Best Games of 2014

I own all three current generation video game consoles, and the one that had the best slate of games in 2014 was... the Wii U. Most people probably didn't expect that, but that's how things turned out. The PC was also a great place to play games, but if the only thing you have is a PS4 or an Xbox One, I honestly feel bad for you. Most of the games on this list were not exclusive to one platform, though, so everyone had plenty to play.

Best of 2014

10. Sunset Overdrive (XBO)

It's great to have the old Insomniac back. By my reckoning, this is their first good full length game with a real sense of fun since 2009. Overdrive's punk rock attitude doesn't always work, with some of the humor falling flat and feeling a bit out of date. On the other hand, we got a AAA game that involved such plot points as forging a magic sword in a nuclear reactor and throwing a concert to make some sick kids happy, so there's something to be said for just trying weird ideas out. The combat and weapon system doesn't work as well as the great Ratchet and Clank games, but the game looks and plays great, especially when you're usually the extremely fun traversal mechanics to make the whole city your playground. I liked this game a lot, and if they get to make a sequel, it could be truly great.

9. Captain Toad: Treasure Tracker (Wii U)


This spin-off of Super Mario 3D World takes the look and basic building blocks from last year's game and turns them from a party platformer into an adorable, often genius little puzzle game. Captain Toad can't jump or throw fireballs, but he uses his wits, some throwable items, and the ability to look at the world from any angle to solve dozens of small, inventive levels. I pursued the extra items more than I usually do in Nintendo games, because the fun of it is truly in exploring every nook and cranny to see what the designers managed to cook up. It's a bit light compared to some of the meatier experiences this year, but almost every moment is a pleasure.

8. Jazzpunk (PC)


If you played and enjoyed Blendo Games' oddball retro espionage adventures like Gravity Bone and Thirty Flights of Loving, you have an idea of whether you might like Jazzpunk. It doesn't have the narrative deftness of those games, but it does expand on the general idea while also stuffing every corner of every level with some truly bizarre and usually hilarious bit of comedy. Some of it's clever, some of it's referential, all of it is stranger than what you're used to seeing in video games. It's no surprise that this was published by Adult Swim. It doesn't have deep, satisfying gameplay, but the few hours it lasts are a comedic blast.

7. The Fall (Multi)


I usually don't include unfinished games on these lists, but I made an exception for The Fall. This is partly just because I'm not sure that subsequent episodes won't be released as separate titles, but also because despite it ending on a cliffhanger, it feels like a complete experience. You play as an AI controlling a space suit with a disabled pilot inside, your goal to get him medical assistance before time runs out. It has some simple yet effective combat and puzzle mechanics, but what makes The Fall really work is its dark (but not humorless) atmosphere and its story, where you have to subvert expected AI behavior in order to meet your goals, leading to some great cerebral questions about your priorities and some well executed twists. It's a few hours that will be hard to forget.

6. Wolfenstein: The New Order (Multi)


The New Order begins poorly with a boring opening sequence, but once you get past the scripted part and start the real game, you start to realize how much there actually is here. Lots of situations let you take a stealthy or guns-blazin' approach, and both are a ton of fun. Sneaking past guards, throwing knives, taking out commanders before they can radio for reinforcements is a blast. So is pulling out two of almost any gun in the game, from assault rifles to shotguns to even sniper rifles, and destroying everything that passes in front of your eyeballs. The story is also surprisingly good, with a fun alternate history setting, lots of well-executed moments, and human relationships you can actually believe in. MachineGames was founded by former Starbreeze developers, and they seem to have maintained their ability to create engaging, unique first person shooters.

5. South Park: The Stick of Truth (Multi)


The Stick of Truth is the most I have enjoyed South Park since... let's say season 9, back in 2005. I still watch the show, but the video game captures its spirit perfectly, and provides more laughs, shocking moments, and flat-out charm than the show actually has in a long time. It expands on the show's idea of the town as an ersatz Middle-earth, and drops references to tons of great moments from the entire run of the series, without ever feeling like it's only dropping references to something you already like. It's also a light but mostly fun RPG, with an enjoyable battle system that holds up through the game's 15 hours, and tons of fun side missions and collectible items (which also always reference the show). The actual show this year didn't knock my socks off, but The Stick of Truth reminds me that Trey and Matt still have a ton of ideas left in them.

4. Shovel Knight (Multi)


As someone who doesn't actually have a lot of reverence for the action games of the 8-bit era (just a bit before my time), Shovel Knight had to earn my admiration by itself, but it did that handily. The closest analogue is definitely Mega Man, but the influences are obviously from all over the place in that period. You play as Shovel Knight, who must travel through dangerous lands, avoiding traps and monsters, in order to defeat the Enchantress, save the world, and get a ton of treasure in the meantime. The level design is smart and devious, the art and sound direction know when to shirk the strict limitations of the hardware they're paying homage to, and the many boss fights are always fun. I also have to mention that the story is surprisingly effective, conveying a grand sense of adventure and smaller human moments with some pretty basic text boxes and animations. The year's best new old game.

3. Middle-earth: Shadow of Mordor (Multi)


And this year's best adaptation of the work of J.R.R. Tolkien is not the latest (and probably last) big budget epic film by Peter Jackson, but an action game by a revitalized Monolith that combines what works from the recent Batman: Arkham and Assassin's Creed games and tosses out what doesn't. It takes place between the two Middle-earth stories we all know about, and has you playing a fallen ranger who is forcibly joined with an ancient elf spirit and let loose on the hordes of orcs roaming around Mordor. The story is pretty poor and best when ignored, but the game is pretty great. Sneaking around, group-based combat, and open world structure are all familiar, but also executed very well, and the nemesis system that everyone talks about is terrific. Any orc who manages to defeat you in battle is promoted into the command structure, which can be investigated, exploited, infiltrated, and ultimately defeated in your quest for revenge. It's a cool system that buoys an enjoyable game, and will hopefully be stolen and improved for years to come.

2. Valiant Hearts: The Great War (Multi)


What's amazing about Valiant Hearts is that it presents a cute adventure story and depicts the horrors of one of history's most devastating wars without either really contradicting each other. The animated art style looks tremendous, and provides the basis for the gameplay, where you navigate battlefields and occupied villages, solving entertaining puzzles and doing what it takes to stay alive and see your family again. The game is packed with historical details that make it educational as well as entertaining, and the game also knows how to handle the weight of its setting, especially when you get to its brilliantly handled ending. There's also a cute, helpful dog in most of the levels that you can pet.

1. Bayonetta 2 (Wii U)


I liked the first Bayonetta, but I didn't love it. It was tough to find a good balance of challenge and agency in the combat. Bayonetta 2 nailed this for me though, and the result is one of my favorite pure action games in years. The core fighting mechanics feel great, the weapons are diverse and well balanced, and there's enough variety to easily carry you through the whole game and leave you wishing there was more. When it tried to explain the convoluted story I got bored, but the more immediate moments in the plot are more enjoyable and provide some incredible set-pieces, and I actually found myself emotionally affected by a specific point near the end. It's fantastic Nintendo was willing to do what it took to make sure this game saw release.

Delayed Entry

This is the best game that wasn't released in 2014 but I didn't play until then.

The Swapper (Multi)

I liked The Fall a lot, but it was actually only the second best existential sci fi side scrolling puzzle game I played in 2014. In The Swapper you are marooned on a mysterious space station, where you have to create clones of yourself and jump consciousness between them to solve puzzles, try to figure out what the hell is going on, and hopefully escape. So basically you win by killing yourself over and over. The very premise of the game is deeply unnerving to me. It's smart, moody, difficult in that great puzzle game way, and unforgettable.

South Park - Season 15

I'm at a crossroads with South Park, as I am with a number of other shows. It used to be I could just pick a show I'm interested in and watch every single episode, but now that I'm working full time it's harder to justify that. There has to be something more to keep me watching, or else I might have to stop watching a show before it actually ends its run on television. I've already done it a few times, and I'm sure I'll do it again. It doesn't take a lot for a show to stay in my rotation - all it has to do is be consistently very entertaining, or compel me to stay interested in its plot or characters. South Park does very little in the way of ongoing character development or story elements, so it has to rely on the former, and I'm not sure South Park does that. With the news that the show will continue to keep running through at least 2016, should I keep watching, or should I stop while I'm ahead and be glad to have gotten 15 mostly enjoyable years out of it?

The problem with the show now is that in its heyday, South Park was special because it was shocking and original. Both of which are hard to maintain after being on the air for over a decade. It's not that the show is afraid to tackle delicate current events, now - it was pretty much expected for them to react to the Penn State scandal, and they did so last night with a character who constantly cracked inappropriate jokes about it. It's just we're so used to their lampooning of pop culture what's in the news that it's not really fresh anymore. It eventually falls to our affection for the characters to keep us watching, and they're still an entertaining group, and there were actually a few episodes that teased at doing something different with them, like the cliffhanger where Stan's parents separate (again) or the one where Cartman has to move on from his doll collection. But while I enjoyed most of this season's episodes, I'm not sure if I still care enough to keep watching, especially when I know there definitely isn't any sort of end goal in sight. It's not like it's a terrible sacrifice to give up a half hour on fourteen Wednesday nights every year though, so I guess we'll see how I feel later on.

South Park - Season 14

South Park is really quite venerable at this point. They've now completed more seasons than The Simpsons had when they did the episode about how The Simpsons had been on so long that there weren't any stories it hadn't done. Of course South Park seasons are typically only about two thirds as long as Simpsons ones, but the fact is it's been around for a while. I wouldn't be surprised if the creators are sick of making it at this point, and decide not to continue after their contract is up following the 15th run next year. I mean, making 14 20 minute cartoons a year seems like a pretty cushy job, but at some point you gotta move on, right? It's not like animated shows on networks that have a lot of turnover on the writing staff and can perpetuate themselves seemingly indefinitely. Not that I'm really complaining about the quality of the season. It was pretty good. I've come to accept that the show is no longer the mixture of laugh out loud hilarity and absolutely shocking imagery that it was, and has settled into being quietly amusing and mildly provocative.

I'm not even sure that it's actually the quality of the content anymore - it would be pretty surprising if another episode had characters bouncing around on their gigantic cancerous testicles. It could be just that South Park is more like an old friend than anything else now. Two multi-part episodes this time, including a three parter that seemed to dominate the second half of the season. It's probably easier to work on fewer stories per year. The 200th episode really brought a lot of crap the creators have to put up with to light, and the Coon storyline seemed a bit long but was fairly packed with amusing bits from all sorts of origins. Facebook, Jersey Shore, and Inception were mocked, NASCAR and the Shake Weight were poked fun at. There's actually not very much from this season that wasn't taken from pop culture somehow. That can be fine, although sometimes the best South Park episodes aren't topical at all, and there weren't really any classics this year. Not a big deal though. Just a few months until the next batch of shows.

Characters of the Decade: Part 1

I already have lists for my favorite things of the decade in each category archived on the site, but I decided to do something a bit different for a feature. The most important thing to a good story is interesting characters, and sometimes they're better realized than usual. Characters are often what we remember most about something, and I thought I'd recognize that with a list of the best. These aren't exactly my favorites in each case - I tried to stick with ones that stick out in some really important way even if they didn't totally resonate with me. Any number of things could have gotten a character here; being a great villain, a powerhouse lead performance, launching someone's career, or just making something worth watching. I narrowed it down to 60, which was made easier by trying to limit myself to one character per work where possible. The list is a bit TV heavy since they have more time to develop a personality, and it leans towards white males more than I would have liked, but I still think it's a good list of people (and some robots) that were fascinating to watch. It's ordered chronologically by first appearance, with characters that originated before the decade began placed at the first point they became relevant again.

Eric Cartman
Trey Parker - South Park


"Nananananana! I made you eat your parents!"

The moment above will forever live in infamy, but it's just one of many great ones in the life of Cartman, the world's worst child. He's one of those rare characters that's a completely irredeemable asshole that you still love because his schemes and insults are just so entertaining and unforgettable. And he gets his comeuppance often enough that he's allowed to keep being such a bigoted little jerk.

Tony Soprano
James Gandolfini - The Sopranos


"Anybody else would've had their fuckin' intervention right through the back of their head."

The star of one of television's most important shows, Gandolfini is notable for standing out despite the amazingly strong and deep supporting cast around him. He's part imperfect family man, part ruthless mob boss, and part just another troubled guy who isn't totally sure of himself. One of the most evil men to ever be rooted for, and that's mostly because his insecurities are presented just as effectively as his strengths and ill deeds.

Bender
John DiMaggio - Futurama


"Goodbye losers, whom I've always hated!"

I could have easily put Fry or Professor Farnsworth here, but Bender is the character that defines the whole show. He's the robot who drinks because alcohol fuels his system and smokes because it makes him look cool. Once in a while he gets a bit too lowest-common-denominator, but his narcissism is inspiring and he's the robot friend we all wish we had.

Tyrion Lannister
A Song of Ice and Fire series


"Those are brave men. Let's go kill them."

It's almost insane how many characters George R. R. Martin has managed to develop into genuinely fascinating people, but if one sticks out it's the smallest of the bunch, the Lion of Lannister. The whole series thrives off making its central conflict more interesting by not allowing you to want any one side to totally win, and Tyrion was the first time we saw that. Watching the wheels turn in his head as he tries to do his best with the cards he's dealt is endlessly enjoyable, and hopefully Martin finishes up the fifth book first so we can see what he's up to.

Captain Hank Murphy
Harry Goz - Sealab 2021


"But the secret ingredient is love. Damn it."

Voice actor Harry Goz unfortunately passed away while Sealab was still airing, and while I was still able to enjoy it afterward, it was never quite the same, which speaks to how good he was. As the driving force behind most of the plots, his unique brand of insane leadership paved the way for many bizarre Adult Swim shows to come. Every character on the show had their time to shine, but none provided laughs more than Murphy.

Master Shake
Dana Snyder - Aqua Teen Hunger Force


"I mean, is he gonna be able to chase us? Cause if I woke up looking like that, I would just run towards the nearest living thing and kill it."

You know a character lives off the actor's performance when it's as hard as it was to find a good quote that stands without context even though he provides laughs constantly. Snyder is probably the best voice actor to work repeatedly with Adult Swim, and this is the role that gave him a chance to shine. There's just so much humor laced in every syllable that comes out of Shake's mouth, and even if that week's gimmick plot is lame it'll probably be worth watching just for his next zinger.

GIR
Rikki Simmons - Invader Zim


"It's me! I was the turkey all along!"

Possibly the only character that can get away with just saying random crap all day, thanks to Simmons' fine voice work and his unending supply of adorableness. GIR is one of those animated characters who's fun just to watch do anything, and he's at that right level of idiocy that you have to wonder if he's actually just messing with Zim and the audience some of the time.

Nate Fisher Jr.
Peter Krause - Six Feet Under


"Everything's bad for something."

Nate's as flawed a person as there will be on this list, and that's part of why he works. He's just a human being worried about his mortality and trying to figure out what he really wants to do with his life. His story is a tragic one, but watching it play out made for some of the decade's best personal drama. Plus, watching him yell at stupid people is funny.

Gareth Keenan
Mackenzie Crook - The Office (UK)


"I told him once that I don't like jelly. I don't trust the way it moves."

It's hard to pin down with is Gareth's most hilarious feature. I love his supposed hardened military background despite his ridiculous, gaunt physique. I love his very unfortunate combination of overconfidence and ineptitude with women. I love the overly serious way he deals with the politics of working at a small branch of a paper company. One of the few characters I prefer to the US version's equivalent, and that's despite that equivalent also being on this list.

Dr. Perry Cox
John C. McGinley - Scrubs


“Jordan…the boy already lip-syncs into your tampons, must we put a final nail in his tiny gay coffin?”

Despite this being the ninth year of Dr. Cox being on the air ranting and raving, I'm still not tired of it. McGinley never broke out beyond a few small film roles, but every week he's good for a few solid put downs and probably at least one epically vicious dissection of why whoever he's yelling at is a bad doctor. But there's enough variety, creativity, and humor there that you never feel he's being too mean. At his heart, he's a good doctor who's trying to make others around him better at their job, and that's why he gets away with it.

Jack Bauer
Kiefer Sutherland - 24


"I don't care how it's interpreted from the outside. I just gave you an order and I'd like you to follow it."

The only character I know of who deserves - nay, requires a website to keep track of all of his kills in the line of duty. However you feel about torture, it's hard to be upset with Jack for doing what he thinks he needs to do to save America because he puts up with so much crap and never asks for anything in return. Also, it's just a TV show. His actions definitely speak louder than his words, but he's had his share of resonant emotional moments too. He's why I keep coming back despite the series' declining quality.

Gandalf
Ian McKellen - The Lord of the Rings series


"A wizard is never late, Frodo Baggins, nor is he early. He arrives precisely when he means to."

Maybe the greatest action hero who's also an old man in film history. Gandalf was always the most interesting character in the books, and that held true in the movies as well. It's actually sort of two roles, as the wise and resourceful but fallible Gandalf the Grey at first and later as the powerful but justifiably aloof Gandalf the White. Kind and caring, but terrifying when he needs to be. He's basically what you wish your grandfather was like.

Continued tomorrow.

South Park - Season 13

The now-venerable South Park's 13th season was a bit better than the last couple, at least in terms of producing episodes that were consistently funny throughout. The second half in particular provided some good laughs fairly often. No multi-part stories this time, but there was a nice mix of timely celebrity and news references, parodies (some for shows I've never heard of (what the hell is Whale Wars?)), and more timeless episodes about how insane these small-town residents can get. "The Coon" might seem like an attack on Obama, but I took it more as a jab at people who expected too much from him too quickly, and it was an adequate Watchmen rip as well. Kanye West (I'm sure they were kicking themselves for doing an episode before the VMAs), the Jonas Brothers, and the rash of high-profile deaths this year were all targets, and Avatar and 2012 also get poked at (Roland Emmerich makes it so easy). Things like Butters' foray into the prostitution business and Earth's first (not actually first) contact with aliens coming from Stan's dead coercing him into cheating in a pinewood derby were some of the nuttier non-topical stories. While I did enjoy this season, the fact that at least two more are coming does make me still wonder how much longer it will be until the show settles into The Simpsons' territory of complete creative undeath, but however it goes I'll probably watch until it ends.

South Park - Season 12

It's hard to argue that South Park is as good as it's ever been, but it's still a good show. It's just that the great episodes are less frequent, and the average one has a higher tendency to not be as funny as it used to be pretty consistently. I still find something to enjoy every time it comes on Wednesday night, but you get the feeling that Trey and Matt are getting a little low on ideas, and it might be smart to call it quits after their contract runs out three years from now. They've even admitted to a little writer's block, as "Imaginationland" was originally the concept for a second movie but was turned into a few episodes because they couldn't think of anything else. They've said they'd like to finish the show with another real movie, and that sounds like a good idea to me.

Part of the problem is that the show's stances on things are becoming predictable, and they stick too closely with a single joke. "About Last Night..." was an entertaining take on the election and heist movies, but you could see the jabs at supporters of both candidates coming from a mile away. And episodes like "Breast Cancer Show Ever", while having some fun moments, are fairly one note and not up to the standard of insanity people expect. But there was some really good stuff this season too, like "Major Boobage" which experimented a lot with animation, "Canada on Strike" pitting online fads against each other, the dedicated reenactors of "Super Fun Time", and the Indiana Jones segments of "The China Probrem". Primetime animation in general hasn't been fantastic lately, and South Park is still worth watching.

South Park - Season 11

South Park has been funny for a long time now. It's not as consistent as it used to be, which can happen when you've been on the air for over a decade, but when it's on its game, it's still great. When it started it lived off the shock value of little kids swearing and fart jokes, but over time it's matured and said a lot of smart, real things about the world. It's always a treat when you suddenly realize what real-life issue Matt and Trey are cleverly lampooning. As you can see from the intro, the cast has been expanding quite a bit and is now reaching Simpsons-level proportions, but the episodes usually focus on the four boys and a few others so it doesn't seem like there's many one-trick ponies. It's become a pleasant routine to get seven new episodes every six months, and I hope it last a while longer.

There's no shortage of good episodes in season 11. In recent years they've gotten into multi-part episodes, and this time they had their longest and perhaps best yet, "Imaginationland", which stretched over three episodes. Funny, ironically epic, and they even managed to pull some comedy out of Gore and the Manbearpig. "The Snuke" is a spot-on (if a little late) parody of 24 that jabs at Hillary and "Lice Capades" spoofs disaster movies with equal skill. The Easter episode was excellent, as was the one that took Guitar Hero down a peg. The only ones that weren't great was probably the lesbian one that parodied 300 and the homeless one, but they weren't bad either, parodies were just getting a bit boring. The 12th season is already off to a decent start and I'm wondering where it will lead.