The Office - Season 7

I have written so many words about The Office for Player Affinity that I'm not sure how many I have left. But I'll give this season summary a shot anyway. This was a big year for the show, as they said goodbye to Steve Carell, the guy that everybody knows and player of the main character. We don't know yet whether the series will survive long without him, but in any case they did a good job of further establishing the entertaining dynamic the entire cast shares while allowing Michael to leave with a classy and emotionally fulfilling storyline. It's a goodbye that the actor deserves more than the character, as even in the end they never totally sold the transformation of Michael from horrible, misguided boss to a silly yet beloved authority figure. I mean, he's always been more sympathetic than his British counterpart (who actually showed up a couple times this year, proving that the two shows exist in the same universe and that there's a lot of documentary makers interested in paper), but he was still too much of a screw-up to totally earn some of that stuff. I didn't mind though, because it was sweet and well handled.

Steve Carell's departure kind of dominated the show during this time, because while plenty of other things happened this year, that's where most of the attention and discussion was. Jim and Pam were kind of stagnant, but I enjoyed the development of Kevin, Darryl, and Andy among others. Some episodes were a lot of fun, others a bit less so, and that's sort of how it goes with most sitcoms. I do think this season was a bit better than the last couple, both in terms of just being entertaining and in developing story stuff, though most of that was devoted to Michael. The whole ensemble is just really solid now, a bit familiar for the most part but still really likable. I don't find myself really invested in anything that's going on with most of them beyond a general feeling of goodwill towards them, but the cast is big and varied enough that I think they could just coast with that for a lot longer than say, Scrubs did. Personally, I think Andy is the best choice to take over Dunder Mifflin - like Michael, I think he'd have the right mix of goofiness and competence (though maybe in different places) to keep the company from burning to the ground while still bringing a solid amount of chaos to the show. It could be an interesting dichotomy - Michael was a good salesman but a bad manager of people; Andy is bad at sales but might have the empathy to keep a diverse group like this from killing each other. Anyway, we'll see what happens this Fall.

Also, here are my recaps for all of the episodes this year:
Ultimatum
The Seminar
The Search
PDA
Threat Level Midnight
Todd Packer
Garage Sale
Training Day
Michael's Last Dundies
Goodbye, Michael
The Inner Circle
Dwight K. Schrute, (Acting) Manager
Search Committee

The Office - Season 6

I can't say I wasn't mostly pleased with The Office this season, although it's becoming clear that we're closer to the end than the beginning, creatively if nothing else. Steve Carell has said that the next season will probably be his last, and even if the show continues without him I might not. It's not that he's the only character that makes the show work, it's that your star leaving is simply not a good sign for a show's future. I gave a season of Scrubs without Zach Braff starring and got burned. The Office is still funnier than Scrubs was in its last couple years, but I'm not sure that's enough. The show is about Michael Scott and the company he runs. Without him it's just some people selling paper.

Again though, I liked it. There were a couple hour-long episodes devoted to Jim and Pam's wedding and the birth of their child, which not only laid on the sentiment but were among the funniest of the series. They actually found a way to make the relationship between Dwight and Angela entertaining again, and some of the work done by the supporting characters was as strong as ever. I spent most of the time laughing. Not everything was great, though. Andy and Erin are kind of cute together, but the dance around whether they'd start dating seemed like a feeble attempt to emulate the chemistry of Jim and Pam, Michael was possibly too ridiculous at times, and I honestly am not a fan of the whole plot with Dunder Mifflin getting bought out. Though seeing David unemployed was kind of funny. As it seems with all great comedies, half a decade later it's just not as fresh and energetic as in its prime. Still worth checking out every week, though.

Characters of the Decade: Part 3

Let's keep this crazy train a-rolling. A couple video game characters break through this time.

Scott Pilgrim
Scott Pilgrim series


"The future? Like... with jetpacks?"

What's great about Scott is how awesome and totally not awesome he is at the same time. I mean, he's mostly an idiot. He's a bit inconsiderate sometimes about others' feelings and doesn't actually talk to girls that well. They like that though, so it works out for him. Just like most things seem to in the wacky version of Canada they all live in. Despite his faults, there's nothing malicious about him. He just wants to have a good time with his girl, and if that means battling seven evil exes to do it, he's up to the challenge. His combination of genuine skill and dimwitted resourcefulness is endearing, and he's well on his way to being the best 24-year-old ever.

John Locke
Terry O'Quinn - Lost


"Don't tell me what I can't do."

Locke is something of an enigma, but part of what makes the show consistently compelling. If there's anyone who likes the show and wasn't totally convinced by the pilot, then the reveal at the end of his first flashback episode is what hooked them for good. He's one of the more frustrating characters on this list, with his motivations and actions frequently in question. But that's par for the course with Lost characters, and Locke is still always among the most interesting. The last season finale really turned what we should be expecting from O'Quinn on its head, and seeing how the rest of his role plays out will be intriguing for sure.

Carl "CJ" Johnson
Young Maylay - Grand Theft Auto: San Andreas


"What can I say? I'm a bad man."

Ever since Grand Theft Auto: Vice City the GTA series has had good protagonists, but so far I've liked CJ the most. One of the good things about him is that your version of him might look nothing at all like the one pictured above. They took out a lot of the customization stuff when they jumped to current gen consoles, but making CJ whatever you wanted him to be was a lot of fun. And he's an interesting, sympathetic person as well, with a really good performance from Young Maylay. There's always a bit of a disconnect when you're doing these action games, with the player guilty of usually hundreds of homicides by the end of the story despite its attempts to make you like them. But if you can just accept it for what it is, they did a really nice job with it.

Alyx Vance
Merle Dandridge - Half-Life series


"Dr. Freeman, I presume?"

There's a difficult balance with Half-Life 2. In the first game, the only characters besides the voiceless protagonist were interchangeable, disposable scientists and security guards. It was very much a game. But with the sequel, they tried to sell you real people that you should be interested in and care about, despite Gordon Freeman's continuing non-functional vocal chords. Alyx was introduced as a frequent companion and possible love interest for Gordon, and despite the odds, it works. Part because of Dandridge's great voice work, and part because of the impressive skill with which the character is written and integrated into the world. There are moments where you wish Gordon wasn't so constricted, but for the most part you forget the limitations and just exist in the game's world with Alyx by your side. Maybe my favorite character in all of gaming.

Dwight Schrute
Rainn Wilson - The Office (US)


"If I were buying my coffin, I would get one with thicker walls so you couldn’t hear the other dead people."

Dwight works in two different ways. The first is bringing a character to the US version that's as suitably nuts as Gareth from the UK show without just copying him, and making him uniquely American. The other, as developing into an actual person over the course of the series' much longer run time. For the most part, Dwight is totally ridiculous. But he has enough scenes that could feature a real human that ingratiate you to him and prevent him from being too over the top. Yeah, right now he has a "diabolical plan" to get Jim fired, but it's all based in genuine desires someone might have. It's a fine line to walk, but I think Wilson and the writers do a good job.

The Doctor
Christopher Eccleston/David Tennant - Doctor Who


"People assume that time is a strict progression of cause to effect... but actually, from a non-linear, non-subjective viewpoint, it's more like a big ball of wibbly-wobbly... timey-wimey... stuff."

I generally preferred Tennant's portrayal of the venerable time lord, but Eccleston did a good job too. The Doctor is one of Great Britain's most beloved characters, and his revival a few years ago seemed to go off without a hitch. It's the mix of good humor and pathos that make him work, as he puts on a happy face when dealing with new situations and foes, but it's really just hiding more demons than any soul should bear. He's a bit of an enigma, because you wonder if the moments where the world is weighing on his shoulders are just moments here and there, or a constant hindrance that he only occasionally lets show. Either way, he's usually a lot of fun to watch, and I look forward to seeing what a new actor can do with the character.

Marv
Mickey Rourke - Sin City


"Would you hurry it up? I ain't got all night."

I don't think the movie really held up that well, but Marv is still pretty great. We know Rourke has a lot of range, but I think I like him most as this sort of cocky tough guy with a good heart. He's uncompromising in his ideals and prone to lapses in judgment, leading to his ultimate doom, but hey, that's what prequels are for. His only concerns are loyalty to people who give him a chance and destroying those who go after the ones he likes. And he's pretty damn funny in a morbid sort of way. I've read all of the comics, and his first story is still the best one.

Charlie Kelly
Charlie Day - It's Always Sunny in Philadelphia


"Because I cut the brakes! Wild card, bitches!"

Dennis was definitely my favorite character from the most recent season, but Charlie has been a consistent fan favorite for the show's entire run, and for good reason. He's probably the only cast member you can like as a person, because while they're all idiots, the rest are still functioning idiots who do bad things, while Charlie really is too intellectually stunted to know better. He's sort of like a live action Phillip Fry, somehow able to cobble together a working consciousness despite lacking fundamental mental faculties. He provides most of the show's most over the top moments, and is almost never not up to something funny.

Titus Pullo
Ray Stevenson - Rome


"I was only following orders. Bloody good orders, too!"

In a show filled to the brim with larger than life personalities, Pullo stands the tallest. He's more or less a psychopath, but that's acceptable when you're part of the Roman legion. It's very enjoyable watching him eviscerate an enemy, but he's a lot of fun in a normal life context too, just passing time between battles. Stevenson seems to be building a career out of being violent, but he can do subtle when he needs to, demonstrated admirably in a number of scenes. In fact, my favorite moment with the character was hardly violent at all besides a single murder. Rome thrived off the decadence of its sex and violence, and Pullo was an eager participant in both.

Harry Lockhart
Robert Downey Jr. - Kiss Kiss Bang Bang


"Doesn't that suck? I just hit you for no reason. I don't even know why."

A Scanner Darkly was the first movie I saw Downey in, and I was very impressed with his work there. But this is the film that convinced me I should watch anything he's in. I could almost give the nod to Val Kilmer here because he has so many damn great lines, but Downey's is the better performance and more interesting character. As far as stars of detective stories go, he's among the most flawed, not really knowing what the hell he's doing and ending the case much worse for the wear. His ineptitude is what makes it fun, and his occasional successes make it all worthwhile. He's also probably the worst narrator in film history, and that's another part of why he's great.

Kazuma Kiryu
Takaya Kuroda - Yakuza series


"When you don't pay your debts, I'm what you get."

Other video game characters have more developed personalities or more physical prowess on an objective scale, but none of them are bigger badasses than Kazuma. He's not confrontational by nature, protective of those he knows and willing to discuss things calmly before they get out of hand. But if you insist on violence, he will utterly destroy you with his bare hands. I mean, the guy fights two tigers at once in the second game. His only weakness is an extreme sense of loyalty, which will occasionally get him in situations he can't punch his way out of. But he embodies the sense of respect and honor that makes the Yakuza seem more interesting than the standard mob.

Benjamin Linus
Michael Emerson - Lost


"You guys got any milk?"

I've avoided multiple people from the same thing, but it was too hard here. Ben was only supposed to be around for a couple episodes but he stayed on because the producers liked Emerson so much, and the show hasn't been the same since. One of the most consistently beaten up characters in history (he has to have spent at least half his scenes in bruise makeup, right?), he's still a good villain because of the respect he commands among his allies. Also, because we're never quite sure how much of a villain he really is. He's always creepy and intimidating, but does he maybe have everyone's best interests at heart? We're still not sure yet, but either way he's among the show's most consistently fascinating people.

Continued tomorrow.

Characters of the Decade: Part 1

I already have lists for my favorite things of the decade in each category archived on the site, but I decided to do something a bit different for a feature. The most important thing to a good story is interesting characters, and sometimes they're better realized than usual. Characters are often what we remember most about something, and I thought I'd recognize that with a list of the best. These aren't exactly my favorites in each case - I tried to stick with ones that stick out in some really important way even if they didn't totally resonate with me. Any number of things could have gotten a character here; being a great villain, a powerhouse lead performance, launching someone's career, or just making something worth watching. I narrowed it down to 60, which was made easier by trying to limit myself to one character per work where possible. The list is a bit TV heavy since they have more time to develop a personality, and it leans towards white males more than I would have liked, but I still think it's a good list of people (and some robots) that were fascinating to watch. It's ordered chronologically by first appearance, with characters that originated before the decade began placed at the first point they became relevant again.

Eric Cartman
Trey Parker - South Park


"Nananananana! I made you eat your parents!"

The moment above will forever live in infamy, but it's just one of many great ones in the life of Cartman, the world's worst child. He's one of those rare characters that's a completely irredeemable asshole that you still love because his schemes and insults are just so entertaining and unforgettable. And he gets his comeuppance often enough that he's allowed to keep being such a bigoted little jerk.

Tony Soprano
James Gandolfini - The Sopranos


"Anybody else would've had their fuckin' intervention right through the back of their head."

The star of one of television's most important shows, Gandolfini is notable for standing out despite the amazingly strong and deep supporting cast around him. He's part imperfect family man, part ruthless mob boss, and part just another troubled guy who isn't totally sure of himself. One of the most evil men to ever be rooted for, and that's mostly because his insecurities are presented just as effectively as his strengths and ill deeds.

Bender
John DiMaggio - Futurama


"Goodbye losers, whom I've always hated!"

I could have easily put Fry or Professor Farnsworth here, but Bender is the character that defines the whole show. He's the robot who drinks because alcohol fuels his system and smokes because it makes him look cool. Once in a while he gets a bit too lowest-common-denominator, but his narcissism is inspiring and he's the robot friend we all wish we had.

Tyrion Lannister
A Song of Ice and Fire series


"Those are brave men. Let's go kill them."

It's almost insane how many characters George R. R. Martin has managed to develop into genuinely fascinating people, but if one sticks out it's the smallest of the bunch, the Lion of Lannister. The whole series thrives off making its central conflict more interesting by not allowing you to want any one side to totally win, and Tyrion was the first time we saw that. Watching the wheels turn in his head as he tries to do his best with the cards he's dealt is endlessly enjoyable, and hopefully Martin finishes up the fifth book first so we can see what he's up to.

Captain Hank Murphy
Harry Goz - Sealab 2021


"But the secret ingredient is love. Damn it."

Voice actor Harry Goz unfortunately passed away while Sealab was still airing, and while I was still able to enjoy it afterward, it was never quite the same, which speaks to how good he was. As the driving force behind most of the plots, his unique brand of insane leadership paved the way for many bizarre Adult Swim shows to come. Every character on the show had their time to shine, but none provided laughs more than Murphy.

Master Shake
Dana Snyder - Aqua Teen Hunger Force


"I mean, is he gonna be able to chase us? Cause if I woke up looking like that, I would just run towards the nearest living thing and kill it."

You know a character lives off the actor's performance when it's as hard as it was to find a good quote that stands without context even though he provides laughs constantly. Snyder is probably the best voice actor to work repeatedly with Adult Swim, and this is the role that gave him a chance to shine. There's just so much humor laced in every syllable that comes out of Shake's mouth, and even if that week's gimmick plot is lame it'll probably be worth watching just for his next zinger.

GIR
Rikki Simmons - Invader Zim


"It's me! I was the turkey all along!"

Possibly the only character that can get away with just saying random crap all day, thanks to Simmons' fine voice work and his unending supply of adorableness. GIR is one of those animated characters who's fun just to watch do anything, and he's at that right level of idiocy that you have to wonder if he's actually just messing with Zim and the audience some of the time.

Nate Fisher Jr.
Peter Krause - Six Feet Under


"Everything's bad for something."

Nate's as flawed a person as there will be on this list, and that's part of why he works. He's just a human being worried about his mortality and trying to figure out what he really wants to do with his life. His story is a tragic one, but watching it play out made for some of the decade's best personal drama. Plus, watching him yell at stupid people is funny.

Gareth Keenan
Mackenzie Crook - The Office (UK)


"I told him once that I don't like jelly. I don't trust the way it moves."

It's hard to pin down with is Gareth's most hilarious feature. I love his supposed hardened military background despite his ridiculous, gaunt physique. I love his very unfortunate combination of overconfidence and ineptitude with women. I love the overly serious way he deals with the politics of working at a small branch of a paper company. One of the few characters I prefer to the US version's equivalent, and that's despite that equivalent also being on this list.

Dr. Perry Cox
John C. McGinley - Scrubs


“Jordan…the boy already lip-syncs into your tampons, must we put a final nail in his tiny gay coffin?”

Despite this being the ninth year of Dr. Cox being on the air ranting and raving, I'm still not tired of it. McGinley never broke out beyond a few small film roles, but every week he's good for a few solid put downs and probably at least one epically vicious dissection of why whoever he's yelling at is a bad doctor. But there's enough variety, creativity, and humor there that you never feel he's being too mean. At his heart, he's a good doctor who's trying to make others around him better at their job, and that's why he gets away with it.

Jack Bauer
Kiefer Sutherland - 24


"I don't care how it's interpreted from the outside. I just gave you an order and I'd like you to follow it."

The only character I know of who deserves - nay, requires a website to keep track of all of his kills in the line of duty. However you feel about torture, it's hard to be upset with Jack for doing what he thinks he needs to do to save America because he puts up with so much crap and never asks for anything in return. Also, it's just a TV show. His actions definitely speak louder than his words, but he's had his share of resonant emotional moments too. He's why I keep coming back despite the series' declining quality.

Gandalf
Ian McKellen - The Lord of the Rings series


"A wizard is never late, Frodo Baggins, nor is he early. He arrives precisely when he means to."

Maybe the greatest action hero who's also an old man in film history. Gandalf was always the most interesting character in the books, and that held true in the movies as well. It's actually sort of two roles, as the wise and resourceful but fallible Gandalf the Grey at first and later as the powerful but justifiably aloof Gandalf the White. Kind and caring, but terrifying when he needs to be. He's basically what you wish your grandfather was like.

Continued tomorrow.

The Office - Season 5

The Office's latest and longest season was pretty consistently good throughout, though it felt like it was funnier later on when less time was spent dwelling on relationship woes and more time just trying to be funny. Jim and Pam are more or less set by this point, so now a lot of the weight for that stuff is on Michael's shoulders as he continues to have crummy luck. There was a resolution to the Dwight-Andy-Angela arc that was both satisfying and pretty funny, finally putting that to bed too, and the continued rivalry yet growing respect between the two men is interesting. I don't know what the long term plan is for the show, but there is a sixth season coming and I'm looking forward to the continuing escapades of Dunder Mifflin's Scranton branch in this troubling economy.

There were are a couple really good guest stints by The Wire alums Amy Ryan and Idris Elba, the former of which exponentially increases the cringe-worthiness of Michael thinking he's funny and the latter providing an actual obstacle to Jim for the first time in his career. The storyline where tension with corporate causes Michael to start his own company was pretty fun, and provided one of the best episodes as he and Dwight engaged in some corporate cloak and dagger. Dwight really had some great moments this season, like the time he started a fire in an attempt to test his coworkers' survival skills and the rare moments where he and Jim have a common goal. The show's really too wacky to be believable at this point, but I've always watched it for its more outlandish moments, and it continues to be one of the better comedies on television.

Best Shows of 2008

I'm now up to date with enough series that I feel comfortable making a list like this. I don't watch a lot of the most popular series because they don't interest me, but I do see quite a bit. Shows qualify by having a season that ended during the year of 2008. Also, before I forget, I've added a bunch of new archive posts with lists of my favorite things from various years and decades, which unlike these posts, will be kept up to date. Not featured on this list were two products by David Simon and Ed Burns, The Wire's final season and Generation Kill, and the hilarious second run of The Whitest Kids U' Know.

Best of 2008

7. Mad Men (AMC)


I'm not a huge fan of the OMFG MAD MEN bandwagon, but it's still a very good drama with a great cast and production values. I can't tell if they're really going anywhere with the story, but just as far as being a well put together program, it succeeds admirably.

6. The Office (NBC)


One of many shows (pretty much all of them, sadly) that wasn't at its best in 2008, The Office still managed to provide a bunch of laughs and some of the best moments in the whole series. I'm not sure I ever wanted to punch someone in the throat as much as I did Andy when he proposed to Angela, but I only felt worse and worse for him as that subplot progressed. Still a darn good show.

5. It's Always Sunny in Philadelphia (FX)


Again, not quite the peak of demented genius we saw before, but still pretty damn funny every week. It might just be that they're running out of sensitive topics to make light of, and I wonder what's still left in the tank. Despite that though, I don't think another show this year made me laugh out loud more.

4. The Venture Bros. (Adult Swim)


Few things compare to season two of the best thing Adult Swim's ever done, but season three was close enough. It might not have the same consistent humor as the series did previously, but I find the depth they're adding to the history of pretty much every character to be about as entertaining, and season four's thankfully coming faster than this one did.

3. 30 Rock (NBC)


Still in its creative prime, as Fey and Baldwin both won their second Golden Globes and the show overall won its first. Recalling the best aspects of Arrested Development and The Office, it's a great series that more people really should be watching.

2. Lost (ABC)


While most things seem to be regressing, Lost had its best season since the first, as things finally seem to be on a track heading towards a conclusion, even if we still have no idea what the hell that might be. Flash forwards really reinvigorated it creatively, and it was relatively short, which made every episode sure to count and move things forward.

1. Breaking Bad (AMC)


Held aloft by Bryan Cranston's great performance, Breaking Bad's brief (haha, that wasn't on purpose) first season was one of the most emotionally affecting things I've seen on the small screen in a long time, and it had plenty of wit and cool moments as well. The main character's condition make how long it can last a very good question, but it will be back soon for hopefully more greatness.

The Office - Season 4

Season four began with a slight shift in the series' dynamic. Jim and Pam, previously held apart by circumstances and other relationships, got together, and managed to make it through the whole season without anything terrible happening, although things don't always go perfectly. They're both funny, highly likable people who get along very well, so it's nice to have a facet of the show that doesn't make you cringe. There's plenty enough of that coming from Carell, who's still great as Michael even when you almost want to look away from the more brutally embarrassing things he does. There's an argument that his hellish relationship with Jan has gone from funny in a painful way to completely unbelievably awkward, but I still found all their interactions to be more entertaining than anything else.

The show stretched more in the season with more episodes than ever before outside the office itself. That's really where the show shines the most, but you do need some variety. There's some fun to be had running marathons, having the worst dinner party ever, and especially a night spent at the bed & breakfast on Dwight's family farm. While I still think Gareth from the BBC original was great, Dwight's become one of the best supporting characters in any sitcom I've seen. Every scene he's in is great. There are some plot developments with Ryan in his new job in New York, and Andy's increased role screwing up everything for everyone else. The season finale was hilarious throughout, but a big downer in a few ways. It did end on a good enough note though that I'm already waiting for the next batch of episodes.

The Office Vs. The Office

The Office is currently a mockumentary comedy on NBC, but almost everyone knows it's based on a British show of the same title. They have the same premise, a small branch of a modestly sized paper company is run by an idiot who tries too hard to be friends with his employees. They have similar plotlines, including nearly identical pilot episodes and the constant threat of the branch being shut down, which doesn't matter much to the boss if it means a promotion. All of the main characters and some of the minor ones in the US version are basically the same as or variations of ones from the UK. That's about where they end. Their senses of humor are similar, but perceptibly different. The UK version ended quickly, after only two short seasons and a special. The US show is still chugging along, with over fifty episodes in the bank and a whopping order of thirty more for the fourth season, which will start filming next month. This huge disparity in length affords the US one more freedom for exploring different ideas, obviously, but that doesn't mean they still can't be compared. The hip, elitist viewpoint is that the UK version is superior, but I'm not so sure about that.

The UK show is drier than the US one, which tends to get goofier. Both are famous for their humor that can cause cringing as much as laughter. Not because it's bad, but just what's happening is so painfully embarrassing for these believable people that it can get hard to watch. The narcissistic boss is always trying to force all eyes upon him, as he tries to take authority where none belongs to him. Characters confess their love and get rejected. Well, that's not actually humor, it's just part of the show that adds to the realism. Not all romance works out as wonderfully as we'd hope, and there are obstacles to overcome. As said before, the shows pretend to be actual footage from a real company, and a lot of the jokes come from the interviews where characters' strange mannerisms and beliefs become exposed, and they're quite often the best parts of an episode.

Since the shows have recurring plot threads but focus mostly on character-based humor, the bulk of the comparison has to be made there. A lot of the comparisons will favor the US version, since it has had more time to develop characters and humor. It might not be quite fair, but really, which show has a better chance of satisfying you, a 12 episode one or one of at least 80?

The Regional Manager: David Brent Vs. Michael Scott

Ricky Gervais' Brent is hailed by many as one of the funniest sitcom characters ever, which I can buy if I don't totally agree with it. I would say he causes more laughs than Steve Carell, to be sure. Both of them tell a lot of jokes that are intentionally (by the makers, not the character) unfunny, and can be annoying at times. But Brent is more often (intentionally) unintentionally funny, just by his sometimes sickening bragging and arrogance that whizzes past the border of self-delusion. It is often, again, more painful than hilarious (The scene where he tries to upstage his rival boss' dancing with some moves of his own is a perfect example), though he still has plenty of great lines that make you kind of hate him and love his humor at the same time. But although he is funnier than Michael, I'd have to say I like David less. He's funny, but he's still an arrogant jerk. Scott is less arrogant and more of just an idiot. He is frequently in similar situations of being an attention freak, but it just seems more benevolent to me. He does unbelievably stupid things, but they're always out of a misguided attempt at doing the right thing. Also, the show bothers to give him some redeeming and sympathetic moments, and he's actually good at his job. He tries too hard with his employees and avoids paperwork, but he's a brilliant salesman. He's probably not right for upper management, but he has some good characteristics.

The Salesman/Good Guy: Tim Canterbury Vs. Jim Halpert

This one's kinda hard. Neither is too attractive or too ugly. They're likable, funny guys. They're probably a little too mean to their respective prank victims, but it's understandable. I think I'm gonna have to with Jim, because some of his actions are more defensible and he's done a lot of really funny things to mess with Dwight.

The Receptionist/Love Interest: Dawn Tinsley Vs. Pam Beesley

Both Dawn and Tim were actors I already recognized from some funny movies, so that was interesting. They're pretty similar (obviously), and have some personal problems, but I think Pam deals with them better. Do you see a pattern here? Dawn seems to constantly be crying, while Pam is a little reserved but still can have some great ideas and triumphant moments. This is shallow, but she's also more attractive. Things were finally starting to happen the way they should at the end of the third season, so I'm looking forward to what happens.

The Boss' Assistant: Gareth Keenan Vs. Dwight Schrute

Gareth was played by another actor I recognized. They're both pretty funny, with their backgrounds providing them with a unique perspective of their work. I like how they're both the only ones devoted to their boss, yet the boss does not return the affection, finding them annoying. Dwight has a lot of great moments, but I have to go with Gareth. His skewed view of women and incongruous military background provide many hilarious scenes that cannot be ignored. He's definitely my favorite character from the UK show. His spiel about poisonous frogs is one of the best television monologues ever.

Intern/Temp: Ricky Howard Vs. Ryan Howard

Ricky's part is pretty limited, but while he's around he manages to be a likable, funny guy. Ryan is never that funny, and he's always put off by what's happening around him. His reactions and a lot of what happens to him is humorous, but as a character he doesn't do much. Also, he comes off as a jerk a bit too often. Ricky doesn't do much but he's not bad.

Warehouse Worker/Receptionist's Fiancé: Lee Vs. Roy

Neither is developed that much or that interesting. Their purpose is to be an obstacle in the good guy's path. From the time that's spent on them, Lee comes off as more of a complete jerk, while Roy definitely has bad tendencies but also has visible good parts to him. I'll take Roy.

Boss' Old Work Buddy: Chris Finch Vs. Todd Packer

I like David Koechner, but he comes off as too much of an ass as Packer. Finch is an ass too, but he is still visibly annoyed by David's personality, so he wins major points for that. Chris.

Fat Accountant: Keith Vs. Kevin

Kevin has a lot of good scenes, but I just don't like the way his face moves. His character's a little too juvenile to really be that interesting, too. Keith's role is very limited, but he does a lot with what he has to work with. They both have the tendency to say and ask a lot of embarrassing things without any trepidation, but Keith's nonchalant attitude is just funnier.

Corporate Supervisor: Jennifer Taylor-Clarke Vs. Jan Levinson

This isn't really a contest. Jennifer just serves the plot, Jan is actually a character. Her relationship with Michael is a confused and interesting one, and her continual breakdown throughout the third season is noteworthy.

That's about it for notable equivalent characters. There are other similar events, but they aren't that important. The US version has several other characters added in to flesh out the cast, and it seems like a richer world. It might not be as clinically funny as the UK version, but I still like it more. It's a warmer, more likable show, and I look forward to it's return.