Treme - Season 2

Treme's second season expands on the scope of the show a bit while staying true to its roots, trying to show a complete picture of post-Katrina New Orleans and its many colorful inhabitants. The whole cast is back except for the ones who obviously wouldn't be, a couple characters get meatier roles (including David Morse as the cop friend of Melissa Leo's Toni, who deals most directly with the show's increased focus on crime), and Jon Seda from The Pacific shows up to kickstart a new plotline involving the city's attempt to rebuild and the seedy things that go into it.

If you didn't like the first season, you won't like the show now. It has the same natural feel, where characters go through their lives and something dramatic isn't really guaranteed to happen. There are a couple shocking moments beyond anything from the first season in keeping with the theme of crime returning to the city as it recovers, but they're rare and not what the show is about. There's also the same amount of extended scenes with live music, and if you don't like the kind of songs they play... well, it can be a hard show to watch. I do think there's enough variety of style that there's usually at least a couple songs I like per episode, though I occasionally wish they got less screen time, so the show would go by a bit quicker.

Being the second season, the show does branch out just a bit and have a few characters spend time away from the city. Del continues to hop back and forth between NO and New York, but this time his father comes along, and Janette is also in the city, with a story about being a cook there that feels mostly separate from the rest of the show but is still pretty interesting, even if you don't watch the Food Network. The writers also managed to miraculously save Sonny, having him clean his act up by working a fishing boat. I like the way the show avoids typical dramatic story beats with its characters, having developments that would usually go one way turn out another, more realistic and somehow more satisfying way. I won't go through every single character, but the show did a great job of continuing to intertwine all their lives, and the series is getting to the point where watching a new episode is like spending time with old friends and family. Treme will never be the amazing, game changing drama that The Wire was, but as a portrait of an interesting place tinged with political ideas without being overwhelmed by them, it is a very good show on its own. I look forward to season three.

Treme - Season 1

If you go in to Treme comparing it to David Simon's last series, The Wire, you're probably going to be disappointed. Not through any fault of the show's, but through impossible expectations. By the end of the season, I was fully prepared to call Treme a great drama, it's just not great on the easily-the-best-thing-on-TV-right-now level of The Wire. It's less centrally focused, feeling more like several narrow stories of living in post-Katrina New Orleans that happen to frequently connect and intertwine rather than a vast overview of the whole city. The many different main characters cover a lot of ground, depicting all sorts of situations and showing as many sides and points of view as they can. Sometimes I felt like the show was preaching at me a bit too much about the whole situation, but Simon has made it his business to expose the truth about things with his projects and it has resulted in shows worth watching for more than their entertainment value. Taking place in New Orleans, there's obviously a lot of music, and it's handled quite well, whether its classic stuff being played in the background or something original being played right on camera by the cast, which frequently features real-life musicians. Music is one of the show's strongest elements, with practically every song effectively conveying the mood and also tending to be genuinely enjoyably performed.

The show lives or dies on its characters, and most of them are good ones. John Goodman guest starred all season long, being the most directly political character and frequently entertaining in his rantings. He also played heavily into the moment where the show went from good political commentary to a legitimately brilliant TV show, so it's a character I'll remember for a while. Steve Zahn plays a DJ/aspiring musician/political revolutionary, and his story tended to be the series' comic relief while still having things to say, and it's another performance I quite enjoyed. Several of the main characters are played by veterans of Simons' other HBO shows, and they cement themselves into the roles well, amazingly avoiding the common fate of Wire actors where I can't see anyone from that show without thinking about it. Wendell Pierce plays a trombone player who lives day to day off any gigs he can get, and is another source of levity on a show that could have easily gotten overbearing. Khandi Alexander is his ex-wife, a bar owner looking for her missing brother and frequently featuring one of the best "Are you shitting me?" faces in history. Clarke Peters plays a Mardi Gras Indian chief who tries to keep his tribe together after the storm and also ends up having some run-ins with the law. He's basically the opposite of the kindly Freamon from The Wire, intimidating in his unerring dedication to his beliefs.

The season finale surprised me by featuring a glimpse of the past, showing a little bit of what the various characters were going through on the day of the storm. It was a powerful eight minutes or so, really putting you into what it's like to live somewhere where true disaster is never that far away. It left me truly wanting the next season to begin as soon as possible instead of just fondly anticipating it, and was a great way to help bring the show's first year to a close. HBO's been a bit on the weak side since some of its best series ended, but with Treme's success, True Blood continuing to evolve into something genuinely entertaining, and stuff like Boardwalk Empire and Game of Thrones on the horizon, it might not be long before it's unequivocally on top again.

The Wire - Season 5

And so what is probably the best dramatic television series I've ever seen and likely will see for a long time comes to an end, with all the frankness and honesty I've come to expect of it. A lot was said about The Sopranos' strange finale, which cut to black without a real resolution and was probably designed to be talked about more than the story. The Wire completely avoids all stereotypical tricks and flair we're used to seeing in our entertainment. There are no cliffhangers. There are no plot twists that only surprise you at first while making most of what happened previously meaningless. Plenty of characters die, especially in this last season, but part of the impact comes from the fact that they don't play it up at all. There's no dramatic music or slow motion shots, the scene just ends and we move on. The fragility of life and how it can end so quickly while the rest of the world continues without batting an eye is part of the show's realism that makes it so effective. The resolution might not have been as satisfying as I had hoped, but that's just how life is. Things don't always go your way.

Enough with the praise though, as far as actual quality television goes, this season was one of the weaker out of the bunch. That's not to say it's bad, because it's still better than almost everything else. It's just not quite as compelling as it was before, and felt a bit more like the rest of television this time. Every season adds something new, and this time they went with the press, but didn't handle it as well as they probably could have. They could have done some interesting things showing how well or poorly they cover the real issues facing the city they work in, but instead they got wrapped up in these serial killer and Pulitzer side plots and the drug problem on the streets, the crux of the show, was put on the back burner. Stuff was still happening, but it just wasn't tied in well with the new topic du Jour. The second season was in a similar situation, but they managed to link the docks to the main issue by showing how the drugs actually get into the city. The fifth season didn't really do that. It was still interesting, and the huge impact of what actually did occur on the streets helped keep them relevant, it was just a bit disappointing. Still, they did a fine job of gracefully ending a truly spectacular show.

The Wire - Season 4

The fourth season continues the brilliant "visual novel" in fine fashion. A lot of people have called it the best yet, and I'm not sure I agree, although it certainly fits in fine with the rest of the series. The new topic of interest this time around is the education system, specifically the sorry state of the inner city public schools. There are many kids in bad situations, either raised in uncaring group homes or already forced to make a living selling drugs on the streets. You have to feel for them as they have no hope of ever really having a good life. Not that the good guys aren't trying, with former police characters now becoming teachers and working on a new program for the most disruptive kids. Carcetti continues his quest to be mayor, and we see more of the crap that happens when politicians take the gloves off.

The heart of the show is really still the conflict between dealers and cops, although for much of the season the unit that's been so good at catching the big names is hamstrung by a terrible lieutenant and the main characters are working other positions. Season four continues the tradition of great writing and acting the series is known for, and by this point there's really not much new I can say about the show, just that if interested, you should start at the beginning and work forward from there. The emotional investment you get is so much greater when you watch the characters develop and make decisions for such a long time, and deaths, even of somewhat ancillary characters, are truly powerful, tragic moments. The fifth and last season just started, and I expect great things of it.

The Wire - Season 3

The saga continues in the third season, which maintains well the tradition of quality serial television. Stringer Bell is even more prominent as he tries to do things his way and makes some uncharacteristic slip-ups while the police try to pin something on him and his crew. The relationship between him and old friend Avon Barksdale is fleshed out, and comes to a head eventually. There's plenty of new stuff happening too, though. Tommy Carcetti is a white councilman who sees the crime problems in the city and decides to run for mayor in a mostly black city with little chance of winning. While Bell has cut a deal to reduce violence among certain gangs as they share good territory and drugs, violence is still at a high, thanks in large part to the emergence of a new, young dealer who won't agree to play nice, Marlo Stanfield. And an old district chief decides to try a new way to fight violent crime in his streets - restricting dealers to abandoned areas and letting them peddle their drugs their instead of causing problems in more populated neighborhoods. It raises an interesting question - can we allow people to do what we know is wrong if it keeps people safer?

The Wire is still a show about how bad things can be for some people in certain situations. It's very unflinching when it comes to the troubles of ordinary citizens who can't afford to leave their dangerous neighborhoods. But despite being strong with its message, it's still great entertainment. It's really impressive how they manage to balance so many characters. Cutty, the old criminal released from jail who decides to start over and help kids by teaching them boxing. Bunk, the homicide detective who drinks a little too much but is still very good at his job. Omar and Mouzone, two very different kinds of men who still find a common cause. It's just enjoyable to watch, even if you don't care about some of today's real problems in the urban environment.

The Wire - Season 2

The saga of cops and gangs in Baltimore continues with the second season, every bit as brilliantly crafted as the first. At first, I wasn't a big fan of the new subplots, but they grew on me. The first season focused entirely on one case, McNulty and some other detectives trying to bring down Avon Barksdale's crew. They expanded it for the next part of the show, bringing in a union of port workers when a bunch of women are found dead of suffocation in one of the shipping containers. When it's discovered that their air was cut off intentionally, it opens a massive case involving corruption in some of the union members, a group lead by a man known only as "The Greek", and continued ties to the targets of the first season. With Barksdale in jail, his best friend Stringer Bell takes more of a spotlight, handling operations and making some decisions that change the complexion of the streets.

With The Wire, it's still all about the writing and the acting. It's a miracle they're able to balance so many great, enjoyable characters. The show is far from stagnant, as people get promoted, arrested, and sometimes killed. It's a testament to the quality when you feel something any time a character dies, even if they were criminal trash. Some of them may seem downright unlikable, but when things go wrong for them, you can't help but get sucked in. It's really a show you absolutely cannot jump into the middle of halfway through. You'll probably still appreciate it for the commendable direction, screenplay, and performances, but you need to follow it with rapt attention to get the most out of it. I've already finished the third season, and so far this one is the most plot driven while the others are a bit more about ideas. It's also the most diverse as far as the locations and kinds of people it covers. That doesn't really make it better or worse, it just means it might appeal to you more if that's what you favor.

The Wire - Season 1

The Wire is the best television drama I've ever seen. It doesn't feature crazy, over the top plots. Rather, it's completely grounded in reality and thrives on that fact. It's a graphic and uncompromising look at the crime scene in modern Baltimore. In season one, Jimmy McNulty, a homicide detective who drinks too much but is great at his job, sets in to motion the slow building of a case against Avon Barksdale, the biggest drug dealer in the west side of the city. The story follows people on both sides of the back and forth battle, and while the dealers are clearly in the wrong, it's not without some nuance. A lot of the focus is on Avon's nephew D'Angelo, who is one of the bad guys, but can seem like a good person who was just brought up in the wrong environment. I think that's what's so great about The Wire, it doesn't do the judging for you I try to frame anyone as perfectly good or evil. It's all shades of gray, and they let you make your own decisions.

The show works so well because its characters are all so good. I could rattle off names of likable characters for a long time, as there are a lot of people in the city and all of them are well-defined, portrayed finely by an actor who fits the part, and entertaining to some degree. Even the biggest jerks around are usually funny in the way they act like jerks. It's a very slowly paced show, time passes quickly but the case develops at a realistic speed. There's a lot of gritty, grinding police work, and if you don't have the patience for some dead ends and disappointments, you might not like it. But I honestly can't get enough. I want to know what's going to happen next with all of these people I've come to like. The first season's resolution isn't as perfect as the cops hoped for. Some arrests get done, but not on all the charges they wanted and people they were after. But that's real life for you. And just like real life, people hurt each other, swear and have sex. It is HBO, after all. If your sensibilities aren't too delicate and you're at all interested in crime stuff, you have to watch The Wire.