities are targeted. Get Out takes the familiar scenario of a black man meeting his white girlfriend's family and turns it into a horror story. They're all friendly enough, but what are they really thinking and hiding? Being a true horror movie, Get Out obviously goes a bit beyond reality with the events that follow, but the scariest part of the movie is how close to reality it stays in certain aspects. This is Jordan Peele's first time directing a film, but it sure doesn't feel like it. The movie is funny and scary when it wants to be, and his style is assured at all times. I already liked him as an actor, but I'm definitely interested in anything else he tries behind the camera.

4. John Wick: Chapter 2


I enjoyed John Wick, but I did not love it to the extent that a lot of action movie fans did. It felt like another Taken with only a couple of new ideas to differentiate it. John Wick 2 though? John Wick 2 is extremely my shit. It's a combination of things, I think. The action choreography felt further developed from where it was the last time. Close up head shots are cool, but close up head shots while performing complicated martial arts takedowns are cooler. We also see a bigger variety of weapons and situations, including a fantastic succession of scenes between Wick and someone who's actually close to his equal in skill. The story had more depth to it than the functional but simple revenge tale of the first. This ties into another thing I liked, the expansion on the strange alternate universe the series takes place in, where things seem normal on the surface but there's an underground society of high rolling hitmen and codes of honor and gold coins and hobo spy networks. The situation isn't as black and white for John, as he has to decide what he's willing to do to protect himself, and considers the cost of the actions he takes. I really liked the movie more than I expected and I would love to see a third.

3. Baby Driver


Edgar Wright's fifth film is his first that wasn't based on another work or co-written with Simon Pegg, so it's an interesting look at what his personal talents and interests are. If he has a weakness, it's probably creating women characters that stand on their own, but I enjoyed the hell out of most of this movie. It's an odd hybrid of action heist film and musical, where most of the chases and shootouts are timed to match the background music, which was chosen from an eclectic variety of periods and genres. The cast is pretty outstanding, and there are unexpected twists on the pretty familiar story of a criminal with a heart of gold who just wants to get away and live a simpler life. Almost every moment just works, and it has a sort of fairy tale tone that I liked. There's talk about a sequel, and I have no idea what that would be, but I'd definitely see it.

2. Dunkirk


Dunkirk is further proof that Christopher Nolan can take any type of story or setting and turn it into a taut, tense, non-chronological, clockwork puzzle box. The Dunkirk evacuation is one of the most famous events of World War II from the British side, and this movie examines it from the perspectives of soldiers waiting on the beach for rescue, civilians recruited to retrieve them across the English channel with their own boats, and fighter pilots protecting both groups from slaughter by the Germans. Each perspective is on a different time scale, and it can get complicated trying to keep track of events you see from multiple perspectives that can occur out of order based on that timeline. You kind of can't help but smile as Nolan pulls this off in what could have been a straightforward war movie. The film is greatly buoyed by Hans Zimmer's score, which uses a ticking clock as a constant motif and keeps the tension ratcheted at all times as Nolan cuts between scenes of various intensity but a nearly constantly sense of impending doom. It's a good thing the movie's under two hours, because if it was closer to standard war movie length it might become unbearable. As it is, it's one of my favorites of the genre, without relying on the intense violence and gore that's been so common since Saving Private Ryan.

1. Star Wars: The Last Jedi


After buying the franchise rights from George Lucas, Disney released Star Wars: The Force Awakens to get people to trust that they knew what they were doing. It's a pretty good movie that hits on familiar story beats, introduces a very likable new cast of characters in addition to some familiar faces, and really doesn't do anything to rock the boat. The Last Jedi is different. It's a movie that defies expectations, tears down false beliefs, and pushes in new directions. Very much unlike The Force Awakens, it provoked strong reactions on both sides. Personally, I loved it. Following in the footsteps of The Empire Strikes Back, the best Star Wars movie, The Last Jedi allows its characters to fail. But in failure, they learn things and find out more about who they really are. How does Poe handle discovering that his piloting skills aren't enough to truly lead the resistance to a meaningful victory? Can Finn find something bigger to believe in than just the safety of himself and the people he's close to? How does Rey handle realizing that there's more to the force than magic tricks and fighting skills, and that just because a bad person is conflicted, it doesn't mean that they're capable or worthy of being saved? I think there's honest quibbles you can make about many of the moments in the film, but the questions it was asking and how they were answered felt far more important to me. It rejects things I really didn't like about the prequels or The Force Awakens, and finds a new path forward for the series that I'm looking forward to seeing explored in future sequels. Mark Hamill gave probably his best ever performance as Luke Skywalker, and I thought the handling of that character fit perfectly with the themes and scope of the story. It also has some of the best action scenes and most astonishing imagery the series has ever had. I wasn't sure there would be another great Star Wars movie again, but I believe this one was.

Delayed Entry

This is the best movie that wasn't released in 2017 but I didn't see until then.

Arrival

Denis Villeneuve directed Blade Runner 2049, but his best science fiction movie is Arrival. It starts with first contact with aliens and explores the nature of language in interesting ways, and expands from there into broader examinations of the very basics of perspective, communication, and life itself. It plays with the nature of storytelling brilliantly, showing you how basic assumptions can be wrong, all of which ties into the basic plot itself. You add in Villeneuve's skilled direction and a terrific cast and you have a pretty amazing movie.