Characters of the Decade: Part 2

The first list was pretty heavy on animation, but this one mixes up the media a bit more and also features humans who aren't white males.

J. Jonah Jameson
J.K. Simmons - Spider-Man series


"Meat! I'll send you a nice box of Christmas meat. It's the best I can do, get out of here."

Honestly, this was the most exciting thing to see be brought to life in the first Spider-Man movie. Has there been a better comic relief character in the last decade of action movies? I can't think of one. Simmons has a unique asshole charisma that he can make work for seemingly any character, and this was the first time a lot of the world got to see it. While I don't think they quite nailed Peter Parker's personality, the personification of his most consistent detractor went off without a hitch.

Omar Little
Michael K. Williams - The Wire


"I got the shotgun. You got the briefcase. It's all in the game though, right?"

I could name wonderful characters from this show all day if I wanted. Omar isn't necessarily my favorite, but he certainly tends to stick out more than the others. In the world where everyone seems to have an affiliation, he's pretty much out there on his own besides a revolving door of accomplices, playing the dangerous game of robbing criminals. A sort of perverse modern day Robin Hood who keeps it all for himself. While the majority of the show's cast is great because it seems so real, Marlo is great because he's a legend in his own time. Nothing quite clears the streets of Baltimore like hearing the call "Omar comin'!"

Yorick Brown
Y: The Last Man


"In the words of Thomas Jefferson... that's bullshit."

Being the last man on Earth is a large weight to carry, and luckily Yorick's up to the task. It's definitely an unusual situation for a person to be in, and he manages with the right combination of heroism and hopelessness to make him a definite protagonist but still very vulnerable and in need of the health. He makes his share of mistakes, but through the whole story he never loses his sense of humor or humanity. And while I wasn't a big fan of the epilogue, the conclusion of his personal journey was pretty perfect.

Captain Malcolm Reynolds
Nathan Fillion - Firefly franchise


"May have been the losing side. Still not convinced it was the wrong one."

Another case where I could almost name anyone in the cast and justify putting them here, but as the leader of the crew Mal always stuck out. A true outlaw smuggler with a heart of gold in the tradition of Han Solo, Mal is perhaps an even better version. He does what it takes to get by, with lethal force if necessary, but in the end has what's ultimately good always on his mind. He's a bit inconsistent, sticking with his principles in some cases but running if it makes sense in others. But that's part of what makes him likable. He's unpredictable, funny, and a pleasure to watch command a ship.

Brock Samson
Patrick Warburton - The Venture Bros.


"Hank, seriously. When I get my license back I'm allowed to kill you."

It speaks to the show's quality that the recent half season was still totally great even with Brock being elsewhere for most of the episodes, but he's definitely the most fun character to see do his thing. He's the ultimate death machine, a badass with an actual license to kill and unending willingness to use it. But even when he's not on a rampage he's a lot of fun. His familial relationship with his unorthodox family, unexpected extracurricular interests, and uncommon understanding of the insane cartoon world he lives in are all big parts to the character and how he stays interesting beyond going on murder sprees.

Caleb
Nathan Fillion - Buffy the Vampire Slayer


"What can I say? I work in mysterious ways. Also some fairly straightforward ones."

And here's Fillion again already, fresh off Firefly's cancellation. I could watch him in almost anything, with his unending supply of sarcastic nice guy charisma. But this is the only time I've seen him play a true villain, and damn if he isn't good at that too. Caleb doesn't have a ton of screen time, but he's probably my favorite bad guy in a series that prided itself on strong antagonists. With a single push of a finger (well, thumb) he secured his place in infamy, and there's just something about his religious background, rampant misogyny and disarming accent that make him a lot more terrifying than any vampire or demon Joss Whedon could conjure.

George Oscar Bluth
Will Arnett - Arrested Development


"No, Michael, that's not my trick. It's my illusion!"

Arrested Development is basically the definition of a great ensemble comedy cast, but GOB was basically in a league of his own. I'm sort of getting the feeling at this point that this is the only character Arnett actually plays, but damn if it isn't an entertaining one, and it works all the better here with his unusual interests, perspective, and motives. The show was absolutely littered with transcendent moments, and GOB had more than his fair share.

Oh Dae-su
Choi Min-sik - Oldboy


"Anyone here with an AB blood type, raise your hand."

If you watch this movie again, Oh Dae-su isn't even recognizable in the first scene as some drunk at a police station. 15 years alone in a room will change anybody, but Min-sik totally sold hit in his complete transformation into who he'll be for the rest of the movie. The thing that drew me to finally seeing it was a particular action scene, but that's not really what the character's about. It's about what unbelievable circumstances can do to a man, but how at his core there's still the same guy who can still be hurt, no matter how hard his exterior's gotten. And while his final decision is somewhat mortifying, in a way I can't blame him.

Colonel Saul Tigh
Michael Hogan - Battlestar Galactica


"So take your piety and your moralizing and your high minded principles and stick them some place safe... I've got a war to fight."

Tigh is an interesting case, as a pretty good character who didn't become great until circumstances forced him to. He was always an entertaining cranky old guy with a strong sense of duty and a bit of a drinking problem, but when he's thrust into the position of leading a resistance movement by any means necessary, he really starts to shine. Ugliness is what makes pretty much any of the Battlestar characters interesting, and his decisions under stress are as hideous as they come. Of course he changes quite a bit in another way later, and it just adds to his depth as he just tries to come to grips with it all. Most of the show's cast is sort of hard to like, but Tigh was actually easy in a strange sort of way.

Illyria
Amy Acker - Angel


"I wish to do more violence."

Illyria's here half because of the character, and half because it was so mind blowing to see cute, neurotic Acker transform into the embodiment of pure, sentient power. It's really a surprising amount of range, and she pulls it off without a hitch. It's definitely a good character too, one of the few in the whole setting to subvert the normal expectations for the appearance of what's basically a newly awakened, vengeful god. One of the greatest shames in the show's cancellation is not seeing more of her. I guess I could read the comics, but it won't be the same without Acker's performance.

Al Swearengen
Ian McShane - Deadwood


"I wouldn't trust a man who wouldn't try to steal a little."

If you look up "tour de force" in the dictionary, you'll see a definition that accurately describes what Ian McShane did for three years on Deadwood. The show was more theatrical than cinematic in the stateliness and brilliance of its dialogue, and nobody presented it as well as he did. I think I would watch a show that was just him giving speeches to an empty room. That wasn't all there was to the character either, as he was equal parts hilarious and terrifying as he fought for control of the town he helped build. Absolute dynamite the entire time.

Brick Tamland
Steve Carell - Anchorman: The Legend of Ron Burgundy


"Yeah, there were horses, and a man on fire, and I killed a guy with a trident."

One of the few supporting appearances in a comedy that basically stole the whole film and launched a career. Carell was funny on The Daily Show and The 40-Year-Old Virgin and The Office certainly helped, but I think Anchorman is when people everywhere thought to themselves, "Man, this guy's funny." Honestly, of all the movie's funny bits, Bricks are pretty base and low brow, but still humorous and important to the continuing development of what's considered funny in mass popular culture.

Continued tomorrow.

The Wire - Season 5

And so what is probably the best dramatic television series I've ever seen and likely will see for a long time comes to an end, with all the frankness and honesty I've come to expect of it. A lot was said about The Sopranos' strange finale, which cut to black without a real resolution and was probably designed to be talked about more than the story. The Wire completely avoids all stereotypical tricks and flair we're used to seeing in our entertainment. There are no cliffhangers. There are no plot twists that only surprise you at first while making most of what happened previously meaningless. Plenty of characters die, especially in this last season, but part of the impact comes from the fact that they don't play it up at all. There's no dramatic music or slow motion shots, the scene just ends and we move on. The fragility of life and how it can end so quickly while the rest of the world continues without batting an eye is part of the show's realism that makes it so effective. The resolution might not have been as satisfying as I had hoped, but that's just how life is. Things don't always go your way.

Enough with the praise though, as far as actual quality television goes, this season was one of the weaker out of the bunch. That's not to say it's bad, because it's still better than almost everything else. It's just not quite as compelling as it was before, and felt a bit more like the rest of television this time. Every season adds something new, and this time they went with the press, but didn't handle it as well as they probably could have. They could have done some interesting things showing how well or poorly they cover the real issues facing the city they work in, but instead they got wrapped up in these serial killer and Pulitzer side plots and the drug problem on the streets, the crux of the show, was put on the back burner. Stuff was still happening, but it just wasn't tied in well with the new topic du Jour. The second season was in a similar situation, but they managed to link the docks to the main issue by showing how the drugs actually get into the city. The fifth season didn't really do that. It was still interesting, and the huge impact of what actually did occur on the streets helped keep them relevant, it was just a bit disappointing. Still, they did a fine job of gracefully ending a truly spectacular show.

The Wire - Season 4

The fourth season continues the brilliant "visual novel" in fine fashion. A lot of people have called it the best yet, and I'm not sure I agree, although it certainly fits in fine with the rest of the series. The new topic of interest this time around is the education system, specifically the sorry state of the inner city public schools. There are many kids in bad situations, either raised in uncaring group homes or already forced to make a living selling drugs on the streets. You have to feel for them as they have no hope of ever really having a good life. Not that the good guys aren't trying, with former police characters now becoming teachers and working on a new program for the most disruptive kids. Carcetti continues his quest to be mayor, and we see more of the crap that happens when politicians take the gloves off.

The heart of the show is really still the conflict between dealers and cops, although for much of the season the unit that's been so good at catching the big names is hamstrung by a terrible lieutenant and the main characters are working other positions. Season four continues the tradition of great writing and acting the series is known for, and by this point there's really not much new I can say about the show, just that if interested, you should start at the beginning and work forward from there. The emotional investment you get is so much greater when you watch the characters develop and make decisions for such a long time, and deaths, even of somewhat ancillary characters, are truly powerful, tragic moments. The fifth and last season just started, and I expect great things of it.

The Wire - Season 3

The saga continues in the third season, which maintains well the tradition of quality serial television. Stringer Bell is even more prominent as he tries to do things his way and makes some uncharacteristic slip-ups while the police try to pin something on him and his crew. The relationship between him and old friend Avon Barksdale is fleshed out, and comes to a head eventually. There's plenty of new stuff happening too, though. Tommy Carcetti is a white councilman who sees the crime problems in the city and decides to run for mayor in a mostly black city with little chance of winning. While Bell has cut a deal to reduce violence among certain gangs as they share good territory and drugs, violence is still at a high, thanks in large part to the emergence of a new, young dealer who won't agree to play nice, Marlo Stanfield. And an old district chief decides to try a new way to fight violent crime in his streets - restricting dealers to abandoned areas and letting them peddle their drugs their instead of causing problems in more populated neighborhoods. It raises an interesting question - can we allow people to do what we know is wrong if it keeps people safer?

The Wire is still a show about how bad things can be for some people in certain situations. It's very unflinching when it comes to the troubles of ordinary citizens who can't afford to leave their dangerous neighborhoods. But despite being strong with its message, it's still great entertainment. It's really impressive how they manage to balance so many characters. Cutty, the old criminal released from jail who decides to start over and help kids by teaching them boxing. Bunk, the homicide detective who drinks a little too much but is still very good at his job. Omar and Mouzone, two very different kinds of men who still find a common cause. It's just enjoyable to watch, even if you don't care about some of today's real problems in the urban environment.

The Wire - Season 2

The saga of cops and gangs in Baltimore continues with the second season, every bit as brilliantly crafted as the first. At first, I wasn't a big fan of the new subplots, but they grew on me. The first season focused entirely on one case, McNulty and some other detectives trying to bring down Avon Barksdale's crew. They expanded it for the next part of the show, bringing in a union of port workers when a bunch of women are found dead of suffocation in one of the shipping containers. When it's discovered that their air was cut off intentionally, it opens a massive case involving corruption in some of the union members, a group lead by a man known only as "The Greek", and continued ties to the targets of the first season. With Barksdale in jail, his best friend Stringer Bell takes more of a spotlight, handling operations and making some decisions that change the complexion of the streets.

With The Wire, it's still all about the writing and the acting. It's a miracle they're able to balance so many great, enjoyable characters. The show is far from stagnant, as people get promoted, arrested, and sometimes killed. It's a testament to the quality when you feel something any time a character dies, even if they were criminal trash. Some of them may seem downright unlikable, but when things go wrong for them, you can't help but get sucked in. It's really a show you absolutely cannot jump into the middle of halfway through. You'll probably still appreciate it for the commendable direction, screenplay, and performances, but you need to follow it with rapt attention to get the most out of it. I've already finished the third season, and so far this one is the most plot driven while the others are a bit more about ideas. It's also the most diverse as far as the locations and kinds of people it covers. That doesn't really make it better or worse, it just means it might appeal to you more if that's what you favor.

The Wire - Season 1

The Wire is the best television drama I've ever seen. It doesn't feature crazy, over the top plots. Rather, it's completely grounded in reality and thrives on that fact. It's a graphic and uncompromising look at the crime scene in modern Baltimore. In season one, Jimmy McNulty, a homicide detective who drinks too much but is great at his job, sets in to motion the slow building of a case against Avon Barksdale, the biggest drug dealer in the west side of the city. The story follows people on both sides of the back and forth battle, and while the dealers are clearly in the wrong, it's not without some nuance. A lot of the focus is on Avon's nephew D'Angelo, who is one of the bad guys, but can seem like a good person who was just brought up in the wrong environment. I think that's what's so great about The Wire, it doesn't do the judging for you I try to frame anyone as perfectly good or evil. It's all shades of gray, and they let you make your own decisions.

The show works so well because its characters are all so good. I could rattle off names of likable characters for a long time, as there are a lot of people in the city and all of them are well-defined, portrayed finely by an actor who fits the part, and entertaining to some degree. Even the biggest jerks around are usually funny in the way they act like jerks. It's a very slowly paced show, time passes quickly but the case develops at a realistic speed. There's a lot of gritty, grinding police work, and if you don't have the patience for some dead ends and disappointments, you might not like it. But I honestly can't get enough. I want to know what's going to happen next with all of these people I've come to like. The first season's resolution isn't as perfect as the cops hoped for. Some arrests get done, but not on all the charges they wanted and people they were after. But that's real life for you. And just like real life, people hurt each other, swear and have sex. It is HBO, after all. If your sensibilities aren't too delicate and you're at all interested in crime stuff, you have to watch The Wire.